Home Recording Studio Center

This is the top of the line model of wireless night vision CCTV security cameras.

See actual day and night video from this camera at http://www.sharxsecurity.com/video/SCX2906F.wmv

Like all Sharx TM wireless security camera kits the Sharx Pro-CCD TM is very easy to use. You simply connect the included receiver to a TV (or a computer with standard NTSC video input).

Then you take the camera wh…

Click here to learn more about Sharx Security SCX2906F Pro-CCD 2.4 GHz Wireless Color High Resolution Waterproof Security Camera and Receiver Kit with Night Vision and Audio

It is not often that you would come accross a product and say .. ‘WOW I need one!! The SM DI8 is such a product with it’s multiple features and high quality components. The SM DI8 is a multi function 8 channel direct injection box and stereo line mi……

Click here to learn more about DI8 Eight Channel Direct Injection and Line Mixer

The evolution of the entertainment industry has necessitated the creation of an outboard mic/line device to compliment existing mixing consoles. Whether you’re recording, mobile mixing, or broadcasting, there are occasional needs to expand your existing arrangement….

Click here to learn more about MLM 42 Mic Line Mixer

Behringer MX9000 EURODESK 24 Channel In-line Mic /Line Mixing Console with Integrated Meter Bridge…

Click here to learn more about Behringer MX9000 EURODESK 24 Channel In-line Mic /Line Mixing Console with Integrated Meter Bridge

The circuit is based on an Integrated Circuit which provides three sharp active filters for each channel. Three independent controls vary the amount of light for low, midrange and high frequencies. In addition, a built-in microphone is incorporated whic…

Click here to learn more about 3Channel Color Organ Built-In Mic-Line-In Full Assemble

Nady SRM-10X 10-Channel Stereo Mic and Line Mixer

Click here to learn more about Nady SRM-10X 10-Channel Stereo Mic and Line Mixer

Nady RMX 6 6-Channel Mic and Line Rack Mixer

Click here to learn more about Nady RMX 6 6-Channel Mic and Line Rack Mixer

19” Rack Mount 6 Channel Professional Mic Mixer

Click here to learn more about PylePro 19-inch Rack 6-channel Professional Mic Mixer

Plantronics T10 Corded Headset Telephone

Click here to learn more about Plantronics T10 Corded Headset Telephone

Listen to audio with these soft, comfortable stereo in-ear earbuds from ReTrak. Along with the included microphone, you’ll be delivering crystal-clear sound in no time.

Click here to learn more about ReTrak Retractable VOIP Stereo Earbuds/ Mic

Upgrade your sound system with a 2.1 channel ultra thin Hi-Fi iPod system from Teac. This mini sound system features video output from iPod to your TV, docking station for iPod, slot-in CD player, digital tuner with 20 presets and a powered subwoofer.

Click here to learn more about Teac MC-DX50i 2.1 Channel Ultra Thin Hi-Fi iPod System (Refurbished)

Update your audio equipment with PylePro 16-channel power mixerDJ equipment features 16 mono input channels with gold plated XLR balanced inputsUltra low noise discrete mic preamps with +48 v phantom power

Click here to learn more about PylePro 16-channel Power Mixer

Improve your set with this 10-inch 3-channel professional mixerThe PylePro PYD1030 features two convertible turntable RCA inputs with ground screwsThe 1×1/4-inch DJ mic input will be appreciated by all disc jockeys

Click here to learn more about PylePro PYD1030 10-inch 3-channel Professional Mixer

Improve your set with this 19-inch rack mount 3-channel professional mixerThe PylePro PYD1000 features three stereo channelsThe 1×1/4-inch DJ mic input will be appreciated by all disc jockeys

Click here to learn more about PylePro PYD1000 19-inch Rack Mount 3-channel Professional Mixer

DJ equipment is a 10-inch 3-channel professional mixerStereo equipment features USB technologyElectronics accessory has a .25-inch DJ mic input

Click here to learn more about PylePro 10-inch 3-channel Professional Mixer

The variable-impedence Summit Audio 2BA-221 Tube Mic and Line Module is a microphone preamp that has individual controls to mix mic with Hi-Z or line inputs for variable vacuum tube output. You can mix them together through 12AX7A/ECC83 tube output or separately through individual solid state outputs. A stackable input design allows multiple 2BA-221s to be linked for a modular mixing device with individual outs, inserts per channel, and a final vacuum tube gain stage. Its swept high-pass filter, multiple simultaneous tube and solid state outputs, insert jack, and internal power supply makes the 2BA-221 a powerful tracking and mixing tool.

