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Click here to learn more about Mackie Microseries 1202-VLZ Mic/Line Mixer: Owner’s Manual

This product is discontinued; replaced by the TC-740A….

Click here to learn more about TCC TC-740 Variable Output Mike/Phono Preamp, Pre-amp (Preamplifier)

The H4n Handy Recorder is the ultimate in professional, portable recording. A large 1.9-inch, backlit display features recording levels, file format, time elapsed, file name, remaining battery life and recording time. Optional features such as low cut filter, compressor/limiter and phantom power are also shown when utilized. LEDs indicate Stereo, 4-Channel or MTR mode….

Click here to learn more about Zoom H4n Handy Portable Digital Recorder

FiiO E5 is a Portable Headphone Amplifier designed to improve the sound quality and volume of any portable audio source such as MP3 players, iPods, personal media players, mobile phones, laptops, notebooks/netbooks, or portable CD players. The E5 retains all of the advantages of the popular E3 while adding many new features and a substantial boost in performance, all inside a very small and slim a…

Click here to learn more about FiiO E5 Headphone Amplifier

The price/performance standard in side-address studio condenser microphone technology, Audio Technica’s AT2020 studio mic has a low-mass diaphragm that is custom-engineered for extended frequency response and superior transient response. With rugged construction for durable performance, the microphone offers a wide dynamic range and handles high sound pressure levels (SPLs) with ease. Ideal f…

Click here to learn more about Audio Technica AT2020 Side Address Cardiod Condensor Studio Mic

This wireless microphone system supports up to 8 channels, with 4 lavalier/headset mics and 4 handheld mics included. This system is equipped with individual and mixed line outputs, so you can simplify the mixing process, or use your own mixer.

Click here to learn more about Pyle Rack Mount 8 Channel Wireless Microphone System with 4 Lavalier/Headsets and 4 Handheld Mics

2 Turntable/8 Line Level (CD, Cassette Deck, Minidisk, Etc)/ 2 Mic Inputs7-Band Graphic Equalizer for Right Left ChannelsIndividual Rotary Controls for Mic Bass Treble

Click here to learn more about Pyramid 19-inch Rack Mount 4-channel Professional Mixer (Refurbished)

DJ equipment is a 2-channel professional mixerAudio equipment has one 1/4-inch DJ mic input Professional mixer has four line RCA inputs

Click here to learn more about Pyle PYD725 Audio Mixer

Crank up the sound with this 19-inch rack mount 4-channel professional mixerAudio/video accessory has two mic inputs and up to eight line inputsSound mixer has two turntable inputs with ground screw

Click here to learn more about PylePro 19-inch Rack Mount Professional Mixer

Update your audio equipment with PylePro 16-channel power mixerDJ equipment features 16 mono input channels with gold plated XLR balanced inputsUltra low noise discrete mic preamps with +48 v phantom power

Click here to learn more about PylePro 16-channel Power Mixer

The PDWM8900 is a wireless microphone system that supports up to eight channels, with 8 handheld mics included. This system is equipped with 1/4-inch individual and mixed line outputs, so you can simplify the mixing process, or use your own mixer.

Click here to learn more about PylePro Rack Mount 8 Channel Wireless Microphone System with Lavaliers/Headsets

