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The Shure UR124D/BETA87C Dual-Channel Combo System includes the UR4D Dual Channel Receiver, Two UR1 Bodypack Transmitters and Two UR2/Beta87C Handheld Transmitters. The UR124D/BETA87C Wireless System uses the latest wireless technology, delivers outstanding audio clarity, and is rugged and reliable. It is easy to set up and operate with advanced features for professional installations requiring mu…

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The Shure UR124D/BETA87C Dual-Channel Combo System includes the UR4D Dual Channel Receiver, Two UR1 Bodypack Transmitters and Two UR2/Beta87C Handheld Transmitters. The UR124D/BETA87C Wireless System uses the latest wireless technology, delivers outstanding audio clarity, and is rugged and reliable. It is easy to set up and operate with advanced features for professional installations requiring mu…

Click here to learn more about Shure UR124D/Beta87C Dual-Channel Combo Wireless System, J5

The Shure ULXP124/58 Dual Channel Mixed Wireless System includes two ULXP4 Diversity Receivers, a ULX1 Bodypack Transmitter, and a ULX2 Handheld transmitter fitted with an SM58 microphone capsule. The ULX Professional systems offer more advanced features and controls, including lockable settings and group scan function. Over 1400 selectable, pre-programmed frequencies are available, and Automatic …

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The circuit is based on an Integrated Circuit which provides three sharp active filters for each channel. Three independent controls vary the amount of light for low, midrange and high frequencies. In addition, a built-in microphone is incorporated whic…

Click here to learn more about 3Channel Color Organ Built-In Mic-Line-In Full Assemble

Nady SRM-10X 10-Channel Stereo Mic and Line Mixer

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19” Rack Mount 6 Channel Professional Mic Mixer

Click here to learn more about PylePro 19-inch Rack 6-channel Professional Mic Mixer

Listen to audio with these soft, comfortable stereo in-ear earbuds from ReTrak. Along with the included microphone, you’ll be delivering crystal-clear sound in no time.

Click here to learn more about ReTrak Retractable VOIP Stereo Earbuds/ Mic

DJ equipment is a 2-channel professional mixerAudio equipment has one 1/4-inch DJ mic input Professional mixer has four line RCA inputs

Click here to learn more about PylePro PYD725 2-channel Professional Mixer

Update your audio equipment with PylePro 16-channel power mixerDJ equipment features 16 mono input channels with gold plated XLR balanced inputsUltra low noise discrete mic preamps with +48 v phantom power

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Improve your set with this 10-inch 3-channel professional mixerThe PylePro PYD1030 features two convertible turntable RCA inputs with ground screwsThe 1×1/4-inch DJ mic input will be appreciated by all disc jockeys

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DJ equipment is a 10-inch 3-channel professional mixerStereo equipment features USB technologyElectronics accessory has a .25-inch DJ mic input

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Improve your set with this 19-inch rack mount 3-channel professional mixerThe PylePro PYD1000 features three stereo channelsThe 1×1/4-inch DJ mic input will be appreciated by all disc jockeys

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Pyle 4-microphone headset system includes 4 beltpack transmitters with lavalier mics Professional audio equipment uses single-channel VHF high band for clear sound pickupWireless transmitter-receiver works even in large rooms

Click here to learn more about Pyle 4-microphone VHF Wireless Headset System (Refurbished)

Hands-free cell phone accessory has a stereo headset and an in-line mic. iPod accessory features a retractable design.

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The Nady RMX-6 Rackmount 6-Channel Mic/Line Mixer only takes up a single rackspace. Features balanced XLR and 1/4" TRS line inputs on each channel. Master volume, bass, and treble controls. 15V phantom power is provided on channels 4-6 mic inputs. Dual outputs (low and high level). The Nady RMX-6 has an internally shielded power supply.

