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Though ‘You’re a Jerk’ is the first single from Skinny Jeanz & A Mic, their forthcoming album on Asylum Records, New Boyz is bigger than just one sound.Though Skinny Jeanz & A Mic features the sonic imprint of modern movements like hyphy and Atlanta’s own teen rap madness, it’s also heavily influenced by the minimal bass and drum machine sound from hip-hop’s earliest days….

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2 TURNTABLES/MICROPHONE:JAM MASTER JA – DVD Movie…

Click here to learn more about 2 Turntables and a Microphone: The Life and Death of Jam Master Jay

Includes CD, Case, Artwork!! ALOT of Scratches, plays fine. Great Buy! Fast 1st Class Shipping!!…

Click here to learn more about Got Purp 2

All-in-one Audio Cable with Amplifier and Microphone

External MIC, RCA Female, DC Power Male and Female with Power Pass Thru…

Click here to learn more about CCTV Audio External Amplified Microphone, very small size! DC 12V

Spiced chai 5lb…….

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4 Mic VHF Wireless Microphone System

Click here to learn more about Pyle PDWM5000 Wireless Microphone System

GN Jabra GN9125 Wireless Micro-boom Earset

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This VOIP, Skype mini flexible microphone is great for internet phone calls, conferences calls and even video games. It features a flexible cable that enables you to position the mic to fit your needs.

Click here to learn more about Black VOIP/ SKYPE Mini Flexible Black Microphone

This wireless microphone system supports up to 8 channels, with 4 lavalier/headset mics and 4 handheld mics included. This system is equipped with individual and mixed line outputs, so you can simplify the mixing process, or use your own mixer.

Click here to learn more about Pyle Rack Mount 8 Channel Wireless Microphone System with 4 Lavalier/Headsets and 4 Handheld Mics

This pack of 2 VOIP, Skype mini flexible microphone is great for internet phone calls, conferences calls and even video games. It features a flexible cable that enables you to position the mic to fit your needs.

Click here to learn more about Black VOIP/ SKYPE Mini Flexible Black Microphone (Pack of 2)

Polycom EX Microphone Pods

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Polycom Soundstation VTX1000 Mic Pods

Click here to learn more about Polycom Soundstation VTX1000 Mic Pods

This is a Connectland Gaming Desktop Stereo Microphone CL-AUD63001

Click here to learn more about Connectland Gaming Desktop Stereo Microphone CL-AUD63001

Naxa professional dual wireless microphone system DJ equipment features operating range of up to 60 feet from the consoleMic has VHF/FM 110-270mhz frequency range

Click here to learn more about Naxa Dual Wireless Microphone System – NX984

The PDWM8900 is a wireless microphone system that supports up to eight channels, with 8 handheld mics included. This system is equipped with 1/4-inch individual and mixed line outputs, so you can simplify the mixing process, or use your own mixer.

Click here to learn more about PylePro Rack Mount 8 Channel Wireless Microphone System with Lavaliers/Headsets

The Rolls MP13 Mini-Mic microphone preamplifier is a small, simple, and inexpensive microphone pre amplifier for a variety of applications. The unit has XLR and 1/4 inch Outputs, XLR and 1/8 inch Inputs, and a single Gain control with a Clip indicator. Switchable Phantom Power is included for use with a condenser microphone. The unit comes complete with a power adapter.