Click here to learn more about Summit Audio 2BA-221 Tube Mic and Line Module

The ART Voice Channel is the answer to your recording and computer audio interface needs. Built to provide the ideal all-in-one input solution for analog or digital recording, the ART VoiceChannel is a true second-generation discrete Class-A microphone preamp capable of providing clean quiet gain while maintaining incredible transparency. An integrated fully variable powerful dynamics processor subtly controls transients and noise of the most demanding sources while the VoiceChannel's semi-parametric EQ offers wide tunability. For added versatility the EQ can be patched before or after the dynamics processor while separate insertion jacks allow you quick quiet in-line connectivity to external signal processing gear immediately after the mic pre-amp, before the EQ and dynamics processor in the signal path. Another insert patch point exists just before the A/D converters. Choose between a wide range of outputs including balanced analog output, 44.1 KHz to 192 KHz AES/EBU, S/PDIF, ADAT and USB. Both analog and digital meters provide a detailed indication of audio levels.

Click here to learn more about ART Voice Channel Tube Mic Preamp

The Nady RMX-6 Rackmount 6-Channel Mic/Line Mixer only takes up a single rackspace. Features balanced XLR and 1/4" TRS line inputs on each channel. Master volume, bass, and treble controls. 15V phantom power is provided on channels 4-6 mic inputs. Dual outputs (low and high level). The Nady RMX-6 has an internally shielded power supply.

Click here to learn more about Nady RMX 6 Rackmount 6-Channel Mic/Line Mixer

For years, a small recording studio has had two choices: Spend big bucks for a big console or petty cash for a mini mixer with a mini sound. One is overkill and the other kills the music. These days, studios based around workstations need a simple, but superb mixer. Manley has addressed this problem by presenting a choice of three different versions of the 16 into 2 Mixer: LINE, MIC, and an 8+8 MIC/LINE combination that let users select a configuration to best accommodate their studio needs.The 8+8 version mixes it up, with 8 mic channels and 8 line channels, making it a great mixing console for location recording, keyboard rigs and general purpose tasks.The Manley mixer's channel input jack is a Neutrik Combo which accepts XLR or 1/4" phone plugs. It is perfectly happy with either balanced or unbalanced sources. In the MIC version, the XLR has the appropriate 2400 ohm impedance and switches to 68K for the 1/4" plugs. There are balanced direct outputs on every channel post fade and pre cut for multitrack recording. Each channel uses the best sounding chips Manley knows of (Burr Brown INA103, OPA2604, Linear Technology LT1010) in Hutch's circuits with exceptional headroom and very low noise, real pro level input and output levels, and bulletproof Manley quality throughout. Spec-wise experts know of few mixers ever with better headroom or higher output levels and, well, this Manley mixer's subterranean noise floor and crosstalk figures are simply quite amazing. The signal path has just 3 superb polystyrene caps from input to output. No carbon resistors, just 1/2 watt metal film, Bourns conductive plastic pots, Grayhill stepped attenuators, etc. All the good stuff. Manley didn't make this thing all-tube for "ad appeal" and sales hype. They certainly could have, but the 8+8 mixer would have grown into the size of a small house, and needed an accompanying 5-Ton AC unit. However, the tube mix amps/line drivers are right at the end and impart that "Manley Sound" to your final outputs with all the richness, loudness and BIG sound you expect from us. Built like a tank and easy to service. Mutes and Solos use superior relay switching techniques not crummy FETs or CMOS switching. The Solo is of the "mute everything else" type. The buttons are EAO Series 19 and light up to indicate Mute and Solo. Insert and Phase Reverse also use high quality relays and both functions have tiny switches and red LED's to clearly indicate when they're selected. The master section provides mixdown to 2 channels achieved with similar tube circuits as used in the Massive Passive, featuring two each 12AT7 NOS Phillips & 6414 NOS GE or Raytheon dual triodes. The M162ML console's external inputs allow two or more mixers to be combined for 32 or more channels with a mini-banana post linking the Solo functions. There are both transformer balanced and transformerless unbalanced (+4dBm) outputs with tons of headroom, +3

Click here to learn more about Manley M162ML16×2 8+8 Mic/Line Mixer

BackTrack + Mic insures that your licks, riffs and songs will always be captured. Sitting with you and your guitar, this simple and sleek device is always listening and automatically recording every one of your revelations, epiphanies and great musical ideas.

