Drum Mic Pack
April 10th, 2010Mixers – How to Choose the Right One
A mixer is designed to let you plug many signals into it, modify those signals, and mix them together into one or more signals, which can be sent to a PA or recorder. One common way in which mixers are described is by the number of buses. A buss is a signal path and lets you group a number of channels and control them with one fader. You can take 3 of your inputs, mix them together then route those 3 signals into one buss. You may take the rest of your inputs and route them to another buss. That is why you see mixers described as 4 buss, 8 buss, etc.
Here is an example, let’s say you did the sound check, and you got the drums sounding great. Now the band comes out for the set, the place is packed, and you need to turn up the drums. But, you have 8 drum mics, all on different channels. Is it possible to turn up all 8 faders by the exact same amount and keep your great mix? Most likely not, but you can route all 8 of those channels into one buss. Now when you turn up the volume for that buss, you are turning up all of the drums!
Most mixers have all the separate channels on the left side, and the master section on the right. Whether it is a 4 channel mixer or a 32 channel mixer, the controls for each channel are the same. You have the input jack, then a preamp, then some auxiliary sends, then your EQ, then the balance, and finally the volume control. The signal travels down this line, and then is sent to the master section. This get repeated for each and every channel. The master output then goes to your power amps.
Your signal travels through all of these switches and knobs. Each one adds a small amount of noise to the signal. Why is a Mackie mixer better than a Behringer? Less noise. If the manufacturer uses quality components, you get much less noise than if cheap components are used. This make a huge difference and you get what you pay for.The quality of the mic preamps are also important. Did the manufacturer use a $100 preamp, or a made-in-China $1 preamp? There are reasons why better mixers cost more money.
Some mixers have built-in effects. These make it easy to use, but the effects are usually not as good as a stand-alone effects processor. You wouldn’t use these effects for recording, but they are probably good enough for live sound.The last thing to consider right now is the number of Aux sends. You will need one PRE fader send for each monitor mix that you want to have. You also will need one POST fader send for each external effects unit that you want to use.
So which mixer is best? Consider the preamp quality, the number of buses (which give you many routing options), the number of channels, the number of auxiliary sends (pre and post), and effects.
About the Author
Neal is a freelance audio engineer based out of Chicago. He works for several local production companies as well as with his own clients. He also has a website at www.livesoundweb.info
Be sure to check back often as new sound system help articles are added every week.
Shure DMK 57/52 4 piece Drum Mic Pack
Little Tikes Musical Combo Pack – Jumbo Sing Along Keyboard with Microphone and Stool, Electric Guitar with Adjustable Stand Microphone $69.99
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Apple Logic Studio [OLD VERSION] $419.00
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Audix DP7 Drum Microphone Kit Dynamic Mic Package $899.00
The Sonic Sense customized Audix DP7 Packages includes all the cabling and stands that a recording and performing drummer will need for a standard drum kit. The (7) 20-foot mic cables can be loomed from the kit to a stage-box for sound-reinforcement applications. The (2) tall boom stands are perfect for overheads and won’t sag under the weight of the Audix ADX51 Overhead mics. The single TB50 h…
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Audix Fp5 Drum Mic Pack $329
The Audix FP5 Drum Mic Pack contains 5 Fusion dynamic microphones: the f6 for kick drum, the f5 for snare, and three f2s for rack and floor toms. Each Audix drum mic is provided with the snap-to-fit DCLIP mic stand adapter, and the entire system is packaged in a heavy-duty custom aluminum carrying case.f2 Drum MicsDesigned, assembled, and tested by Audix in the USA, the f2 is a dynamic instrument microphone used for stage and studio applications. The f2 is characterized with a hypercardioid pickup pattern for isolation and feedback control and is equipped with a LM (Low Mass) diaphragm for natural, accurate sound reproduction.The f2 is lightweight, compact, and easy to position. With a wide frequency response of 52Hz-15kHz and the ability to handle sound pressure levels of 139dB, the f2 mic is an excellent choice for miking instruments with a percussive nature such as rack toms, congas, and even saxophone, guitar cabinets, and brass.f5 Drum MicDesigned, assembled, and tested by Audix in the USA, the f5 is an all-purpose dynamic instrument microphone used for stage and studio applications. The f5 is able to handle sound pressure levels in excess of 137dB without distortion and can be used to mic