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For years, a small recording studio has had two choices: Spend big bucks for a big console or petty cash for a mini mixer with a mini sound. One is overkill and the other kills the music. These days, studios based around workstations need a simple, but superb mixer. Manley has addressed this problem by presenting a choice of three different versions of the 16 into 2 Mixer: LINE, MIC, and an 8+8 MIC/LINE combination that let users select a configuration to best accommodate their studio needs.The 8+8 version mixes it up, with 8 mic channels and 8 line channels, making it a great mixing console for location recording, keyboard rigs and general purpose tasks.The Manley mixer's channel input jack is a Neutrik Combo which accepts XLR or 1/4" phone plugs. It is perfectly happy with either balanced or unbalanced sources. In the MIC version, the XLR has the appropriate 2400 ohm impedance and switches to 68K for the 1/4" plugs. There are balanced direct outputs on every channel post fade and pre cut for multitrack recording. Each channel uses the best sounding chips Manley knows of (Burr Brown INA103, OPA2604, Linear Technology LT1010) in Hutch's circuits with exceptional headroom and very low noise, real pro level input and output levels, and bulletproof Manley quality throughout. Spec-wise experts know of few mixers ever with better headroom or higher output levels and, well, this Manley mixer's subterranean noise floor and crosstalk figures are simply quite amazing. The signal path has just 3 superb polystyrene caps from input to output. No carbon resistors, just 1/2 watt metal film, Bourns conductive plastic pots, Grayhill stepped attenuators, etc. All the good stuff. Manley didn't make this thing all-tube for "ad appeal" and sales hype. They certainly could have, but the 8+8 mixer would have grown into the size of a small house, and needed an accompanying 5-Ton AC unit. However, the tube mix amps/line drivers are right at the end and impart that "Manley Sound" to your final outputs with all the richness, loudness and BIG sound you expect from us. Built like a tank and easy to service. Mutes and Solos use superior relay switching techniques not crummy FETs or CMOS switching. The Solo is of the "mute everything else" type. The buttons are EAO Series 19 and light up to indicate Mute and Solo. Insert and Phase Reverse also use high quality relays and both functions have tiny switches and red LED's to clearly indicate when they're selected. The master section provides mixdown to 2 channels achieved with similar tube circuits as used in the Massive Passive, featuring two each 12AT7 NOS Phillips & 6414 NOS GE or Raytheon dual triodes. The M162ML console's external inputs allow two or more mixers to be combined for 32 or more channels with a mini-banana post linking the Solo functions. There are both transformer balanced and transformerless unbalanced (+4dBm) outputs with tons of headroom, +3

Click here to learn more about Manley M162ML16×2 Mic & Line Mixer 8 Mic + 8 Line

The variable-impedence Summit Audio 2BA-221 Tube Mic and Line Module is a microphone preamp that has individual controls to mix mic with Hi-Z or line inputs for variable vacuum tube output. You can mix them together through 12AX7A/ECC83 tube output or separately through individual solid state outputs. A stackable input design allows multiple 2BA-221s to be linked for a modular mixing device with individual outs, inserts per channel, and a final vacuum tube gain stage. Its swept high-pass filter, multiple simultaneous tube and solid state outputs, insert jack, and internal power supply makes the 2BA-221 a powerful tracking and mixing tool.

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The ART VoiceChannel is the answer to your recording and computer audio interface needs. Built to provide the ideal all-in-one input solution for analog or digital recording, the ART VoiceChannel is a true second-generation discrete Class-A microphone preamp capable of providing clean quiet gain while maintaining incredible transparency. An integrated fully variable powerful dynamics processor subtly controls transients and noise of the most demanding sources while the VoiceChannel's semi-parametric EQ offers wide tunability. For added versatility the EQ can be patched before or after the dynamics processor while separate insertion jacks allow you quick quiet in-line connectivity to external signal processing gear immediately after the mic pre-amp, before the EQ and dynamics processor in the signal path. Another insert patch point exists just before the A/D converters. Choose between a wide range of outputs including balanced analog output, 44.1 KHz to 192 KHz AES/EBU, S/PDIF, ADAT and USB. Both analog and digital meters provide a detailed indication of audio levels.

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The PRE-73 is the first one-channel low-cost preamp on the market that is using a fully discrete signal path with three separate transformers for the balanced mic input, the line input and the output. The PRE-73 is perfect for almost any signal source, no matter if it's a microphone with a high or low sensitivity (like a passive ribbon mic), a synthesizer or sound module or an electric guitar or bass.The circuit is very similar to the classical preamp section of the Neve 1073 pre/EQ module with a corresponding sound character that is warm, punchy, sweet and musical. This classical sound has been heard on countless recordings through the years and it is a versatile sound that works very well on most sound sources and in most genres.The PRE-73 has a maximum gain of 80 dB on the mic input and the gain range on the Line input is -20 to + 10 dB. There is also a high-impedance instrument input. The input impedance of the microphone input can be switched between 300 and 1200 ohms, which makes it possible to affect the tone of most microphones. There is also phase switch and a simple 4-step LED signal level meter. The output level control makes it possible to make fine gain adjustments and also to overload the main gain stage for more character and then lower the signal to a suitable level before the output stage.

Click here to learn more about Golden Age Project Pre 73 Single Channel Mic Pre

The Nady DKW-DUO is a dual channel VHF hand-held mic system. The DKW-DUO makes a perfect entry-level system: all the advantages and freedom of wireless operation without cumbersome cords. Easy to use, simply plug in instead of your wired microphone. Excellent high fidelity audio, perfect for all speakers, karaoke/recreational singers, DJs, auctioneers, aerobic instructors, and many other consumer applications.The Nady DKW-DUO features VHF (170-216MHz) operation for reliable, interference-free performance with 150+ feet typical operating range. Up to 300+ feet line-of-sight. With a dual receiver for versatile single or simultaneous dual transmitter operation.