For years, a small recording studio has had two choices: Spend big bucks for a big console or petty cash for a mini mixer with a mini sound. One is overkill and the other kills the music. These days, studios based around workstations need a simple, but superb mixer. Manley has addressed this problem by presenting a choice of three different versions of the 16 into 2 Mixer: LINE, MIC, and an 8+8 MIC/LINE combination that let users select a configuration to best accommodate their studio needs.The 8+8 version mixes it up, with 8 mic channels and 8 line channels, making it a great mixing console for location recording, keyboard rigs and general purpose tasks.The Manley mixer’s channel input jack is a Neutrik Combo which accepts XLR or 1/4″ phone plugs. It is perfectly happy with either balanced or unbalanced sources. In the MIC version, the XLR has the appropriate 2400 ohm impedance and switches to 68K for the 1/4″ plugs. There are balanced direct outputs on every channel post fade and pre cut for multitrack recording. Each channel uses the best sounding chips Manley knows of (Burr Brown INA103, OPA2604, Linear Technology LT1010) in Hutch’s circuits with exceptional headroom and very low noise, real pro level input and output levels, and bulletproof Manley quality throughout. Spec-wise experts know of few mixers ever with better headroom or higher output levels and, well, this Manley mixer’s subterranean noise floor and crosstalk figures are simply quite amazing. The signal path has just 3 superb polystyrene caps from input to output. No carbon resistors, just 1/2 watt metal film, Bourns conductive plastic pots, Grayhill stepped attenuators, etc. All the good stuff. Manley didn’t make this thing all-tube for “ad appeal” and sales hype. They certainly could have, but the 8+8 mixer would have grown into the size of a small house, and needed an accompanying 5-Ton AC unit. However, the tube mix amps/line drivers are right at the end and impart that “Manley Sound” to your final outputs with all the richness, loudness and BIG sound you expect from us. Built like a tank and easy to service. Mutes and Solos use superior relay switching techniques not crummy FETs or CMOS switching. The Solo is of the “mute everything else” type. The buttons are EAO Series 19 and light up to indicate Mute and Solo. Insert and Phase Reverse also use high quality relays and both functions have tiny switches and red LED’s to clearly indicate when they’re selected. The master section provides mixdown to 2 channels achieved with similar tube circuits as used in the Massive Passive, featuring two each 12AT7 NOS Phillips & 6414 NOS GE or Raytheon dual triodes. The M162ML console’s external inputs allow two or more mixers to be combined for 32 or more channels with a mini-banana post linking the Solo functions. There are both transformer balanced and transformerless unbalanced (+4dBm) outputs with tons of headroom

Click here to learn more about Manley M162ML16x2 8+8 Mic/Line Mixer

For years, a small recording studio has had two choices: Spend big bucks for a big console or petty cash for a mini mixer with a mini sound. One is overkill and the other kills the music. These days, studios based around workstations need a simple, but superb mixer. Manley has addressed this problem by presenting a choice of three different versions of the 16 into 2 Mixer: LINE, MIC, and an 8+8 MIC/LINE combination that let users select a configuration to best accommodate their studio needs.The 8+8 version mixes it up, with 8 mic channels and 8 line channels, making it a great mixing console for location recording, keyboard rigs and general purpose tasks.The Manley mixer’s channel input jack is a Neutrik Combo which accepts XLR or 1/4″ phone plugs. It is perfectly happy with either balanced or unbalanced sources. In the MIC version, the XLR has the appropriate 2400 ohm impedance and switches to 68K for the 1/4″ plugs. There are balanced direct outputs on every channel post fade and pre cut for multitrack recording. Each channel uses the best sounding chips Manley knows of (Burr Brown INA103, OPA2604, Linear Technology LT1010) in Hutch’s circuits with exceptional headroom and very low noise, real pro level input and output levels, and bulletproof Manley quality throughout. Spec-wise experts know of few mixers ever with better headroom or higher output levels and, well, this Manley mixer’s subterranean noise floor and crosstalk figures are simply quite amazing. The signal path has just 3 superb polystyrene caps from input to output. No carbon resistors, just 1/2 watt metal film, Bourns conductive plastic pots, Grayhill stepped attenuators, etc. All the good stuff. Manley didn’t make this thing all-tube for “ad appeal” and sales hype. They certainly could have, but the 8+8 mixer would have grown into the size of a small house, and needed an accompanying 5-Ton AC unit. However, the tube mix amps/line drivers are right at the end and impart that “Manley Sound” to your final outputs with all the richness, loudness and BIG sound you expect from us. Built like a tank and easy to service. Mutes and Solos use superior relay switching techniques not crummy FETs or CMOS switching. The Solo is of the “mute everything else” type. The buttons are EAO Series 19 and light up to indicate Mute and Solo. Insert and Phase Reverse also use high quality relays and both functions have tiny switches and red LED’s to clearly indicate when they’re selected. The master section provides mixdown to 2 channels achieved with similar tube circuits as used in the Massive Passive, featuring two each 12AT7 NOS Phillips & 6414 NOS GE or Raytheon dual triodes. The M162ML console’s external inputs allow two or more mixers to be combined for 32 or more channels with a mini-banana post linking the Solo functions. There are both transformer balanced and transformerless unbalanced (+4dBm) outputs with tons of headroom, +36dBu, about 10dB better than million-dollar consoles. The master sec