Click here to learn more about Line 6 BackTrack + Mic Instant Replay Recorder

The ISA One microphone preamplifier delivers Focusrite's prestigious ISA transformer-based preamp in a rugged and portable chassis, at a groundbreaking price. ISA One features the classic vintage microphone preamplifier topology from the original ISA110 module, including the Lundahl L1538 transformer and bespoke zobel network. (The original 110 pre amp formed the cornerstone of each channel of Focusrite's legendary Forte console.)The pre-amp is complemented by a line input (XLR and TRS Jack) and an independent DI channel, complete with dedicated gain control, active or passive impedance switch, a TRS Jack output for routing to an amp and an independent XLR output on the rear. This flexible independent DI makes the ISA One ideal both for engineers wishing to blend a DI'd guitar signal with a mic'd guitar cabinet, and for demanding performers who require a single classic solution for both guitar and vocals.A variable impedance circuit has been added, allowing the user to switch between four carefully selected input impedance settings. In addition to the original ISA110 impedance, three further impedance settings allow perfect matching, or creative mismatching of the pre amp with any microphone. ISA One also features an insert point, should the need arise to place extra processing between the preamp or DI, and the optional converter. Phantom power, phase reverse and a 75Hz, 18dB/octave high-pass filter are also available from the angled front fascia.Independent input metering for both channels is provided in the form of a moving-coil VU meter with variable calibration to suit analog and digital recording media, alongside two six-LED peak meters; inputs can be metered either pre- or post-insert. The meter calibrations utilize all the same reference points as Digidesign's Pro Tools HD system, allowing effortless line-up.ISA One's headphone output features a dedicated volume control, which delivers an external stereo cue mix, (a simple click track, or a stereo mix feed from an interface or a live console,) fed to the headphones via two TRS jack inputs on the rear of the unit.An optional state-of-the-art stereo A/D converter is also available (the same card as used with the ISA430 Mk II), embodying cutting-edge conversion technology seated within Focusrite's custom analogue circuitry. This optional card can be retrofitted at any time and provides two channels of 24 bit/192kHz A-D conversion with a dynamic range of 119dB.The ISA microphone preamplifier was first introduced back in 1985. This transformer-based preamplifier formed the first half of the ISA110 mic-pre and EQ module on Focusrite's critically acclaimed Forte console. This console, and the later Studio console were hailed by many as the finest sounding consoles ever built.The ISA microphone preamplifier went on to form the cornerstone of all ISA and RED Focusrite products. The topology has never changed, except for the addition of a variable impedance circuit, a

Click here to learn more about Focusrite ISA One Classic Single Channel Mic Pre With DI

The S8-3WAY is an eight-channel three-way microphone splitter that is ideal for live sound, recording and broadcast applications where microphone and XLR balanced line level input signals have to go to multiple mix locations. Each channel provides one XLR input, one XLR direct output with two additional transformer isolated XLR outputs for a total of 3 balanced outputs from each single microphone input signal.Typical uses would include sending 8 direct signals through the S8-3WAY to a main Front-of-house mixer, with additional feeds going to a monitor mix station while transformer balanced isolated feeds are sent to remote recording desk or used for a broadcast feed.The ART S8-3WAY features the same high-quality musical sounding transformers used in the popular ART S8, and is housed in a standard 1U space rack-mountable steel chassis designed for years of reliable operation.