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The Nady DKW-DUO is a dual channel VHF hand-held mic system. The DKW-DUO makes a perfect entry-level system: all the advantages and freedom of wireless operation without cumbersome cords. Easy to use, simply plug in instead of your wired microphone. Excellent high fidelity audio, perfect for all speakers, karaoke/recreational singers, DJs, auctioneers, aerobic instructors, and many other consumer applications.The Nady DKW-DUO features VHF (170-216MHz) operation for reliable, interference-free performance with 150+ feet typical operating range. Up to 300+ feet line-of-sight. With a dual receiver for versatile single or simultaneous dual transmitter operation.

Click here to learn more about Nady DKW-DUO Dual Channel VHF Hand-held Mic System Channel B/D

BackTrack + Mic insures that your licks, riffs and songs will always be captured. Sitting with you and your guitar, this simple and sleek device is always listening and automatically recording every one of your revelations, epiphanies and great musical ideas.

Click here to learn more about Line 6 BackTrack + Mic Instant Replay Recorder

The Daking Mic Pre One is a free-standing single-channel preamplifier that uses the same circuitry found in Daking's 4-channel Mic-Pre IV, a favorite among top producers and engineers such as Butch Vig (Nirvana, Green Day, Smashing Pumpkins), David Pensado (Mary J Blige, Beyonce, Brian McKnight), and both Chris and Tom Lord-Alge (who haven't they mixed?). Built in the tradition of the great console manufacturers such as Neve and API, Daking preamps feature bulletproof construction and marvelous sound, reminiscent of the coveted classic pres. While sharing the gain structure and Class A, fully discrete transistor circuitry design of the popular Daking Mic Pre IV, the Mic Pre One adds a unique variable high-pass filter and comes in a freestanding 'DI-style' steel enclosure, ensuring both durability and immunity from noise. Mic Pre One features switchable phase, 20dB mic input pad and +48V phantom power, plus a selectable 1/4" front panel Hi-Z instrument input, all utilizing relays with gold bi-furcated contacts. Two large knurled aluminum knobs control the variable high-pass filter (0-200Hz) and continuously variable input gain between 25dB and 70dB.A 20-segment LED bargraph display provides accurate metering. Another LED signifies when power is supplied to the Mic-Pre One. Rear-panel connections include a transformer-isolated input for a microphone, plus line outputs on 1/4" jack and XLR.

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The Daking Mic-Pre/4 Band EQ is a single channel high end, all discrete Class A transformer balanced (input and output) unit that combines a great mic pre and world class EQ in one single rack unit. Separate mic and line inputs can be selected from the front panel Line switch without changing cables on the back panel. Both inputs are combo XLR/1/4" TRS. The Mic-Pre/EQ has a gain of 70dB, which allows it to easily handle all types of mics from ribbons to dynamics and condensers. Switched phantom power enables secure ribbon mic use, and a 20dB pad switch prevents overload on high-output condenser mics. It also has a front-panel phase switch for inverting input phase, while a large overall mute button and bypass button e workflow.Geoff Daking's famous "A Range"-inspired EQ has four individual EQ bands and five stepped frequencies per band with frequencies specially chosen for effective results. This is thought to be some of the best EQ available for tracking, mixing or mastering. It features continuously variable EQ boost or cut of 15dB; 25Hz High Pass 6 db/octave filter for getting rid of the low-end rumble that ruins tracks; and a 12dB per octave low-pass filter at 15kHz, which helps get rid of extreme top end edginess. Separate overall output level control makes up gain lost in extensive EQ cuts. Built to last and provide top-notch performance, all relay switching features gold bifurcated contacts for long life and steel construction for strength and noise immunity. An outboard in-line universal power supply provides remote power in order to keep the noise floor low.In use: Truly astounding in its ability to reveal vocal detail and character when used with a large-diaphragm condenser, the Mic-Pre/EQ also provides exceptional clarity while maintaining warmth. It imparts a beautiful high-end sheen with none of the harshness associated with certain modern designs. It has all the character of the classic preamps on which it is based, but without the unreliable behavior, plus more richness, detail, and sparkle.Notable users of Daking preamps and compressors: Includes Grammy winners Joe Chicarelli (Tori Amos, Counting Crows, U2) and Ted Perlman (Chicago, Bob Dylan, Elton John), Butch Vig (Nirvana, Smashing Pumpkins, Garbage) Steve Albini (Nirvana, PJ Harvey, Cheap Trick), Russ Long (Wilco, Dolly Parton, Sixpence None the Richer), and master mixers Chris and Tom Lord-Alge (everybody else from James Brown to the Rolling Stones).

