Home Recording Studio Center

If a lack of money and floor space is all that’s been standing between you and a home recording studio full of the finest vintage guitar amps and effects pedals, get ready to love the Behringer V-Amp 3 multi-effects processor. This red rocker comes loaded with 32 amp models, 15 speaker cabinet models and 16 classic effects. But that’s only the beginning you also get the UCA222 USB audio interface …

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Package Included :
1 x New Contact Microphone MIC Pickup Guitar,Violin,Banjo,Viola…

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The Hohner 1490 Blues Blaster Harmonica Microphone is a hand-held mic with volume control that produces that classic, dirty Chicago blue harp tone. Requires standard XLR mic cable (included) and lo-to-high impedance transformer with 1/4″ plug (product# 427600 or 270570) to plug directly into your amp….

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Contoured to fit comfortably in the palm of your hand, the Model 520DX “Green Bullet” microphone produces the unique sound that has made it a legend among harmonica players. The 520DX features a volume control knob at the base of the microphone that allows users to make adjustments to suit their needs during live performance. An attached cable with a standard 1/4-inch plug allows the microphone to…

Click here to learn more about Shure Green Bullet 520DX Dynamic Harmonica Microphone

This is an Asiatic by Hohner 20′ high-impedance 1/4″ amp replacement cable with connector for use with the JT30 Roadhouse Harmonica Microphone. The JT30 Roadhouse Harmonica Mic is our exclusive version of this hand-held harp mic with volume control. The JT30 Roadhouse Microphone produces that classic, dirty Chicago blues harp tone. Plug it directly into your amp using this harmonica mic cable.20 ft. High impedance 1/4″ amp cable Connects to JT30 roadhouse harmonica mic

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This is an Asiatic by Hohner 20′ high-impedance 1/4″ amp replacement cable with connector for use with the JT30 Roadhouse Harmonica Microphone. The JT30 Roadhouse Harmonica Mic is our exclusive version of this hand-held harp mic with volume control. The JT30 Roadhouse Microphone produces that classic, dirty Chicago blues harp tone. Plug it directly into your amp using this harmonica mic cable.

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The Shaker Madcat is a miniature, handmade microphone made expressly for the harmonica player. It cups easily in the hand letting you produce very natural wah-wah sounds while putting the lid on the harp player’s biggest enemy – feedback. The Madcat is equipped with a volume knob, short 1/4″ cable, and comes with an extender jack for connecting a longer instrument cable. Th Shaker Madcat is is a great alternative to bulkier, heavier bullet-style mics which doesn’t compromise on the filthy tone blues players demand.Miniature, handmade mic Cups easily for natural wah-wah sounds Almost totally eliminates feedback Integral volume knob Short 1/4″ cable with extender jack

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The Shaker WSB has been designed to be Shaker’s most affordable crystal microphone, voiced specifically for harmonicas. It’s a great blues tool, hard-wired with a 10-foot cable and a 1/4″ plug, and it can even act as a great back up mic. It’s a great beginner mic that’s easy on the wallet, yet gives professional performance and awesome tone, along with great feedback rejection. The mic is extremely economical, has hot crystal element, is voiced to cut through other sounds, has a clear and aggressive tone, and is ergonomically designed to be very easy to hold. Shaker Harmonica Microphones are part of a sophisticated music making system, one that includes the harmonica, the player’s hands, the microphone, the amp, and the player’s personal techniques. Traditional methods of measuring response and behavior become pretty much irrelevant because Shaker’s don’t fit strictly into the established categories of polar patterns. By using a sampling of the harmonica’s sound and directing it through acoustic ports into a volume-tuned chamber, Shaker mics become, in essence, miniature hand-held recording studios. This is known as Shaker GNS technology, or good noise sampling, resulting in great tone, extreme technique sensitivity, and tremendous feedback. Designed and engineered by Shakey Joe, these mics are totally handmade in the US and use as many American-made parts as possible, making Shaker microphones the real deal. Made in the Arizona desert by harp players, for harp players.

