Home Recording Studio Center

Wireless security system IRW242, 2 IR Camera and 1 receiver for video surveillance monitoring. Affordable wireless surveillance solution for easy installation, include two IR cameras can be installed indoor or outdoor, wherever you need to keep an eye on your family or property. Connect the receiver to your existing TV, VCR or Digital Video Recorder; the included 4 channel receiver can switch view…

Click here to learn more about VideoSecu 2.4 GHz Wireless Security Camera Set Night Vision with Audio Microphone for CCTV DVR Home Surveillance System WAH

This mini DVR records video at 640×480 resolutions and record frame adjust at 5, 15 or 30 f/s. This mobile security DVR is solid state and records directly to a standard SD card Operates on 9 – 12 volts at 150 mA.MPEG-4 video format. SD card not included….

Click here to learn more about VideoSecu Home CCTV Mini DVR Motion Detection Recorder System , including Day Night Vision Outdoor 1/3 ” SONY CCD Security Camera 420L, Audio Microphone, Extension Cable W31

Item: Virtual 5.1-Surround USB 2.0 External Sound Card
- Driver-free installation when used with modern Operating Systems
Dimensions: 2.05 in x 0.87 in x 0.51 in
Weight: 0.35 oz
MSN/Email:szmicroppower02@hotmail.com…

Click here to learn more about Virtual 5.1-surround USB 2.0 External Sound Card

Instead of struggling to reach your computer’s ports on the back, wouldn’t it be nice to connect your speakers or microphone to the front? This simple adapter adds a microphone-in and an audio-out port to your computer through a USB port. It’s a great way to connect peripherals whose cords aren’t long enough to reach around the back of your PC. Eliminates the need for a traditional sound card….

Click here to learn more about External 5.1 USB 3D Audio Sound Card Adapter for PC Desktop Notebook Laptop

Instead of struggling to reach your computer’s ports on the back, wouldn’t it be nice to connect your speakers or microphone to the front? This simple adapter adds a microphone-in and an audio-out port to your computer through a USB port. It’s a great way to connect peripherals whose cords aren’t long enough to reach around the back of your PC. Eliminates the need for a traditional sound card….

Click here to learn more about External 5.1 USB 3D Audio Sound Card Adapter for PC Desktop Notebook Laptop

This wireless microphone system supports up to 8 channels, with 4 lavalier/headset mics and 4 handheld mics included. This system is equipped with individual and mixed line outputs, so you can simplify the mixing process, or use your own mixer.

Click here to learn more about Pyle Rack Mount 8 Channel Wireless Microphone System with 4 Lavalier/Headsets and 4 Handheld Mics

This is a Connectland Lightweight Over-Ear Headset/ Slim In-line Mic AUD63026

Click here to learn more about Connectland Lightweight Over-Ear Headset/ Slim In-line Mic AUD63026

Plantronics T20 Headset Telephone

Click here to learn more about Plantronics T20 Headset Telephone

The PDWM8900 is a wireless microphone system that supports up to eight channels, with 8 handheld mics included. This system is equipped with 1/4-inch individual and mixed line outputs, so you can simplify the mixing process, or use your own mixer.

Click here to learn more about PylePro Rack Mount 8 Channel Wireless Microphone System with Lavaliers/Headsets

2 Turntable/8 Line Level (CD, Cassette Deck, Minidisk, Etc)/ 2 Mic Inputs7-Band Graphic Equalizer for Right Left ChannelsIndividual Rotary Controls for Mic Bass Treble

Click here to learn more about Pyramid 19-inch Rack Mount 4-channel Professional Mixer (Refurbished)

This PylePro amplifier features 350 watts of peak power and 5.1 channels. This amplifier features a built-in AM/FM radio, mic inputs and a full remote control.