Click here to learn more about ART S8-3Way Eight-Channel Three-Way Mic Splitter

The SRM-10X is the ultimate value in compact professional stereo mic/line mixers. This high quality unit is perfect for home and project studios, live club main and monitor mixing, video post-production studios, remote broadcasting in fact, anywhere superior performance, rugged reliability and ultra-versatility are needed in an audio mixer. With 10 channels (including 2 stereo AUX returns) and 2 tape inputs, the SRM-10X offers 12 total inputs in all.*Manufacturer: Nady System, Inc *Manufacturer Part Number: SRM-10X *Manufacturer Website Address: www.nady.com *Product Model: SRM-10X *Product Name: SRM-10X 10-Channel Stereo Mic and Line Mixer *Product Type: Audio Mixer *Dimensions: 1.61" Height x 8.11" Width x 9" Depth, 1.61" Height x 8.11" Width x 9" Depth *Weight: 3.30 lb, 3.3 lb, 3.3 lb, 3.30 lb *Additional Information: *Two mono channels with Trim, Bass, Treble, Aux Send, Pan, and Level controls, Low Cut, Pre/Post, PFL switches, and Inserts *Four Stereo channels: two with Level controls, Bass/Treble, Balance controls, Pre/Post Aux Send and PFL switches; two with Level controls and PFL switches *Tape In RCA jacks with level control and PFL switch *Tape Record Out RCA jacks *Individual channel Aux Send, Pre/Post selectable, and Master control *Left and Right Main unbalanced outputs with slider control *Mono output with slider level control and AFL switch *Dual 6-segment LED display bargraph meters *Ultra-low noise mic preamps *Full spectrum frequency response *Wide dynamic range with superior headroom *Separate Master Mix, Control Room and Headphone Outputs *Mic and Line Balanced inputs for optimum audio integrity *¼" TRS Stereo Control Room and Headphone outputs *Switchable global +48V phantom power on all mono inputs *Input Trim control on each mono channel *Pan pots on each mono channel and Balance pots on each *stereo input *Peak LEDs on Mono channels *High-quality pots for all controls with Pan/Balance and EQ controls having center detents *High-strength steel casing and superior construction with only highest quality components for longest life and maximum reliability *External AC supply for optimum signal integrity and superior transient response

Click here to learn more about Nady SRM-10X 10-Channel Stereo Mic and Line Mixer

The Daking Mic Pre One is a free-standing single-channel preamplifier that uses the same circuitry found in Daking's 4-channel Mic-Pre IV, a favorite among top producers and engineers such as Butch Vig (Nirvana, Green Day, Smashing Pumpkins), David Pensado (Mary J Blige, Beyonce, Brian McKnight), and both Chris and Tom Lord-Alge (who haven't they mixed?). Built in the tradition of the great console manufacturers such as Neve and API, Daking preamps feature bulletproof construction and marvelous sound, reminiscent of the coveted classic pres. While sharing the gain structure and Class A, fully discrete transistor circuitry design of the popular Daking Mic Pre IV, the Mic Pre One adds a unique variable high-pass filter and comes in a freestanding 'DI-style' steel enclosure, ensuring both durability and immunity from noise. Mic Pre One features switchable phase, 20dB mic input pad and +48V phantom power, plus a selectable 1/4" front panel Hi-Z instrument input, all utilizing relays with gold bi-furcated contacts. Two large knurled aluminum knobs control the variable high-pass filter (0-200Hz) and continuously variable input gain between 25dB and 70dB.A 20-segment LED bargraph display provides accurate metering. Another LED signifies when power is supplied to the Mic-Pre One. Rear-panel connections include a transformer-isolated input for a microphone, plus line outputs on 1/4" jack and XLR.

Click here to learn more about Daking Mic-Pre One Preamp

The Liquid Channel is a revolutionary professional channel strip that can precisely replicate any classic mic-pre and compressor. Combining radical new analog pre-amp technology with Dynamic Convolution techniques, The Liquid Channel fuses cutting-edge analog design with lightning fast SHARC DSP. Augmented by fully digital controls and optional remote software, The Liquid Channel provides the ultimate fluid vintage collection.