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The Shaker WSB has been designed to be Shaker’s most affordable crystal microphone, voiced specifically for harmonicas. It’s a great blues tool, hard-wired with a 10-foot cable and a 1/4″ plug, and it can even act as a great back up mic. It’s a great beginner mic that’s easy on the wallet, yet gives professional performance and awesome tone, along with great feedback rejection. The mic is extremely economical, has hot crystal element, is voiced to cut through other sounds, has a clear and aggressive tone, and is ergonomically designed to be very easy to hold.Shaker Harmonica Microphones are part of a sophisticated music making system, one that includes the harmonica, the player’s hands, the microphone, the amp, and the player’s personal techniques. Traditional methods of measuring response and behavior become pretty much irrelevant because Shaker’s don’t fit strictly into the established categories of polar patterns. By using a sampling of the harmonica’s sound and directing it through acoustic ports into a volume-tuned chamber, Shaker mics become, in essence, miniature hand-held recording studios. This is known as Shaker GNS technology, or good noise sampling, resulting in great tone, extreme technique sensitivity, and tremendous feedback. Designed and engineered by Shakey Joe, these mics are totally handmade in the US and use as many American-made parts as possible, making Shaker microphones the real deal. Made in the Arizona desert by harp players, for harp players.Crystal elementOutput: hardwired with a 10′ cable and 1/4″ plug

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The Red Howler harmonica mic from Digital Reference is a dynamic microphone with comfortable handling while providing a rich, warm tone. It’s tailored frequency and unique shape make it ideal for handheld use during a harmonica performance. A volume knob on the back enables you to adjust the volume during a performance. It has a 3 meter cord to give you plenty of room for getting down during your solos.

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The AMT HR3 is Applied Microphone Technology’s 3rd generation of harmonica microphone systems. It’s designed and manufactured by hand in the USA to reproduce the sound of the harmonica as naturally as possible.The HR3 microphone is intended to fit different-sized harmonicas from diatonic to 16-hole. The HR3, unlike its predecessors, has a clamp that adjusts by a thumb and allen screw to fit different instruments. The HR3 mic also includes AMT’s DCT (Disconnecting Cable Technology), allowing for easy replacement of the cable from the harmonica microphone and giving it the ability to interface with various wireless systems on the market.The included AMT inline preamp can be used on the floor, with a belt clip, or in a pocket, and it has a low roll-off filter as well as a dB cut. The system includes a soft carrying pouch, AMT inline preamp (phantom power required), and adjustable clamp.

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The Audix FireBall is a dynamic microphone with sleek styling and a unique design. Well-suited for both chromatic and diatonic harmonicas, the FirebBall mic features a dent-resistant round grill with a deep red internal pop filter. Contoured to fit comfortably within the palm of your hand. A full-sized dynamic capsule featuring VLM (Very Lo Mass) technology provides big, full-bodied sound that is both clean and accurate. The FireBall is resistant to feedback and is capable of handling sound pressure levels in excess of 140dB without distortion. Made to be cupped, this harmonica microphone will operate as if in an open-air environment even under the most demanding conditions. A smooth and uniform frequency response of 50Hz-16kHz and a cardioid polar pattern allow the FireBall to focus on the particular instrument being miked without picking up other instruments or ambient noise.CNC machined out of a solid bar of aircraft-grade aluminum, it then goes through an elaborate 3-stage anodizing process for a distinctive look. Each FireBall is attractively laser etched with its name and serial number. Includes a heavy-duty mic clip and carrying pouch.Dynamic moving coil transducerVLM (very low mass) Type B capsuleCardioid pickup patternSensitivity: 1.9mV/Pascal @ 1k50Hz-16kHz frequency range150 ohms balanced impedanceMaximum SPL: >140 dBOff-axis rejection: >23 dBAluminum housingAnodized finish4-1/2 oz3″L

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The Shaker Crystal is Shaker’s original harmonica microphone. Born in 1992, the Crystal Shaker Microphone’s voice is accurate and clear with traditional crystal breakup and tremendous presence. A Hi-Z (high output impedance) microphone the Shaker Crystal breaks up with true ice-pick-in-the-ear crystal distortion characteristics when pushed hard. The Crystal harmonica mic has more of an accurate sound and less tonal coloration than Shaker’s Dynamic mics. Some call it cleaner, Shaker says it has more acoustic clarity. When you need to cut through a thick rhythm section, this harp mic has the in-your-face presence and crystal edge to get the job done. This Shaker harmonica mic also has fantastic feedback rejection and is housed in the same indestructible thermal resin casing as Shaker’s Dyno mic, so it’s just as ergonomic and as easy to hold.Shaker Harmonica Microphones are part of a complex music-making system, one that includes the harmonica, the player’s hands, the microphone, the amp, and the player’s personal techniques. Traditional methods of measuring response and behavior become pretty much irrelevant because Shaker’s don’t fit strictly into the established categories of polar patterns. By utilizing a sampling of the harmonica’s sound and directing it through acoustic ports into a volume-tuned chamber, Shaker mics become, in essence, miniature hand-held recording studios. This is known as Shaker GNS technology, or good noise sampling, resulting in great tone, extreme technique sensitivity, and tremendous feedback. Designed and engineered by Shakey Joe, these mics are totally handmade in the US and utilize as many American-made parts as possible, making Shaker microphones the real deal. Made in the Arizona desert by harp players, for harp players.