a wide variety of musical instruments, especially the snare, but can also be effective on guitar and bass cabinets, vocals, and speech.The f5 is characterized with a hypercardioid pickup pattern for isolation and feedback control and is equipped with a LM (Low Mass) diaphragm for natural, accurate sound reproduction.The f5 is sturdy, compact, and easy to position. With a wide frequency response of 55Hz-15kHz, the f5 provides clear, accurate, natural sound reproduction without having to rely on EQ. f6 Drum MicDesigned, assembled and tested by Audix in the USA, the f6 mic is a dynamic instrument microphone used for stage and studio applications. The f6, which is characterized with a hypercardioid pickup pattern for isolation and feedback control, is equipped with an LM Type A (Low Mass) diaphragm for natural, accurate sound reproduction.The f6 is lightweight, compact, and easy to position. With a wide frequency response of 40Hz-16kHz and the ability to handle sound pressure levels of 140dB, the f6 is an excellent choice for miking instruments requiring extended low frequency reproduction such as kick drum, large toms, and even bass cabinets.All 3 mic stylesAll drum mics in this Audix microphone pack feature roadworthy construction including a precision cast zinc alloy body, black-coat finish, laser-etched model and serial number, steel mesh grill, gold XLR connector, and a tension-fit, heavy-duty nylon mic clip.Their transformerless designs, low impedance, and balanced outputs allow for interference-free performance even with long cable runs.5 condenser mics for drum miking:f6 for kick drumf5 for snare drum3 f2′s for rack toms and floor tomEach has snap-to-fit DCLIP mic stand adapterHeavy-duty aluminum carrying casef2Compact, lightweightCast zinc alloy bodyL
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Audix Fp7 Drum Mic Pack $459
Audix has revolutionized drum and percussion miking by designing specific mics for specific instruments. The Fusion Series microphones, which are designed, assembled, and tested by Audix in the USA, fulfill all the performance criteria required for professional stage and studio applications. These prepackaged sets of microphones offer convenience, quality, durability, and affordability.All mics come with high-impact mic stand adapters and are packed in a heavy-duty foam-lined aluminum carrying case for safe keeping when the products are not in use.The Microphones: f5 x 1 For snare, timbale, guitar cabinetsThe f5 is characterized with a hypercardioid pickup pattern for isolation and feedback control and is equipped with an LM Type A (Low Mass) diaphragm for natural, accurate sound reproduction.The f5 is sturdy, compact, and easy to position. With a wide frequency response of 55Hz15kHz, the f5 provides clear, accurate, natural sound reproduction without having to rely on EQ.f2 x 3 For rack toms, floor toms, congasThe f2 is characterized with a hypercardioid pickup pattern for isolation and feedback control and is equipped with an LM Type A (Low Mass) diaphragm for natural, accurate sound reproduction.The f2 is lightweight, compact, and easy to position. With a wide frequency response of 52Hz-15kHz and the ability to handle sound pressure levels of 139dB. f6 x 1 For kick drum, cajon, djembe, bass cabinetsThe f6, which is characterized with a hypercardioid pickup pattern for isolation and feedback control, is equipped with a LM Type A (Low Mass) diaphragm for natural, accurate sound reproduction.The f6 is lightweight, compact and easy to position. With a wide frequency response of 40Hz-16kHz and the ability to handle sound pressure levels of 140dB, the f6 is an excellent choice for miking kick drum and instruments requiring extended low-frequency reproduction such as large toms and bass cabinets, leslie bottom, and cajons. f9 x 2 For overheads, high-hat, snare bottom, goodie table, and acoustic instrumentsThe f9 is a professional pre-polarized condenser microphone used for stage and studio applications. It is known for its clear, accurate response particularly in the upper frequency range. The f9 features a 16mm pre-polarized capsule with gold vapor diaphragm and a frequency response of 40Hz 20kHz. This versatile mic is easy to position, durable and manufactured with high standards and tight tolerances.All the mics in the Audix FP7 Fusion Mic Package feature roadworthy construction that includes a precision cast zinc alloy body, black coat finish, laser etched model and serial number, steel mesh grill, gold XLR connector and a tension-fit heavy duty nylon mic clip.All-in-one solution for drum mikingInstrument-specific mics for optimal resultsCost-effectiveRugged Audix qualityAluminum carrying caseWhat’s In The BoxOne f5 dynamic mic3 f2 dynamic mics One f6 dynamic mic2 f9 dynamic micsSix D Clips one MC1 clipone Aluminum carrying case with foam ins
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Audix Fp4 Drum Mic Pack $249