Click here to learn more about Manley M162ml16x2 8+8 Mic/Line Mixer

The Rane MLM 65 Mic/Line Mixer is designed for easy manual mixing of up to 6 mic/line inputs and playback of one of several stereo audio sources, including modern USB audio and old-school vinyl. Simultaneous digital audio recording of the manual mix to S/PDIF, TOSLINK, and/or USB audio provides a formidable mixing ally in today’s audio world. The MLM 65 features and topology are simple for non-technical operators, and it’s dedicated USB Charge port supports todays MP3 players.The MLM 65 provides 6 manually mixed mic/line XLR inputs each with a front panel Pan and Fader Level control, plus a window slot atop each input for installer-created labels. These inputs also have independent rear panel screwdriver Gain trims, Overload indicators, 12V Phantom Power, and Mic/Line switches.One of six stereo Aux inputs is selectable on the front panel with a Level fader for the selected source being mixed. A single, large-window slot for installer-created Aux source labels makes operation simple for newbies. The stereo Aux inputs include five consumer RCA inputs each with screwdriver input gain trim. The Aux 1 input provides an additional 3.5mm stereo TRS jack and an adjacent dedicated USB Charge port for an iPod or other USB-powered audio device.For audio sources requiring diamond needles drug through the spiral-grooved black lacquer discs of yore, the Aux 4 input’s phono/line switch satisfies those addicted to the warm, even-order harmonic distortion of phono cartridges. A large phono ground post is nearby for added sheen.The sixth Aux input enters via the USB Audio port. The MLM 65 registers as a standard USB audio device with either Windows or Apple operating systems, and both incoming and outgoing audio is stereo 16-bit, 48kHz PCM. This accommodates pristine, far-beyond-CD-quality playback of audio from dozens of instantly compatible laptop software programs.The MLM 65′s front panel has two headphone outputs (1/4″ and 3.5m TRS) with a dedicated meter with peak hold, rotary Level control, and are fed audio from the selected/illuminated Cue button. Stereo headphone cueing of any mic, the selected Aux input, or the Main mix is supported.The Main Level fader and meter with peak hold on the front affects only the Main stereo XLR Outputs which sport a Mono switch. The stereo Record RCA outputs with screwdriver adjustable attenuator provide a local analog output for recording to MP3 players or nearby camcorders.The three digital audio outputs of the mix are 24-bit/ 48kHz S/PDIF and TOSLINK, and 16-bit/ 48kHz USB audio. The same laptop can simultaneously playback and record via USB7 Input LEVEL faders (45mm sliders) set the volume of each mic or line Input8 CUE buttons select one of the Inputs, the Stereo Aux, or the Main Mix to be heard in headphones, and displayed on the Cue meterInput label slots 1-6 allow you to print your own label for each connected Input, and slip it behind the windowPAN controls 1-6 send the input audio to both left and right Main Mix cha

Click here to learn more about Rane Mlm 65 Rack Mic/Line Mixer

Looking for a versatile line/mic mixer that fits in a rack AND eliminates the need for tons of outboard gear? The 12-channel RX1202FX is not only rack mountable, but comes loaded with a 24-bit multi-FX processor and 8 built-in studio-grade IMP “invisible” mic preamps. This mixer works perfectly for small bands or churches, business conferences with both microphone and A/V equipment as well as sub-mixing keyboards, drums, samplers or multiple vocal mics. It’s also the ideal choice for monitoring multi-track recording projects.

