Neumann TLM-102/ZST stereo microphones are at home in even the finest project recording studios. These large diaphragm mics provide platinum-quality sound on a bronze budget, use transformerless circuitry for ultralow self-noise and handle sound pressure levels up to 138dB. Cardioid polar pattern optimizes attenuation of unwanted sound and suppresses feedback. Protective wire mesh grilles protect capsules and prevent pop noises. Frequency range: 20Hz to 20kHz. Impedance: 50 ohms. Factory-matched stereo pair ensures even tonal balance between mics.
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Filed under: Mics - Packages on August 28th, 2008 | No Comments »
The TC Helicon VoiceLive Vocal Floor Processor puts all the vocal tools you love and use in one dedicated box engineered for live music performance. Powerful EQ, compression, and delay are combined with rich reverb, harmony, correction, and doubling algorithms from TC-Helicon.4 unique harmony logic algorithms can add harmonies generated from your lead voice or can be used by a backup singer to create a multivoice back-up ensemble. Each of the 4 harmony voice parts use the Hybrid Shifting algorithm. This superior pitch-shifting algorithm is combined with a voice-trained pitch-detection algorithm and human-modeled naturalization parameters to create natural-sounding harmonies.The automatic pitch correction is the most transparent available. With factory and custom scales the Correct block can fix intonation problems in any musical style. Amount, Attack and a 200-cent window control make natural pitch correction easy to achieve.The VoiceLive contains the VOSTM Limiter an optical limiter optimized for voice. Its analog architecture ensures you'll never distort the mic input and maintain premium sound quality.8 footswitches and 4 control modes make VoiceLive easy to use in your performance. A user footswitch is assignable to TAP Tempo (for delay), Harmony Hold, and other useful parameters. You can also use an expression pedal to sweep through assignable modifiers.The bottom plate is constructed using a powder-coated steel-plate with anti-skid rubber matting. Controls are recessed and reinforced by double aluminum construction.
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Filed under: Multi Effects on August 28th, 2008 | No Comments »
The award-winning TLM 103 is an ideal large-diaphragm mic for all professional and semi-professional applications. By utilizing the tried-and-true transformerless circuit found in numerous Neumann microphones, the TLM-103 features very low self-noise and the highest sound pressure level transmission. The capsule, derived from that used in the U 87, has a cardioid pattern, is acoustically well-balanced, and provides extraordinary attenuation of signals from the rear.Includes an SG 103 swivel mount and a wooden jeweler's box.Polar patternThe TLM 103 is equipped with a large diaphragm capsule with cardioid pattern. By focusing on this pattern - used in most recording situations - the attenuation of unwanted rear sound has been optimized. Off-axis sounds are rendered naturally while isolation is increased. This also leads to high feedback suppression when the microphone is used in live situations or where loudspeaker playback is a factor.The capsule has a flat frequency response up to about 5kHz, and above that, a wide, flat 4dB presence boost. The large wire mesh headgrille protects the capsule from plosive sounds and effectively prevents pop noises. These characteristics are achieved without resorting to corrective resonance effects. Therefore, the microphone maintains an excellent impulse response and reproduces the finest details of music and speech without coloration.Electrical featuresWith just 7dB-A/17.5dB CCIR the self-noise level is so low that even the smallest signals are reproduced basically noise-free. As it is capable of handling sound pressure levels up to 138dB without distortion, the TLM 103 provides a dynamic range of 131dB.Operational safetyThe entire internal construction is elastically mounted to attenuate any structure borne noise that could interfere with the TLM 103's operation. Furthermore the capsule is set on an elastic mount.The frequency range reaches below 20Hz and thus even very low bass signals are reproduced without coloration. Due to this low frequency extension, the TLM 103 is more sensitive to structure borne interference and wind noise. Requires phantom power.
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Filed under: Mics - Condenser on August 27th, 2008 | No Comments »
The Peavey PVi2 Dynamic Microphone gives you astonishingly high-quality sound delivery with clean, natural sound. Cardioid unidirectional dynamic mic with on/off switch, rugged, die-cast steel case; low pop and handling noise; and low-gloss black finish. Peavey includes an XLR cable with your PVi2 mic.