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The ISA One microphone preamplifier delivers Focusrite's prestigious ISA transformer-based preamp in a rugged and portable chassis, at a groundbreaking price. ISA One features the classic vintage microphone preamplifier topology from the original ISA110 module, including the Lundahl L1538 transformer and bespoke zobel network. (The original 110 pre amp formed the cornerstone of each channel of Focusrite's legendary Forte console.)The pre-amp is complemented by a line input (XLR and TRS Jack) and an independent DI channel, complete with dedicated gain control, active or passive impedance switch, a TRS Jack output for routing to an amp and an independent XLR output on the rear. This flexible independent DI makes the ISA One ideal both for engineers wishing to blend a DI'd guitar signal with a mic'd guitar cabinet, and for demanding performers who require a single classic solution for both guitar and vocals.A variable impedance circuit has been added, allowing the user to switch between four carefully selected input impedance settings. In addition to the original ISA110 impedance, three further impedance settings allow perfect matching, or creative mismatching of the pre amp with any microphone. ISA One also features an insert point, should the need arise to place extra processing between the preamp or DI, and the optional converter. Phantom power, phase reverse and a 75Hz, 18dB/octave high-pass filter are also available from the angled front fascia.Independent input metering for both channels is provided in the form of a moving-coil VU meter with variable calibration to suit analog and digital recording media, alongside two six-LED peak meters; inputs can be metered either pre- or post-insert. The meter calibrations utilize all the same reference points as Digidesign's Pro Tools HD system, allowing effortless line-up.ISA One's headphone output features a dedicated volume control, which delivers an external stereo cue mix, (a simple click track, or a stereo mix feed from an interface or a live console,) fed to the headphones via two TRS jack inputs on the rear of the unit.An optional state-of-the-art stereo A/D converter is also available (the same card as used with the ISA430 Mk II), embodying cutting-edge conversion technology seated within Focusrite's custom analogue circuitry. This optional card can be retrofitted at any time and provides two channels of 24 bit/192kHz A-D conversion with a dynamic range of 119dB.The ISA microphone preamplifier was first introduced back in 1985. This transformer-based preamplifier formed the first half of the ISA110 mic-pre and EQ module on Focusrite's critically acclaimed Forte console. This console, and the later Studio console were hailed by many as the finest sounding consoles ever built.The ISA microphone preamplifier went on to form the cornerstone of all ISA and RED Focusrite products. The topology has never changed, except for the addition of a variable impedance circuit, a

Click here to learn more about Focusrite ISA One Classic Single Channel Mic Pre w/ DI

The SRM-10X is the ultimate value in compact professional stereo mic/line mixers. This high quality unit is perfect for home and project studios, live club main and monitor mixing, video post-production studios, remote broadcasting in fact, anywhere superior performance, rugged reliability and ultra-versatility are needed in an audio mixer. With 10 channels (including 2 stereo AUX returns) and 2 tape inputs, the SRM-10X offers 12 total inputs in all.*Manufacturer: Nady System, Inc *Manufacturer Part Number: SRM-10X *Manufacturer Website Address: www.nady.com *Product Model: SRM-10X *Product Name: SRM-10X 10-Channel Stereo Mic and Line Mixer *Product Type: Audio Mixer *Dimensions: 1.61" Height x 8.11" Width x 9" Depth, 1.61" Height x 8.11" Width x 9" Depth *Weight (Approximate): 3.30 lb, 3.3 lb, 3.30 lb, 3.3 lb *Additional Information: *Two mono channels with Trim, Bass, Treble, Aux Send, Pan, and Level controls, Low Cut, Pre/Post, PFL switches, and Inserts *Four Stereo channels: two with Level controls, Bass/Treble, Balance controls, Pre/Post Aux Send and PFL switches; two with Level controls and PFL switches *Tape In RCA jacks with level control and PFL switch *Tape Record Out RCA jacks *Individual channel Aux Send, Pre/Post selectable, and Master control *Left and Right Main unbalanced outputs with slider control *Mono output with slider level control and AFL switch *Dual 6-segment LED display bargraph meters *Ultra-low noise mic preamps *Full spectrum frequency response *Wide dynamic range with superior headroom *Separate Master Mix, Control Room and Headphone Outputs *Mic and Line Balanced inputs for optimum audio integrity *¼" TRS Stereo Control Room and Headphone outputs *Switchable global +48V phantom power on all mono inputs *Input Trim control on each mono channel *Pan pots on each mono channel and Balance *pots on each stereo input *Peak LEDs on Mono channels *High-quality pots for all controls with Pan/Balance and EQ controls having center detents *High-strength steel casing and superior construction with only highest quality components for longest life and maximum reliability *External AC supply for optimum signal integrity and superior transient response

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