Click here to learn more about Behringer Eurorack Pro RX1202FX 12-Input Line Mixer

The Nady RMX-6 Rackmount 6-Channel Mic/Line Mixer only takes up a single rackspace. Features balanced XLR and 1/4″ TRS line inputs on each channel. Master volume, bass, and treble controls. 15V phantom power is provided on channels 4-6 mic inputs. Dual outputs (low and high level). The Nady RMX-6 has an internally shielded power supply.Balanced XLR and 1/4″ TRS line inputs on each channelMaster volume and bass, treble controls15V phantom power is provided on channels 4-6 mic inputsDual outputs (low and high level)Internally shielded power supplySingle rackspace

Click here to learn more about Nady Rmx 6 Rackmount 6-Channel Mic/Line Mixer

The Nady RMX-6 Rackmount 6-Channel Mic/Line Mixer only takes up a single rackspace. Features balanced XLR and 1/4″ TRS line inputs on each channel. Master volume, bass, and treble controls. 15V phantom power is provided on channels 4-6 mic inputs. Dual outputs (low and high level). The Nady RMX-6 has an internally shielded power supply.

Click here to learn more about Nady RMX 6 Rackmount 6-Channel Mic/Line Mixer

For years, a small studio has had two choices: Spend big bucks for a big mixing console or petty cash for a mini mixer with a mini sound. One is overkill and the other kills the music. These days, recording studios based around workstations need a simple, but superb mixer. Manley addresses this problem by presenting a choice of three different versions of the 16 into 2 Mixer: LINE, MIC, and an 8+8 MIC/LINE combination that let users select a configuration to best accommodate their studio needs.The Manley M162M MIC version has very low noise mic preamps with up to 60 dB of gain selectable on a rotary switch which replaces the aux knob. The XLR has the appropriate 2400 ohm impedance and switches to 68k ohm for the 1/4″ plugs. (so yes you can run line level signals into it.) It also has phase reverse and inserts on every channel. This Manley MIC mixing console offers the maximum amount of input flexibility.The Manley mixer’s channel input jack is a Neutrik Combo which accepts XLR or 1/4″ phone plugs. It is perfectly happy with either balanced or unbalanced sources. In the MIC version, the XLR has the appropriate 2400 ohm impedance and switches to 68K for the 1/4″ plugs. There are balanced direct outputs on every channel post fade and pre cut for multitrack recording. Each channel uses the best sounding chips Manley knows of (Burr Brown INA103, OPA2604, Linear Technology LT1010) in Hutch’s circuits with exceptional headroom and very low noise, real pro level input and output levels, and bulletproof Manley quality throughout. Spec-wise experts know of few mixers with better headroom or higher output levels and, well, the mixer’s subterranean noise floor and crosstalk figures are simply quite amazing. The signal path has just 3 superb polystyrene caps from input to output. No carbon resistors, just 1/2 watt metal film, Bourns conductive plastic pots, Grayhill stepped attenuators, etc. All the good stuff. Manley didn’t make this mixing console all-tube for “ad appeal” and sales hype. They certainly could have, but this puppy would have grown into the size of a small house, and needed an accompanying 5-Ton AC unit. However, the tube mix amps/line drivers are right at the end and impart that “Manley Sound” to your final outputs with all the richness, loudness and BIG sound you expect from us. Built like a tank and easy to service. Mutes and Solos use superior relay switching techniques not crummy FETs or CMOS switching. The Solo is of the “mute everything else” type. The buttons are EAO Series 19 and light up to indicate Mute and Solo. Insert and Phase Reverse also use high quality relays and both functions have tiny switches and red LED’s to clearly indicate when they’re selected. The master section provides mixdown to 2 channels achieved with similar tube circuits as used in the Massive Passive, featuring two each 12AT7 NOS Phillips & 6414 NOS GE or Raytheon dual triodes. External i