Click here to learn more about PylePro 5.1 Channel 350-watt Amplifier Receiver

Update your audio equipment with PylePro 16-channel power mixerDJ equipment features 16 mono input channels with gold plated XLR balanced inputsUltra low noise discrete mic preamps with +48 v phantom power

Click here to learn more about PylePro 16-channel Power Mixer

DJ equipment is a 2-channel professional mixerAudio equipment has one 1/4-inch DJ mic input Professional mixer has four line RCA inputs

Click here to learn more about Pyle PYD725 Audio Mixer

Crank up the sound with this 19-inch rack mount 4-channel professional mixerAudio/video accessory has two mic inputs and up to eight line inputsSound mixer has two turntable inputs with ground screw

Click here to learn more about PylePro 19-inch Rack Mount Professional Mixer

Atto Celerity CTFC-41ES-0R0 Fibre Channel Host Adapter

Click here to learn more about ATTO Celerity CTFC-41ES-0R0 Fibre Channel Host Adapter

The variable-impedence Summit Audio 2BA-221 Tube Mic and Line Module is a microphone preamp that has individual controls to mix mic with Hi-Z or line inputs for variable vacuum tube output. You can mix them together through 12AX7A/ECC83 tube output or separately through individual solid state outputs. A stackable input design allows multiple 2BA-221s to be linked for a modular mixing device with individual outs, inserts per channel, and a final vacuum tube gain stage. Its swept high-pass filter, multiple simultaneous tube and solid state outputs, insert jack, and internal power supply makes the 2BA-221 a powerful tracking and mixing tool.

Click here to learn more about Summit Audio 2BA-221 Tube Mic and Line Module

The variable-impedence Summit Audio 2BA-221 Tube Mic and Line Module is a microphone preamp that has individual controls to mix mic with Hi-Z or line inputs for variable vacuum tube output. You can mix them together through 12AX7A/ECC83 tube output or separately through individual solid state outputs. A stackable input design allows multiple 2BA-221s to be linked for a modular mixing device with individual outs, inserts per channel, and a final vacuum tube gain stage. Its swept high-pass filter, multiple simultaneous tube and solid state outputs, insert jack, and internal power supply makes the 2BA-221 a powerful tracking and mixing tool. Variable mic input impedance from 100 ohms to 10K ohms Variable high-pass filter Hi-Z instrument, line, and mic level inputs Hi-Z input and mic input available simultaneously with separate gain controls Separate solid state and tube outputs Insert jack Stackable with more 2BA-221s 1/2 rack size 3 year warranty XLR and 1/4″ I/O 3 variable, independent gain stages

Click here to learn more about Summit Audio 2Ba-221 Tube Mic And Line Module

The Pro Channel from ART is the latest offering from the world’s most popular tube dynamics processing manufacturer. ART engineers have combined the world-renowned Pro MPA, Pro VLA, and Tube EQ into a single product – creating the world’s best-sounding and most affordable professional recording channel.The Pro Channel features many new and exciting design enhancements to ART’s pro and home studio staples, including the addition of a tube circuit to the compressor module. The Pro Channel allows you to select between ART’s award winning optical/tube compressor or the coveted tube circuit (a design made popular by the sound of the old broadcast limiters – now costing thousands of dollars). The tube circuit is fast, fat and a bit aggressive, and is guaranteed to become a legend among compressors as has the Pro VLA. The four-band parametric equalizer has selectable Q for the two sweepable mid-bands. As with all design elements of the Pro Channel, these Q options were fine-tuned by some of the industry’s top studio and live-sound engineers. Likewise, all new additions were made without compromise to the sound of the original designs (Pro MPA, Pro VLA, Tube EQ), which have become standards in professional studios and FOH rigs around the globe.Professional Tube-Based Microphone/Line Recording ChannelThree independent World-Class modules: tube mic pre, switchable optical/tube compressor, and tube EQWarm, Smooth, and Silky Sound QualityPrecision Detented PotentiometersSelectable VU Metering (mic pre out, compressor out, or Main Out)Tube Character and Gain Reduction LED ArraysBalanced XLR and Unbalanced 1/4″ Inputs and OutputsInsert Points Between Preamp and Compressor, and Compressor and EQThree Hand-Selected Vacuum TubesProfessional Signal Processing For use with any Analog or Digital Recording FormatExceptional Processing Channel For Any Line or Instrument Level SignalFive-Year Warranty