Click here to learn more about Shaker Crystal 1/4 Harmonica Microphone

The Hohner 1490 Blues Blaster Harmonica Microphone is a hand-held mic with volume control that produces that classic, dirty Chicago blue harp tone. Requires standard XLR mic cable (included) and lo-to-high impedance transformer with 1/4″ plug (product# 427600 or 270570) to plug directly into your amp.

Click here to learn more about Hohner 1490 Blues Blaster Harmonica Microphone 886830181757

The Hohner 1490 Blues Blaster Harmonica Microphone is a hand-held mic with volume control that produces that classic, dirty Chicago blue harp tone. Requires standard XLR mic cable (included) and lo-to-high impedance transformer with 1/4″ plug (product# 427600 or 270570) to plug directly into your amp.

Click here to learn more about Hohner 1490 Blues Blaster Harmonica Microphone

The coolest thing to happen since carbon and crystal were put with brass, wood, and wind. The Shaker Retro Rocket is a truly beautiful harmonica microphone that’s basically a no-nonsense, bullet-type Shaker mic retaining the qualities that made the great original bullet mics so special.The Retro Rocket harmonica mic has all the snap, crackle, and pop that any blues/rock harp player could want. It’s the real deala cast metal alloy body with a black crinkle powder coat finish, and high-output crystal element. It features a solid pewter grill and a 1/4″ output connector. It’s 40% smaller than traditional bullet type mics, and is ergonomically shaped to give harp players an in your face, aggressive tone. This is one high-output microphone with over-the-edge dynamics and a truckload of harmonic overtones. According to Retro Rocket endorsers, this mic rejects feedback better than any other bullet mic made.Shaker Harmonica Microphones are part of a complex music making system, one that includes the harmonica, the player’s hands, the microphone, the amp, and the player’s personal techniques. Traditional methods of measuring response and behavior become pretty much irrelevant because Shaker’s don’t fit strictly into the established categories of polar patterns. By using a sampling of the harmonica’s sound and directing it through acoustic ports into a volume-tuned chamber, Shaker harp mics become, in essence, miniature hand-held recording studios. This is known as Shaker GNS technology, or good noise sampling, resulting in great tone, extreme technique sensitivity, and tremendous feedback. Designed and engineered by Shakey Joe, these mics are totally handmade in the US and use as many American-made parts as possible. They’re made in the Arizona desert by harp players, for harp players.

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The Shaker’s Dynamic XLR Harmonica Mic is warm, thick, full bodied, and has lots of harmonic overtones as well as great feedback rejection. The mic offers a wide frequency response and strong mid range. The microphone fits in your harp hand with almost no conscious effort, greatly reducing hand fatigue and allowing greater use of both hands for gestures. This is just an outstanding-sounding harp mic featuring an 11-detent volume control knob. You can even use this Shaker dynamic microphone as a vocal or saxophone mic.Shaker Harmonica Microphones are part of a complex music making system, one that includes the harmonica, the player’s hands, the microphone, the amp, and the player’s personal techniques. Traditional methods of measuring response and behavior become pretty much irrelevant because Shaker mic’s don’t fit strictly into the established categories of polar patterns. By using a sampling of the harmonica’s sound and directing it through acoustic ports into a volume-tuned chamber, Shaker mics become, in essence, miniature hand-held recording studios. This is known as Shaker GNS technology, or good noise sampling, resulting in great tone, extreme technique sensitivity, and tremendous feedback rejection. Designed and engineered by Shakey Joe, these mics are totally handmade in the US and utilize as many American-made parts as possible, making Shaker microphones the real deal. Shaker micropnones are made in the Arizona desert by harp players, for harp players.

Click here to learn more about Shaker Dynamic XLR Harmonica Microphone