Click here to learn more about Manley M162M 16×2 Mic Mixer

For years, a small studio has had two choices: Spend big bucks for a big mixing console or petty cash for a mini mixer with a mini sound. One is overkill and the other kills the music. These days, recording studios based around workstations need a simple, but superb mixer. Manley addresses this problem by presenting a choice of three different versions of the 16 into 2 Mixer: LINE, MIC, and an 8+8 MIC/LINE combination that let users select a configuration to best accommodate their studio needs.The Manley M162M MIC version has very low noise mic preamps with up to 60 dB of gain selectable on a rotary switch which replaces the aux knob. The XLR has the appropriate 2400 ohm impedance and switches to 68k ohm for the 1/4″ plugs. (so yes you can run line level signals into it.) It also has phase reverse and inserts on every channel. This Manley MIC mixing console offers the maximum amount of input flexibility.The Manley mixer’s channel input jack is a Neutrik Combo which accepts XLR or 1/4″ phone plugs. It is perfectly happy with either balanced or unbalanced sources. In the MIC version, the XLR has the appropriate 2400 ohm impedance and switches to 68K for the 1/4″ plugs. There are balanced direct outputs on every channel post fade and pre cut for multitrack recording. Each channel uses the best sounding chips Manley knows of (Burr Brown INA103, OPA2604, Linear Technology LT1010) in Hutch’s circuits with exceptional headroom and very low noise, real pro level input and output levels, and bulletproof Manley quality throughout. Spec-wise experts know of few mixers with better headroom or higher output levels and, well, the mixer’s subterranean noise floor and crosstalk figures are simply quite amazing. The signal path has just 3 superb polystyrene caps from input to output. No carbon resistors, just 1/2 watt metal film, Bourns conductive plastic pots, Grayhill stepped attenuators, etc. All the good stuff. Manley didn’t make this mixing console all-tube for “ad appeal” and sales hype. They certainly could have, but this puppy would have grown into the size of a small house, and needed an accompanying 5-Ton AC unit. However, the tube mix amps/line drivers are right at the end and impart that “Manley Sound” to your final outputs with all the richness, loudness and BIG sound you expect from us. Built like a tank and easy to service. Mutes and Solos use superior relay switching techniques not crummy FETs or CMOS switching. The Solo is of the “mute everything else” type. The buttons are EAO Series 19 and light up to indicate Mute and Solo. Insert and Phase Reverse also use high quality relays and both functions have tiny switches and red LED’s to clearly indicate when they’re selected. The master section provides mixdown to 2 channels achieved with similar tube circuits as used in the Massive Passive, featuring two each 12AT7 NOS Phillips & 6414 NOS GE or Raytheon dual triodes. External inputs allow two or more mixers to be combined for 32 or more channels wi

Click here to learn more about Manley M162m 16X2 Mic Mixer

The WZ3162DX is a versatile, easy to use 16 mic/line channel mixer – the next generation of this industry standard multi-purpose design. Includes built-in digital FX.

Click here to learn more about Allen and Heath MixWizard WZ3162DX 16-Channel Mixer

The Mix Back is a flexible and affordable 16 x 12 x 2 x 2 monitor mixer that features two stereo outputs and twelve mono outputs. There are sixteen high quality Mic/Line inputs with passive split. It also features two HearBus outputs and two ADAT optical outputs. A perfect companion to our Hear Back personal monitor system. A talkback mic preamp permits talking to any mono output, master outputs and the intercom output.