Click here to learn more about Art Pro Channel Tube Mic Preamp

The Pro Channel from ART is the latest offering from the world’s most popular tube dynamics processing manufacturer. ART engineers have combined the world-renowned Pro MPA, Pro VLA, and Tube EQ into a single product – creating the world’s best-sounding and most affordable professional recording channel.The Pro Channel features many new and exciting design enhancements to ART’s pro and home studio staples, including the addition of a tube circuit to the compressor module. The Pro Channel allows you to select between ART’s award winning optical/tube compressor or the coveted tube circuit (a design made popular by the sound of the old broadcast limiters – now costing thousands of dollars). The tube circuit is fast, fat and a bit aggressive, and is guaranteed to become a legend among compressors as has the Pro VLA. The four-band parametric equalizer has selectable Q for the two sweepable mid-bands. As with all design elements of the Pro Channel, these Q options were fine-tuned by some of the industry’s top studio and live-sound engineers. Likewise, all new additions were made without compromise to the sound of the original designs (Pro MPA, Pro VLA, Tube EQ), which have become standards in professional studios and FOH rigs around the globe.Professional Tube-Based Microphone/Line Recording ChannelThree independent World-Class modules: tube mic pre, switchable optical/tube compressor, and tube EQWarm, Smooth, and Silky Sound QualityPrecision Detented PotentiometersSelectable VU Metering (mic pre out, compressor out, or Main Out)Tube Character and Gain Reduction LED ArraysBalanced XLR and Unbalanced 1/4″ Inputs and OutputsInsert Points Between Preamp and Compressor, and Compressor and EQThree Hand-Selected Vacuum TubesProfessional Signal Processing For use with any Analog or Digital Recording FormatExceptional Processing Channel For Any Line or Instrument Level SignalFive-Year Warranty

Click here to learn more about Used Art Pro Channel Tube Mic Preamp

The Nady RMX-6 Rackmount 6-Channel Mic/Line Mixer only takes up a single rackspace. Features balanced XLR and 1/4″ TRS line inputs on each channel. Master volume, bass, and treble controls. 15V phantom power is provided on channels 4-6 mic inputs. Dual outputs (low and high level). The Nady RMX-6 has an internally shielded power supply.Balanced XLR and 1/4″ TRS line inputs on each channelMaster volume and bass, treble controls15V phantom power is provided on channels 4-6 mic inputsDual outputs (low and high level)Internally shielded power supplySingle rackspace

Click here to learn more about Nady Rmx 6 Rackmount 6-Channel Mic/Line Mixer

The Nady RMX-6 Rackmount 6-Channel Mic/Line Mixer only takes up a single rackspace. Features balanced XLR and 1/4″ TRS line inputs on each channel. Master volume, bass, and treble controls. 15V phantom power is provided on channels 4-6 mic inputs. Dual outputs (low and high level). The Nady RMX-6 has an internally shielded power supply.