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Filed under: Mics - Dynamic on August 27th, 2008 | No Comments »
The TC Helicon VoiceWorks Vocal Processor is hands-down the best harmony generator in its class. Creates 4-voice harmonies and 4 harmony modes and provides transparent pitch correction and fat automatic double-tracking, all so realistic you can solo them with confidence. It also includes superb T.C. Electronic effects and new HarmonyHold which lets you freeze your backing harmonies while you sing over them. Add a quality mic preamp, compression, EQ, tap-tempo delay, and reverbs and you have a complete vocal channel with 100 user presets.
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Filed under: Multi Effects on August 27th, 2008 | No Comments »
The Peavey PVM 46 is a dynamic hypercardioid microphone with a broad frequency response that is well suited for both vocal and instrument use. High-quality neodymium magnet and diamond-coated diaphragm provide increased sensitivity and incredibly accurate response.
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Filed under: Mics - Dynamic on August 27th, 2008 | No Comments »
The PVM 22 is a dynamic cardioid microphone that incorporates a special neodymium magnet. This magnet greatly increases sensitivity over conventional microphones, and with this Peavey mic's diamond-coated diaphragm, transient and frequency response are flawless.
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Filed under: Mics - Dynamic on August 27th, 2008 | No Comments »
The Sterling Audio STPF1 Professional Pop Filter eliminates plosives and protects your microphone from saliva. Compatible with most mic mounts. Requires phantom power.
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Filed under: Mics - Condenser on August 27th, 2008 | No Comments »
The TC Electronic M-One XL Effects Processor delivers jaw-dropping effects. XL technology benefits from the TC reverb heritage and takes advantage of both complex early reflection patterns and dense reverb decays to bring more natural and useful reverbs to all applications. This technological development combined with XLR connectors makes the M One XL well-suited for live situations. It comes loaded with 200 high-grade factory presets and can store up to 100 favorite presets in the user bank. Multi-effects include a wide range of reverbs, delays, and choruses. Also includes flanger, gate, expander, de-esser, tremolo, and phaser. Special drum verbs bring out the best in live drums.
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Filed under: Multi Effects on August 27th, 2008 | No Comments »
The Sterling Audio ST66 is a tube condenser microphone that employs a large capsule with an ultra-thin 3-micron evaporated gold Mylar diaphragm. Optimized to capture the most definition and detail from all acoustic instruments like piano, drums, and guitars, the ST66 mic's low-noise GT6205M tube in a Class-A triode circuit provides warmth and detail, adding new dimension to vocal and especially instrument recording.The ST66 uses triode wiring on specially selected pentode tubes to yield low noise and a more realistic dynamic response than their competitors. Its power supply is designed with a load-balancing circuitry that allows cable runs of more than 200 feet with no deviation from optimal performance.Sterling Audio microphones employ several advanced technologies that separate their large-diaphragm condenser mics from the rest of the pack. One of the more important advancements is their Disk Resonator system. With it, Sterling Audio is uniquely able to compensate for the 14kHz frequency roll-off that is inherent in large diaphragm mics. As any good audio engineer knows, this deficiency translates to a lack of sparkle from high-frequency sound sources. Other manufacturers have typically solved this problem by cutting other frequencies and then increasing the entire signal to help even out the frequency range. Unfortunately, this results in increased noise. Disk Resonator Technology incorporates a brass umbrella that protrudes from the center of the diaphragm in Sterling Audio's ST66 microphone. It gently boosts the diaphragm sensitivity to shorter sound waves, allowing it to respond more accurately to those all-important higher frequencies. The result is optimal sensitivity, full frequency response, and a low signal-to-noise ratio. Another piece of audio wizardry comes in the form of the ultra-thin diaphragm membrane made of Mylar. While most modern condenser diaphragms are 6 to 12 microns in thickness, Sterling Audio, in association with 3M, has produced a highly resilient Mylar that measures a mere 3 microns. This allows the ST66 to deliver an extraordinary degree of sensitivity. Requires phantom power.
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Filed under: Mics - Condenser on August 27th, 2008 | No Comments »