Click here to learn more about Hear Technologies MixBack Monitor Mixer

For years a small studio has had two choices: Spend big bucks for a big console or petty cash for a mini mixer with a mini sound. One is overkill and the other kills the music. These days, recording studios based around workstations need a simple, but superb mixer. Manley addresses this problem by presenting a choice of three different versions of the 16 into 2 Mixer: LINE, MIC, and an 8+8 MIC/LINE combination that let users select a configuration to best accommodate their recording studio needs.The Manley M162L Mixer has 16 line inputs with one aux send per channel. The LINE version is intended for workstations and allows users to avoid the digital mix buss, which is often less than great sounding. This mixing console is ideal for recording keyboards, electronic drums and direct from instrument amplifiers.The channel input jack is a Neutrik Combo which accepts XLR or 1/4″ phone plugs. It is perfectly happy with either balanced or unbalanced sources. In the MIC version, the XLR has the appropriate 2400 ohm impedance and switches to 68K for the 1/4″ plugs. There are balanced direct outputs on every channel post fade and pre cut for multitrack recording. Each channel on the M162L line mixer uses the best sounding chips Manley knows of (Burr Brown INA103, OPA2604, Linear Technology LT1010) in Hutch’s circuits with exceptional headroom and very low noise, real pro level input and output levels, and bulletproof Manley quality throughout. Spec-wise experts know of few mixers with better headroom or higher output levels and, well, the mixer’s subterranean noise floor and crosstalk figures are simply amazing. The signal path has just 3 superb polystyrene caps from input to output. No carbon resistors, just 1/2 watt metal film, Bourns conductive plastic pots, Grayhill stepped attenuators, etc. All the good stuff. Manley didn’t make this mixing console all-tube for “ad appeal” and sales hype. They certainly could have, but this puppy would have grown into the size of a small house, and needed an accompanying 5-Ton AC unit. However, the tube mix amps/line drivers are right at the end and impart that “Manley Sound” to your final outputs with all the richness, loudness and BIG sound you expect from us. Built like a tank and easy to service. Mutes and Solos use superior relay switching techniques not crummy FETs or CMOS switching. The Solo is of the “mute everything else” type. The buttons are EAO Series 19 and light up to indicate Mute and Solo. Insert and Phase Reverse also use high quality relays and both functions have tiny switches and red LED’s to clearly indicate when they’re selected. The Manley M162L Mixer’s master section provides mixdown to 2 channels achieved with similar tube circuits as used in the Massive Passive, featuring two each 12AT7 NOS Phillips & 6414 NOS GE or Raytheon dual triodes. External inputs allow two or more mixers to be combined for 32 or more channels with

Click here to learn more about Manley M162L 16×2 Line Mixer

For years a small studio has had two choices: Spend big bucks for a big console or petty cash for a mini mixer with a mini sound. One is overkill and the other kills the music. These days, recording studios based around workstations need a simple, but superb mixer. Manley addresses this problem by presenting a choice of three different versions of the 16 into 2 Mixer: LINE, MIC, and an 8+8 MIC/LINE combination that let users select a configuration to best accommodate their recording studio needs.The Manley M162L Mixer has 16 line inputs with one aux send per channel. The LINE version is intended for workstations and allows users to avoid the digital mix buss, which is often less than great sounding. This mixing console is ideal for recording keyboards, electronic drums and direct from instrument amplifiers.The channel input jack is a Neutrik Combo which accepts XLR or 1/4″ phone plugs. It is perfectly happy with either balanced or unbalanced sources. In the MIC version, the XLR has the appropriate 2400 ohm impedance and switches to 68K for the 1/4″ plugs. There are balanced direct outputs on every channel post fade and pre cut for multitrack recording. Each channel on the M162L line mixer uses the best sounding chips Manley knows of (Burr Brown INA103, OPA2604, Linear Technology LT1010) in Hutch’s circuits with exceptional headroom and very low noise, real pro level input and output levels, and bulletproof Manley quality throughout. Spec-wise experts know of few mixers with better headroom or higher output levels and, well, the mixer’s subterranean noise floor and crosstalk figures are simply amazing. The signal path has just 3 superb polystyrene caps from input to output. No carbon resistors, just 1/2 watt metal film, Bourns conductive plastic pots, Grayhill stepped attenuators, etc. All the good stuff. Manley didn’t make this mixing console all-tube for “ad appeal” and sales hype. They certainly could have, but this puppy would have grown into the size of a small house, and needed an accompanying 5-Ton AC unit. However, the tube mix amps/line drivers are right at the end and impart that “Manley Sound” to your final outputs with all the richness, loudness and BIG sound you expect from us. Built like a tank and easy to service. Mutes and Solos use superior relay switching techniques not crummy FETs or CMOS switching. The Solo is of the “mute everything else” type. The buttons are EAO Series 19 and light up to indicate Mute and Solo. Insert and Phase Reverse also use high quality relays and both functions have tiny switches and red LED’s to clearly indicate when they’re selected. The Manley M162L Mixer’s master section provides mixdown to 2 channels achieved with similar tube circuits as used in the Massive Passive, featuring two each 12AT7 NOS Phillips & 6414 NOS GE or Raytheon dual triodes. External inputs allow two or more mixers to be combined for 32 or more channels with a mini-banana post linking the Solo functions. There are both transforme

Click here to learn more about Manley M162l 16X2 Line Mixer

The ultra-compact 402-VLZ3 Premium 4-Channel Mic/Line Mixer builds on the legacy of Mackie’s top-selling VLZ mixers. Housed in a sleek, rugged steel chassis, its two XDR2 mic preamps, Active EQ, and low-noise, high-headroom circuitry mean you can now get exceptional sound quality and performance in an amazingly small footprint–at an astonishingly low price.