Click here to learn more about Nady RMX 6 Rackmount 6-Channel Mic/Line Mixer

For years, a small recording studio has had two choices: Spend big bucks for a big console or petty cash for a mini mixer with a mini sound. One is overkill and the other kills the music. These days, studios based around workstations need a simple, but superb mixer. Manley has addressed this problem by presenting a choice of three different versions of the 16 into 2 Mixer: LINE, MIC, and an 8+8 MIC/LINE combination that let users select a configuration to best accommodate their studio needs.The 8+8 version mixes it up, with 8 mic channels and 8 line channels, making it a great mixing console for location recording, keyboard rigs and general purpose tasks.The Manley mixer’s channel input jack is a Neutrik Combo which accepts XLR or 1/4″ phone plugs. It is perfectly happy with either balanced or unbalanced sources. In the MIC version, the XLR has the appropriate 2400 ohm impedance and switches to 68K for the 1/4″ plugs. There are balanced direct outputs on every channel post fade and pre cut for multitrack recording. Each channel uses the best sounding chips Manley knows of (Burr Brown INA103, OPA2604, Linear Technology LT1010) in Hutch’s circuits with exceptional headroom and very low noise, real pro level input and output levels, and bulletproof Manley quality throughout. Spec-wise experts know of few mixers ever with better headroom or higher output levels and, well, this Manley mixer’s subterranean noise floor and crosstalk figures are simply quite amazing. The signal path has just 3 superb polystyrene caps from input to output. No carbon resistors, just 1/2 watt metal film, Bourns conductive plastic pots, Grayhill stepped attenuators, etc. All the good stuff. Manley didn’t make this thing all-tube for “ad appeal” and sales hype. They certainly could have, but the 8+8 mixer would have grown into the size of a small house, and needed an accompanying 5-Ton AC unit. However, the tube mix amps/line drivers are right at the end and impart that “Manley Sound” to your final outputs with all the richness, loudness and BIG sound you expect from us. Built like a tank and easy to service. Mutes and Solos use superior relay switching techniques not crummy FETs or CMOS switching. The Solo is of the “mute everything else” type. The buttons are EAO Series 19 and light up to indicate Mute and Solo. Insert and Phase Reverse also use high quality relays and both functions have tiny switches and red LED’s to clearly indicate when they’re selected. The master section provides mixdown to 2 channels achieved with similar tube circuits as used in the Massive Passive, featuring two each 12AT7 NOS Phillips & 6414 NOS GE or Raytheon dual triodes. The M162ML console’s external inputs allow two or more mixers to be combined for 32 or more channels with a mini-banana post linking the Solo functions. There are both transformer balanced and transformerless unbalanced (+4dBm) outputs with tons of headroom

Click here to learn more about Manley M162ML16x2 8+8 Mic/Line Mixer

For years, a small recording studio has had two choices: Spend big bucks for a big console or petty cash for a mini mixer with a mini sound. One is overkill and the other kills the music. These days, studios based around workstations need a simple, but superb mixer. Manley has addressed this problem by presenting a choice of three different versions of the 16 into 2 Mixer: LINE, MIC, and an 8+8 MIC/LINE combination that let users select a configuration to best accommodate their studio needs.The 8+8 version mixes it up, with 8 mic channels and 8 line channels, making it a great mixing console for location recording, keyboard rigs and general purpose tasks.The Manley mixer’s channel input jack is a Neutrik Combo which accepts XLR or 1/4″ phone plugs. It is perfectly happy with either balanced or unbalanced sources. In the MIC version, the XLR has the appropriate 2400 ohm impedance and switches to 68K for the 1/4″ plugs. There are balanced direct outputs on every channel post fade and pre cut for multitrack recording. Each channel uses the best sounding chips Manley knows of (Burr Brown INA103, OPA2604, Linear Technology LT1010) in Hutch’s circuits with exceptional headroom and very low noise, real pro level input and output levels, and bulletproof Manley quality throughout. Spec-wise experts know of few mixers ever with better headroom or higher output levels and, well, this Manley mixer’s subterranean noise floor and crosstalk figures are simply quite amazing. The signal path has just 3 superb polystyrene caps from input to output. No carbon resistors, just 1/2 watt metal film, Bourns conductive plastic pots, Grayhill stepped attenuators, etc. All the good stuff. Manley didn’t make this thing all-tube for “ad appeal” and sales hype. They certainly could have, but the 8+8 mixer would have grown into the size of a small house, and needed an accompanying 5-Ton AC unit. However, the tube mix amps/line drivers are right at the end and impart that “Manley Sound” to your final outputs with all the richness, loudness and BIG sound you expect from us. Built like a tank and easy to service. Mutes and Solos use superior relay switching techniques not crummy FETs or CMOS switching. The Solo is of the “mute everything else” type. The buttons are EAO Series 19 and light up to indicate Mute and Solo. Insert and Phase Reverse also use high quality relays and both functions have tiny switches and red LED’s to clearly indicate when they’re selected. The master section provides mixdown to 2 channels achieved with similar tube circuits as used in the Massive Passive, featuring two each 12AT7 NOS Phillips & 6414 NOS GE or Raytheon dual triodes. The M162ML console’s external inputs allow two or more mixers to be combined for 32 or more channels with a mini-banana post linking the Solo functions. There are both transformer balanced and transformerless unbalanced (+4dBm) outputs with tons of headroom, +36dBu, about 10dB better than million-dollar consoles. The master sec