Audix has revolutionized drum and percussion miking by designing specific mics for specific instruments. The Fusion Series microphones, which are designed, assembled, and tested by Audix in the USA, fulfill all the performance criteria required for professional stage and studio applications. These prepackaged sets of microphones offer convenience, quality, durability, and affordability. All mics come with high-impact mic stand adapters and are packed in a heavy-duty foam-lined aluminum carrying case for safe keeping when the products are not in use.The Microphones: f5 x 1 – Suitable for snare, timbale, guitar cabinets The f5 is characterized with a hypercardioid pickup pattern for isolation and feedback control and is equipped with a LM Type A (Low Mass) diaphragm for natural, accurate sound reproduction.The f5 is sturdy, compact and easy to position. With a wide frequency response of 55 Hz 15 kHz, the f5 provides clear, accurate, natural sound reproduction without having to rely on EQ.f2 x 2 – Suitable for rack toms, floor toms, congasThe f2 is characterized with a hypercardioid pickup pattern for isolation and feedback control and is equipped with a LM Type A (Low Mass) diaphragm for natural, accurate sound reproduction.The f2 is lightweight, compact and easy to position. With a wide frequency response of 52 Hz – 15 kHz and the ability to handle sound pressure levels of 139 dB. f6 x 1 – Suitable for kick drum, cajon, djembe, bass cabinetsThe f6, which is characterized with a hypercardioid pickup pattern for isolation and feedback control, is equipped with a LM Type A (Low Mass) diaphragm for natural, accurate sound reproduction.The f6 is lightweight, compact and easy to position. With a wide frequency response of 40 Hz – 16 kHz and the ability to handle sound pressure levels of 140 dB, the f6 is an excellent choice for miking kick drum and instruments requiring extended low frequency reproduction such as large toms and bass cabinets, leslie bottom, cajon. All the mics in the Audix FP4 Fusion Mic Package feature roadworthy construction that includes a precision cast zinc alloy body, black coat finish, laser etched model and serial number, steel mesh grill, gold XLR connector and a tension-fit heavy duty nylon mic clip.All-in-one solution for drum mikingInstrument-specific mics for optimal resultsCost-effectiveRugged Audix qualityAluminum carrying caseWhat’s In The BoxOne f5 dynamic micTwo f2 dynamic mics One f6 dynamic micThree D Clips One MC1 clipone Aluminum carrying case with foam inserts
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On-Stage Drum Set Microphone Stand and Clips Pack $59.95
The On-Stage Drum Set Microphone Rim Clip and Stand Package is the perfect package for anyone that needs to mic drums with out the bulk of a bag full of mic stands. This package includes five On-Stage DM50 drum rim clip microphone mounts and one MS7920B kick drum/amp mic stand.
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On-Stage Drum Set Microphone Stand Pack $79.95
The On-Stage Drum Set Microphone Rim Clip and Stand Package is the perfect package for anyone that needs to mic drums with out the bulk of a bag full of mic stands.
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Electro-Voice Pl Dk7 Drum Mic Pack $649
The Electro-Voice PL DK7 is a ready-for-the-gig microphone solution for a 5-piece drum set containing 1 PL33 dynamic supercardioid kick drum mic, 4 PL35 dynamic supercardioid tom/snare mics, and 2 PL37 condenser cardioid overhead/hi-hat mics, all packaged in a high-quality firm-exterior 600 Denier nylon gig bag with shoulder strap. The PL33 dynamic supercardioid kick drum mic delivers tight low-end and punctuation for kick drums and low frequency instruments. The EV PL35 dynamic supercardioid tom and snare mic, with its unique body design, integrated swivel and drum rim clamp is voiced for exceptionally natural tom and snare sounds. And the PL37 condenser cardioid overhead mic is designed and voiced for overhead drums, cymbals, hi-hats and percussion, and crisply captures all the performance nuances with superior transient response.1 PL33Tight, low-end, and super-fast transient response for a full, powerful soundEnhanced isolation for superior off-axis rejectionFrequency response: 20 Hz – 10 kHzLow impedance3-year warranty4 PL35sUnique body design eliminates the need for right-angle XLR connectors to minimize cable clutter over the drumIncludes DRC-1 snap-on drum rim clamp that mounts the mic directly to just about any brand drum rimVoiced for exceptionally natural tom and snare content, with superior isolationFrequency response: 50 Hz – 16 kHzLow impedance3-year warranty2 PL37sCrisply captures all the performance nuances with superior transient responseTight cardioid pattern enhances isolation for a clean mixHigh SPL capacityFrequency response: 50 Hz – 16 kHzLow impedance, requires 11 – 52 VDC phantom power3-year warranty1 EV Gig BagFirm and durable 600 Denier nylon exteriorForm cutouts for up to 10 PL drum micsPadded handle and shoulder strapZippered rear compartment for sheet music, sticks, and accessories
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Shure PGDMK4 Performance Gear Drum Mic Kit $249
The PGDMK4 Drum Mic Kit is an essential drum kit mic selection for snare drums, rack/floor toms, and percussion.