Click here to learn more about Mackie 402-VLZ3 4-Channel Ultra Compact Mixer

The ultra-compact 802 VLZ3 Premium 8-Channel Mic/Line Mixer builds on the legacy of Mackie’s top-selling VLZ mixers. Housed in a sleek, rugged steel chassis, its three XDR2 mic preamps, 3-band Active EQ, and low-noise, high-headroom circuitry deliver the same phenomenal sound and performance that makes the 1604VLZ3 prized in studios and on stages around the globe.

Click here to learn more about Mackie 802-VLZ3 Ultra Compact 8-Channel Mixer

The Phonic Powerpod 410 powered mixer is equipped with built-in variable digital delay. Powerpod Series powered mixers are great all-in-one mixers and amplifiers for bands, traveling musicians, school auditoriums, houses of worship, and clubs. The Powerpod 410 has a 100W power amplifier with 4 mic/line input channels, variable delay, XLR and 1/4″ TRS phone jack inputs. This Phonic audio mixer also features a super-musical 2-band EQ at mono channels and an additional 1/4″ stereo jack for external signal. The Powerpod 410 also has Tape in and record outs for a CD or tape player, and 2 – 1/4″ phone jacks for speaker connection. It has a very durable, rugged design with carpet protection.The Phonic Powerpod Series are powered mixers with a compact and durable design. Each Powerpod mixer has multiple Mic/Line input channels and a built-in amplifier. The 2-band EQ on every channel gives you maximum control over your mix. This great mixer also includes a dynamic mic with cable and 2 speaker cables.Built-in 100W power amplifier4 mic/line input channelsVariable digital delayXLR and 1/4″ TRS phone input jacksSuper-musical 2-band EQ at mono channelsAdditional 1/4″ stereo jack for external signal to use the built-in power amplifier and sending Main output to external power amplifierTape In and Record out for CD or tape player2 – 1/4″ phone jacks for speaker connection

Click here to learn more about Used Phonic Powerpod 410 Powered Mixer With Mic And Speaker Cables 889406495388

The Phonic Powerpod 410 powered mixer is equipped with built-in variable digital delay. Powerpod Series powered mixers are great all-in-one mixers and amplifiers for bands, traveling musicians, school auditoriums, houses of worship, and clubs. The Powerpod 410 has a 100W power amplifier with 4 mic/line input channels, variable delay, XLR and 1/4″ TRS phone jack inputs. This Phonic audio mixer also features a super-musical 2-band EQ at mono channels and an additional 1/4″ stereo jack for external signal. The Powerpod 410 also has Tape in and record outs for a CD or tape player, and 2 – 1/4″ phone jacks for speaker connection. It has a very durable, rugged design with carpet protection.The Phonic Powerpod Series are powered mixers with a compact and durable design. Each Powerpod mixer has multiple Mic/Line input channels and a built-in amplifier. The 2-band EQ on every channel gives you maximum control over your mix. This great mixer also includes a dynamic mic with cable and 2 speaker cables.Built-in 100W power amplifier4 mic/line input channelsVariable digital delayXLR and 1/4″ TRS phone input jacksSuper-musical 2-band EQ at mono channelsAdditional 1/4″ stereo jack for external signal to use the built-in power amplifier and sending Main output to external power amplifierTape In and Record out for CD or tape player2 – 1/4″ phone jacks for speaker connection

Click here to learn more about Used Phonic Powerpod 410 Powered Mixer With Mic And Speaker Cables 889406511415