Click here to learn more about Manley M162ml16x2 8+8 Mic/Line Mixer

The ART VoiceChannel is the answer to your recording and computer audio interface needs. Built to provide the ideal all-in-one input solution for analog or digital recording, the ART VoiceChannel is a true second-generation discrete Class-A microphone preamp capable of providing clean quiet gain while maintaining incredible transparency. An integrated fully variable powerful dynamics processor subtly controls transients and noise of the most demanding sources while the VoiceChannel’s semi-parametric EQ offers wide tunability. For added versatility the EQ can be patched before or after the dynamics processor while separate insertion jacks allow you quick quiet in-line connectivity to external signal processing gear immediately after the mic pre-amp, before the EQ and dynamics processor in the signal path. Another insert patch point exists just before the A/D converters. Choose between a wide range of outputs including balanced analog output, 44.1 KHz to 192 KHz AES/EBU, S/PDIF, ADAT and USB. Both analog and digital meters provide a detailed indication of audio levels.

Click here to learn more about ART Voice Channel Tube Mic Preamp

The ART VoiceChannel is the answer to your recording and computer audio interface needs. Built to provide the ideal all-in-one input solution for analog or digital recording, the ART VoiceChannel is a true second-generation discrete Class-A microphone preamp capable of providing clean quiet gain while maintaining incredible transparency. An integrated fully variable powerful dynamics processor subtly controls transients and noise of the most demanding sources while the VoiceChannel’s semi-parametric EQ offers wide tunability. For added versatility the EQ can be patched before or after the dynamics processor while separate insertion jacks allow you quick quiet in-line connectivity to external signal processing gear immediately after the mic pre-amp, before the EQ and dynamics processor in the signal path. Another insert patch point exists just before the A/D converters. Choose between a wide range of outputs including balanced analog output, 44.1 KHz to 192 KHz AES/EBU, S/PDIF, ADAT and USB. Both analog and digital meters provide a detailed indication of audio levels.

Click here to learn more about ART Voice Channel Tube Mic Preamp 889406661851

The ART VoiceChannel is the answer to your recording and computer audio interface needs. Built to provide the ideal all-in-one input solution for analog or digital recording, the ART VoiceChannel is a true second-generation discrete Class-A microphone preamp capable of providing clean quiet gain while maintaining incredible transparency. An integrated fully variable powerful dynamics processor subtly controls transients and noise of the most demanding sources while the VoiceChannel’s semi-parametric EQ offers wide tunability. For added versatility the EQ can be patched before or after the dynamics processor while separate insertion jacks allow you quick quiet in-line connectivity to external signal processing gear immediately after the mic pre-amp, before the EQ and dynamics processor in the signal path. Another insert patch point exists just before the A/D converters. Choose between a wide range of outputs including balanced analog output, 44.1 KHz to 192 KHz AES/EBU, S/PDIF, ADAT and USB. Both analog and digital meters provide a detailed indication of audio levels.Ideal input solution for any recording applicationTube microphone preamplifier with selectable plate voltage and variable Input impedanceExceptional warmth and definition from proven ART tube preamp designSmooth musical-sounding dynamics control including Compressor, Expander, De-Esser, GatePowerful parametric EQ selectable pre- or post-compressor in signal pathFlexible digital connectivity including ADAT Lite-pipe, AES/EBU, S/PDIF, TOSLink digital outputUSB direct-connect to computer or laptop