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AKG Groove Pack 6 Drum Microphone Package with Case $399
The AKG Groove Pack is the perfect drum mic package for any live or studio setup, giving extremely high quality sound and built tough for the road.
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Gear One 4 Piece Power Pack Drum Mic Pack $199.99
For recording or live sound reinforcement, this 4-piece drum mic pack includes 2 CAD CM217 small-diaphragm condenser mics for overheads, 1 Digital Reference DRI100 instrument mic for snare, and 1 Gear One MK1000 kick drum mic. CAD CM217The CAD CM217 is a small diaphragm condenser microphone that was designed for acoustic guitars, stringed instruments, cymbals, hi-hats, drum overheads, and more. Features include hi-pass filter and attenuator. Mic clip included.Digital Reference DRI100The Digital Reference DRI100 Dynamic Instrument Microphone offers frequency response for superior sound reproduction. The mic’s clarity and warmth makes guitars, amps, percussion and horns sound their very best. The DRI100 microphone’s tight pickup pattern isolates your instrument from other performers, while at the same time reducing feedback. Designed to handle high sound pressure levels, the Digital Reference DRI100 mic captures all the subtle nuances of drums and saxophones as well as vocals and stringed instruments.Gear One MK1000The highly affordable MK1000 is a dynamic mic designed for low frequencies. Its supercardioid polar pattern provides maximum isolation onstage for greater gain-before-feedback. Its 30Hz-10kHz frequency response is tailored for kick drum with a slight boost at 80Hz (where kick drum lives) and a presence peak at 3kHz and 9kHz for clear and articulated attack. Max SPL: 146dB
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Shure Drum Mic Package With Cable And Stand $449
This Shure drum microphone package comes with Shure’s DMK57-52 Drum Mic Kit, a DR Pro DR256 MS1500BK Low Profile Mic Boom Stand, and 4 Gear One XLR Microphone Cables to give your drummer the proper miking a timekeeper deserves.DMK57-52 Drum Mic KitThis Shure drum mic kit is a conveniently packaged collection of microphones and mounts, designed to offer core equipment for recording and performing drummers at a great price. The drum microphone pack includes three SM57 microphones, one Beta 52A microphone, three A56D drum-mounting systems, and a lightweight, durable carrying case.DR Pro DR256 MS1500BK Low Profile Mic Boom StandThe DR Pro DR256 is a basic low-profile tripod microphone stand with telescoping boom. The boom is 19″ and extends to 31″. It is height adjustable from 9″ to 17″. The tripod legs extend to 19″ per side.Dedicated to manufacturing premium stands for the professional studio musician, DR Pro gear is sure to deliver superior performance. Their gear is strong, lightweight, and uses a durable powder-coated finish paint, tougher tubing, and precision mechanical parts. Plus, DR’s industry-standard designs make it easy to integrate DR mic stands into any studio or stage setting.Gear One XLR Microphone CableFor serious-minded musicians, Gear One’s XLR cables have the strength and durability to withstand more than everyday use. Since your cable is your sound, this XLR mic cable’s superior wiring allows your signal to be quiet, eliminating frustrating hums, buzzing, and crackles.Shure mic pack includes the DMK57 Drum Mic Kit, I DR Pro Low Profile Stand, and 4 Gear One XLR Mic CablesShure DMK57 Drum Mic KitA collection of some of the most widely used mics in the world for stage and studio miking of drumsIncludes mics and hardware for core miking of basic setsAlso includes application-specific illustrations of different setupsCase: Dark gray, enamel-painted, die-cast steel with a polycarbonate grille and a stainless steel screenGear One XLR Microphone CableSturdy construction for enhanced signal and performanceFlexible mic cable design eliminates kinks and twists for a tangle-free performance in-studio and onstage
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Audix Dp Quad 4 Piece Drum Mic Pack $599
This 4-piece Audix drum mic kit contains the D6 bass drum mic, the i5 instrument mic and 2 ADX-90 condenser mics. While some drummers prefer close miking every mounted tom and floor tom, a compelling case can be made for the 4 piece miking strategy. The D6 is a great bass drum mic that sounds great wherever you place it, the i5 picks up the snare with crisp attack and full body, and two overhead ADX51s do a great job of picking up the toms, hi-hat, and cymbals. This 4 piece pack comes equipped with stand adaptors and individual pouches for each microphone.Details1 x i5: The i5 works for snare (top or bottom) and toms (it is also an excellent mic for instruments or guitar cabs). It features a protective steel grill, is easy to set up and use, and has a clean accurate sound.1 x D6: The D6 works for kick drum, floor tom, djembe, cajon and other low-pitched percussion instruments. It features extended low end for larger drums, accurate frequency response, natural sound. 2 x ADX51s: The ADX51 is designed to capture the acoustics of the instrument being miked while at the same time isolating it from the rest of the instruments on stage. It is especially suited to extended mid and high frequency signals.