The Phonic Powerpod 410 powered mixer is equipped with built-in variable digital delay. Powerpod Series powered mixers are great all-in-one mixers and amplifiers for bands, traveling musicians, school auditoriums, houses of worship, and clubs. The Powerpod 410 has a 100W power amplifier with 4 mic/line input channels, variable delay, XLR and 1/4″ TRS phone jack inputs. This Phonic audio mixer also features a super-musical 2-band EQ at mono channels and an additional 1/4″ stereo jack for external signal. The Powerpod 410 also has Tape in and record outs for a CD or tape player, and 2 – 1/4″ phone jacks for speaker connection. It has a very durable, rugged design with carpet protection.The Phonic Powerpod Series are powered mixers with a compact and durable design. Each Powerpod mixer has multiple Mic/Line input channels and a built-in amplifier. The 2-band EQ on every channel gives you maximum control over your mix. This great mixer also includes a dynamic mic with cable and 2 speaker cables.Built-in 100W power amplifier4 mic/line input channelsVariable digital delayXLR and 1/4″ TRS phone input jacksSuper-musical 2-band EQ at mono channelsAdditional 1/4″ stereo jack for external signal to use the built-in power amplifier and sending Main output to external power amplifierTape In and Record out for CD or tape player2 – 1/4″ phone jacks for speaker connection

Click here to learn more about Used Phonic Powerpod 410 Powered Mixer With Mic And Speaker Cables 889406514577

The Phonic Powerpod 410 powered mixer is equipped with built-in variable digital delay. Powerpod Series powered mixers are great all-in-one mixers and amplifiers for bands, traveling musicians, school auditoriums, houses of worship, and clubs. The Powerpod 410 has a 100W power amplifier with 4 mic/line input channels, variable delay, XLR and 1/4″ TRS phone jack inputs. This Phonic audio mixer also features a super-musical 2-band EQ at mono channels and an additional 1/4″ stereo jack for external signal. The Powerpod 410 also has Tape in and record outs for a CD or tape player, and 2 – 1/4″ phone jacks for speaker connection. It has a very durable, rugged design with carpet protection.The Phonic Powerpod Series are powered mixers with a compact and durable design. Each Powerpod mixer has multiple Mic/Line input channels and a built-in amplifier. The 2-band EQ on every channel gives you maximum control over your mix. This great mixer also includes a dynamic mic with cable and 2 speaker cables.Built-in 100W power amplifier4 mic/line input channelsVariable digital delayXLR and 1/4″ TRS phone input jacksSuper-musical 2-band EQ at mono channelsAdditional 1/4″ stereo jack for external signal to use the built-in power amplifier and sending Main output to external power amplifierTape In and Record out for CD or tape player2 – 1/4″ phone jacks for speaker connection

Click here to learn more about Used Phonic Powerpod 410 Powered Mixer With Mic And Speaker Cables 889406550988

The Phonic Powerpod 410 powered mixer is equipped with built-in variable digital delay. Powerpod Series powered mixers are great all-in-one mixers and amplifiers for bands, traveling musicians, school auditoriums, houses of worship, and clubs. The Powerpod 410 has a 100W power amplifier with 4 mic/line input channels, variable delay, XLR and 1/4″ TRS phone jack inputs. This Phonic audio mixer also features a super-musical 2-band EQ at mono channels and an additional 1/4″ stereo jack for external signal. The Powerpod 410 also has Tape in and record outs for a CD or tape player, and 2 – 1/4″ phone jacks for speaker connection. It has a very durable, rugged design with carpet protection.The Phonic Powerpod Series are powered mixers with a compact and durable design. Each Powerpod mixer has multiple Mic/Line input channels and a built-in amplifier. The 2-band EQ on every channel gives you maximum control over your mix. This great mixer also includes a dynamic mic with cable and 2 speaker cables.Built-in 100W power amplifier4 mic/line input channelsVariable digital delayXLR and 1/4″ TRS phone input jacksSuper-musical 2-band EQ at mono channelsAdditional 1/4″ stereo jack for external signal to use the built-in power amplifier and sending Main output to external power amplifierTape In and Record out for CD or tape player2 – 1/4″ phone jacks for speaker connection

Click here to learn more about Used Phonic Powerpod 410 Powered Mixer With Mic And Speaker Cables 889406551039