Click here to learn more about Art Voice Channel Tube Mic Preamp

The ART VoiceChannel is the answer to your recording and computer audio interface needs. Built to provide the ideal all-in-one input solution for analog or digital recording, the ART VoiceChannel is a true second-generation discrete Class-A microphone preamp capable of providing clean quiet gain while maintaining incredible transparency. An integrated fully variable powerful dynamics processor subtly controls transients and noise of the most demanding sources while the VoiceChannel’s semi-parametric EQ offers wide tunability. For added versatility the EQ can be patched before or after the dynamics processor while separate insertion jacks allow you quick quiet in-line connectivity to external signal processing gear immediately after the mic pre-amp, before the EQ and dynamics processor in the signal path. Another insert patch point exists just before the A/D converters. Choose between a wide range of outputs including balanced analog output, 44.1 KHz to 192 KHz AES/EBU, S/PDIF, ADAT and USB. Both analog and digital meters provide a detailed indication of audio levels.Ideal input solution for any recording applicationTube microphone preamplifier with selectable plate voltage and variable Input impedanceExceptional warmth and definition from proven ART tube preamp designSmooth musical-sounding dynamics control including Compressor, Expander, De-Esser, GatePowerful parametric EQ selectable pre- or post-compressor in signal pathFlexible digital connectivity including ADAT Lite-pipe, AES/EBU, S/PDIF, TOSLink digital outputUSB direct-connect to computer or laptop

Click here to learn more about Used Art Voice Channel Tube Mic Preamp

BackTrack + Mic insures that your licks, riffs and songs will always be captured. Sitting with you and your guitar, this simple and sleek device is always listening and automatically recording every one of your revelations, epiphanies and great musical ideas.

Click here to learn more about Line 6 BackTrack + Mic Instant Replay Recorder

The Universal Audio 2-610 is a two-channel tube microphone preamplifier based on the legendary Universal Audio 610 modular console, which was never commercially available (though Frank Sinatra and Ray Charles each had one). The UA 610 has left its mark on countless classic recordings from Sinatra to Pet Sounds to Van Halen to LA Woman. Designed by Bill Putnam, the Universal Audio 610 was among the first modular recording consoles. Early Universal Audio consoles were used in all of Putnam’s studios including Universal Recording in Chicago and United Western in Los Angeles. Many prominent engineers such as Bruce Swedien began their careers in these studios with this classic rotary knob console. Along with the 610, UA’s 1176LN Limiting Amplifier and Teletronix LA-2A Leveling Amplifier have remained studio standards since their introduction and continue to define the sound of modern music.Unlike many vintage “style” mic pres, the 2-610 is true to the design of its predecessor, the Universal Audio 610. The expertise of Universal Audio in analog design translates into a classic tube preamplifier with all of the character of its vintage predecessor, yet designed for the requirements and rigor of the modern studio. Universal Audio has taken great care to preserve the quality and character of the original, while adding functionality with more boost/cut settings, phantom power, direct inputs and impedance controls.The Universal Audio 2-610 Mic Pre is the perfect tool for tracking and ideal when used in conjunction with a Universal Audio compressor such as the 1176LN and Teletronix LA-2A. Whether you’re running pure analog or seeking to enhance your digital audio workstation, the 2-610 will bring classic tube character to your recording.Classic Sound of the Legendary 610 Modular ConsoleVariable Input Gain and Output LevelsUltra Quiet OperationMic, Balanced Line, and Hi-Z InputsMultiple Impedance SettingsClassic EQCustom Wound Double Sized Alloy Transformers

Click here to learn more about Universal Audio 2-610 Silverface Dual Channel Mic Pre