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Shure Drum Mic Package With Cable And Boom Stands $479
This Shure drum microphone package includes Shure’s PGDMK6 Drum Mic Kit, a DR Pro DR256 MS1500BK Low Profile Mic Boom Stand, 2 Musician’s Gear MS-220 Tripod Microphone Stands, and 6 Gear One XLR microphone cables to give your drummer the proper miking a timekeeper deserves.Shure PG 6-Piece Drum Mic KitThe Shure PG drum mic package includes one PG52 kick drum mic, 3 PG56 snare/tom mics, 2 PG81 instrument mics, and a carrying case. PG microphones are developed with distinct characteristics and performance-based applications in mind, so you can be sure that they will perform up to the high standards expected of a Shure mic.DR Pro DR256 MS1500BK Low Profile Mic Boom StandThe DR Pro DR256 is a basic low-profile tripod microphone stand with telescoping boom. The boom is 19″ and extends to 31″. It is height adjustable from 9″ to 17″. The tripod legs extend to 19″ per side.Musician’s Gear MS-220 Tripod Microphone StandsThe MS-220 tripod microphone stand has a thread adapter and tubular legs. Its adjustable height from floor to top thread is 35″ to 61-7/8″. The 30-1/4″ fixed boom is not adjustable.Gear One XLR Microphone CableFor serious-minded musicians, Gear One’s XLR cables have the strength and durability to withstand more than everyday use. Since your cable is your sound, this XLR mic cable’s superior wiring allows your signal to be quiet, eliminating frustrating hums, buzzing, and crackles.This Shure mic pack includes the PGDMK6 Drum Mic Kit, I DR Pro Low Profile Stand, 2 Musician’s Gear Tripod Mic Stands with Fixed Booms, and 6 Gear One XLR Mic CablesShure PGDMK6 Drum Mic Kit(3) Three PG56 snare/tom microphones(1) One PG52 kick drum microphone(2) Two PG81 instrument microphones(3) Three A50D drum mounts(1) One durable carrying casePG56 snare/tom kick drum micTailored frequency response is smooth and extendedTuned specifically for drum applicationsCardioid polar pattern Less susceptible to feedback in high volume settingsDynamic cartridge with a simple, rugged coil Handles extreme volume levelsNeodymium magnet for high output levelInternal shock mountDurable metal constructionIntegral stand mountHardened steel-mesh grillePG52 kick drum microphoneDie-cast housingDynamic cartridge tailored for kick drums and bass ampsCardioid pattern rejects unwanted noise and minimizes feedbackNeodymium magnet for high outputInternal shockmount reduces handling noiseHardened steel mesh grille protects mic from errant sticksPG81 instrument microphonesWide, uniform,and flatfrequency responseCardioid polar patternResists feedback in high volume settingsCondenser cartridge has a lightweight, sensitive diaphragmPowered by AA battery or phantom power Internal shock mountDurable metal construction.On/off switch Gear One XLR Microphone CableSturdy construction for enhanced signal and performanceFlexible mic cable design eliminates kinks and twists for a tangle-free performance in-studio and onstage
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Audix D6 Kick Drum Mic With Cable And Stand 2 Pack $449
This 2-pack features 2 Audix D6 Sub Impulse Kick Drum Mics, as well as a pair of Gear One Mic Cables, and DR PRO Low Profile Stands.Audix D6 Sub Impulse Kick Drum MicThe D6 is an American-made instrument microphone designed for live and studio performance. Characterized with a cardioid pick-up pattern and a frequency response of 30Hz-15kHz, the D6 instrument mic is an ideal choice for kick drum, bass cabs, and other instruments requiring low frequency reproduction.The Audix mic comes in a transformerless design, low impedance, and a balanced output allows interference-free performance even with long cable runs. The D6 mic, a one-piece body precision machined from solid aluminum, consists of a durable hard coat anodized finish.Gear One Mic CableFor serious-minded musicians, Gear One’s XLR cables have the strength and durability to withstand more than everyday use. Since your cable is your sound, this XLR mic cable’s superior wiring allows your signal to be quiet, eliminating frustrating hums, buzzing, and