Click here to learn more about Focusrite Liquid Channel Pro Channel Strip

The Aviom AN-16/i-M input module features 16 high quality mic preamps and converts 16 mic- or line-level analog audio channels into uncompressed, full bandwidth 24-bit digital audio transmitted via A-Net. The AN-16/i-M can be used as the head end for a Pro16 Monitor Mixing System, as a standalone mic pre, or in digital snake applications. With the AN-16/i-M, Aviom delivers the lowest cost-per-channel high performance mic pre available today!Each input channel includes a three-segment level meter, a continuously variable gain control knob, a phase reverse switch, 48-volt phantom power, and a rumble filter with an 85Hz rolloff. In addition, each pair of channels can be Stereo Linked for stereo operation in a Pro16 Monitor Mixing System.The rear panel of the AN-16/i-M contains a host of professional connectivity features. Each channel has a combo jack that can accept either XLR mic or 1/4-inch line-level (balanced or unbalanced) inputs. Sixteen passive XLR Thru connectors split each input channel. Balanced insert points with separate 1/4-inch Send and Return jacks allow easy interfacing with external processing and effects devices. The sixteen insert Sends can also be used as a set of post-gain direct outs. Two parallel A-Net outputs allow the AN-16/i-M to send A-Net data to multiple destinations, allowing for simultaneous patching to a monitor console and a front-of-house console. Both A-Net outputs feature heavy duty Neutrik EtherCon connectors. The built-in A-Net Expansion jack allows two 16-channel A-Net streams to be combined onto a single cable (32×0 or 16×16), and the AN-16SBR System Bridge can be used to combine up to four 16-channel streams onto a single cable in a variety of bi-directional configurations.

Click here to learn more about Aviom AN-16/i-M 16-Channel Mic and Line Level Input Module Aviom Blue

For years, a small studio has had two choices: Spend big bucks for a big mixing console or petty cash for a mini mixer with a mini sound. One is overkill and the other kills the music. These days, recording studios based around workstations need a simple, but superb mixer. Manley addresses this problem by presenting a choice of three different versions of the 16 into 2 Mixer: LINE, MIC, and an 8+8 MIC/LINE combination that let users select a configuration to best accommodate their studio needs.The Manley M162M MIC version has very low noise mic preamps with up to 60 dB of gain selectable on a rotary switch which replaces the aux knob. The XLR has the appropriate 2400 ohm impedance and switches to 68k ohm for the 1/4" plugs. (so yes you can run line level signals into it.) It also has phase reverse and inserts on every channel. This Manley MIC mixing console offers the maximum amount of input flexibility.The Manley mixer's channel input jack is a Neutrik Combo which accepts XLR or 1/4" phone plugs. It is perfectly happy with either balanced or unbalanced sources. In the MIC version, the XLR has the appropriate 2400 ohm impedance and switches to 68K for the 1/4" plugs. There are balanced direct outputs on every channel post fade and pre cut for multitrack recording. Each channel uses the best sounding chips Manley knows of (Burr Brown INA103, OPA2604, Linear Technology LT1010) in Hutch's circuits with exceptional headroom and very low noise, real pro level input and output levels, and bulletproof Manley quality throughout. Spec-wise experts know of few mixers with better headroom or higher output levels and, well, the mixer's subterranean noise floor and crosstalk figures are simply quite amazing. The signal path has just 3 superb polystyrene caps from input to output. No carbon resistors, just 1/2 watt metal film, Bourns conductive plastic pots, Grayhill stepped attenuators, etc. All the good stuff. Manley didn't make this mixing console all-tube for "ad appeal" and sales hype. They certainly could have, but this puppy would have grown into the size of a small house, and needed an accompanying 5-Ton AC unit. However, the tube mix amps/line drivers are right at the end and impart that "Manley Sound" to your final outputs with all the richness, loudness and BIG sound you expect from us. Built like a tank and easy to service. Mutes and Solos use superior relay switching techniques not crummy FETs or CMOS switching. The Solo is of the "mute everything else" type. The buttons are EAO Series 19 and light up to indicate Mute and Solo. Insert and Phase Reverse also use high quality relays and both functions have tiny switches and red LED's to clearly indicate when they're selected. The master section provides mixdown to 2 channels achieved with similar tube circuits as used in the Massive Passive, featuring two each 12AT7 NOS Phillips & 6414 NOS GE or Raytheon dual triodes. External inpu

Click here to learn more about Manley M162M 16×2 Mic Mixer