crackles.DR PRO DR256 MS1500BK Low Profile Mic Boom StandThe DR Pro DR259 keeps things simple with a basic low-profile tripod microphone stand with telescoping boom. The boom is 19″ and extends to 31″. It is height adjustable from 9″ to 17″. The tripod legs extend to 19″ per side.Dedicated to manufacturing premium stands for the professional studio musician, DR Pro gear is sure to deliver superior performance. Their gear is strong, lightweight, and uses a durable powder-coated finish paint, tougher tubing, and precision mechanical parts. Plus, DR’s industry-standard designs make it easy to integrate DR mic stands into any studio or stage setting.Audix D6 Sub Impulse Kick Drum MicApplications:Live Stage – coffeehouse to stadiumKick drum, floor tom, djembe, cajon acoustic bass, electric bass cabsStudio – any instrument requiring precise low frequencyGear One Mic CableSturdy construction for enhanced signal and performanceFlexible mic cable design eliminates kinks and twists for a tangle-free performance in-studio and onstage
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Audix DP4 Drum Microphone Package with Case $599
The Audix DP-Quad Pro Drum Pack provides the most drum kit coverage using the least amount of hardware and mic channels. Loaded with Audix’s best pro series mics, the DP-Quad allows the drummer to individually mic the bass drum (D6) and snare (i5) while using the twin ADX51 condensers as overheads to mic the rest of the drums and cymbals.
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Nady Dmk-9095 7-Piece Drum Mic Package $219.99
The Nady DMK-9095 microphone pack comes with four Nady DM 70 instrument mics, one Nady DM 90 kick drum microphone, two CM 95 microphones, and a fitted case.DM 70 Drum and Instrument MicrophonesEquipped to handle extremely high sound pressure levels without distortion, the DM70 microphones are ideal for live and studio close-miking of all types of drums and percussion instruments, and also for accurate sonic reproduction of brass, woodwind, and other instruments producing high sound pressure levels.DM 90 Dynamic Kick Drum MicrophoneSpecially designed for the most accurate reproduction of extended low-frequency instruments and amps. The Nady DM-90 mic features a dynamic element and large diaphragm for capturing the attack, punch, and high SPL of bass drums. Supercardioid pattern for ultimate feedback rejection, and a rugged die-cast body with internal shockmount and hardened steel grille.CM95 Condenser MicrophonesLow-cutoff and -10dB attenuation switches for utmost versatility in all applications. High sensitivity, smooth, full frequency response and very high SPL capability. Transformerless design for minimal self-noise and increased dynamic range. Rugged, turned-brass mic housing and internal subassembly shockmount for maximum reliability.DM 70 Drum & Instrument MicrophonesCardioid pattern allows close miking without bleed-through from other drum kit piecesNeodymium element delivers maximum outputUp to 145dB SPL handling capacity for distortion-free reproduction of even the loudest drums and other instrumentsTransformerless moving-coil dynamic design for enhanced bass and fast transient responseAll-metal construction for maximum reliabilitySpecial rubber shockmount mic holder minimizes floor vibration pick-upIncredibly small, low-profile design for minimum visibility and versatile close-miking placement around the drum kitGold-plated XLR for maximum conductivityFull frequency response for sonic punch with exceptional clarity: 70Hz – 16kHzDM 90 Dynamic Kick Drum MicrophoneAccurate reproduction of the extended low frequenciesDynamic elementLarge diaphragm for capturing the attack, punch under high SPLs of bass drumsSupercardioid pattern for ultimate feedback rejectionRugged die-cast bodyInternal shockmountHardened steel grilleCM95 Condenser MicrophonesLow cutoff switch-10dB attenuation switchSmooth, full frequency response: 40Hz-20kHzHigh SPL capability: 131dBTransformerless design for minimal self-noise and wide dynamic rangeTurned-brass housingInternal sub-assembly shockmount
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