Click here to learn more about Rolls MP13 Mini-Mic Microphone Preamplifier

Empirical Labs Dave Derr is no stranger to creating game-changing audio processors, and his Mike-E preamp is no exception. Mike-E is a modern, digitally controlled microphone preamplifier chocked with unusual features to warm and soften sound sources, plus, it also has an excellent compressor/limiter. Mike-E, a transformer-coupled mic preamp, offers an incredible performance with a noise floor is far below any microphones self-noise. And, the one-of-a-kind CompSat section is an uncompromising compressor and saturator circuit that offers versatile coloring, and classic knee compression.Mic Preamp SectionThe preamp section is a super low-noise transformer-input amplifier section with gain digitally controlled gain. This section comes standard with a shielded Lundahl transformer, but allows for a Jensen transformer also.The signal-to-noise ratio far exceeds any microphone in existence; typically over 130dB with the input shorted and 40dB of gain. Having used many mic preamps over the years, Empirical Labs has implemented a unique stepped-gain control that is impervious to the normal flakiness that age causes to pots and detented switches.Counting the output gain of 14dB, a total74 dB of gain is available to you with the CompSat section bypassed. Phantom power (+48V) is provided for condenser mics.Exclusive CompSat SectionThis unique circuitry is what sets Mike-E apart from all other mic preamplifiers. It has four sections:1) Saturator: This is a multi-stage soft clipping circuit. At lower levels, triode-type saturation affects the signal. As the level increases, a second unique clip circuit that includes germanium semiconductors starts to flatten out the peaks more severely. An LED named BAD! indicates harder, un-musical clipping.2) Compressor: This is an uncompromising compressor/limiter circuit with detented control of attack and release for easy repeatability. You adjust the amount of compression with the DRIVE knob, which determines the level going into the compressor. In ways it is like the Empircal Labs Distressor (see #501579), but has differing characteristics including a much longer available attack time and additional circuitry. Four ratios are provided; 2:1 being the gentlest with a long 20dB knee, good for subtle compression, such as while tracking or on the 2-Bus. Ratios 4:1 and 8:1 are steeper but still very smooth with long knees. Nuke is very steep (limiter-like) and has a different attack and release shape.3) Emphasis: Emphasis is actually two circuits that surround the compressor and saturator. Pre-emphasis boosts the high frequencies before the compressor and saturator (CompSat), soft clipping them sooner than normal, while a de-emphasis cuts the complementary frequencies after the CompSat. Emphasis has the added perk of improving signal-to-noise, and is the reason analog tape decks used emphasis to begin with.4) Mix Control: The modern recording engineer often employs the technique of mixing between the compressed and the dry (or

Click here to learn more about Used Empirical Labs Mike-E Mic Pre With Compression And Saturation

Empirical Labs Dave Derr is no stranger to creating game-changing audio processors, and his Mike-E preamp is no exception. Mike-E is a modern, digitally controlled microphone preamplifier chocked with unusual features to warm and soften sound sources, plus, it also has an excellent compressor/limiter. Mike-E, a transformer-coupled mic preamp, offers an incredible performance with a noise floor is far below any microphones self-noise. And, the one-of-a-kind CompSat section is an uncompromising compressor and saturator circuit that offers versatile coloring, and classic knee compression.Mic Preamp SectionThe preamp section is a super low-noise transformer-input amplifier section with gain digitally controlled gain. This section comes standard with a shielded Lundahl transformer, but allows for a Jensen transformer also.The signal-to-noise ratio far exceeds any microphone in existence; typically over 130dB with the input shorted and 40dB of gain. Having used many mic preamps over the years, Empirical Labs has implemented a unique stepped-gain control that is impervious to the normal flakiness that age causes to pots and detented switches.Counting the output gain of 14dB, a total74 dB of gain is available to you with the CompSat section bypassed. Phantom power (+48V) is provided for condenser mics.Exclusive CompSat SectionThis unique circuitry is what sets Mike-E apart from all other mic preamplifiers. It has four sections:1) Saturator: This is a multi-stage soft clipping circuit. At lower levels, triode-type saturation affects the signal. As the level increases, a second unique clip circuit that includes germanium semiconductors starts to flatten out the peaks more severely. An LED named BAD! indicates harder, un-musical clipping.2) Compressor: This is an uncompromising compressor/limiter circuit with detented control of attack and release for easy repeatability. You adjust the amount of compression with the DRIVE knob, which determines the level going into the compressor. In ways it is like the Empircal Labs Distressor (see #501579), but has differing characteristics including a much longer available attack time and additional circuitry. Four ratios are provided; 2:1 being the gentlest with a long 20dB knee, good for subtle compression, such as while tracking or on the 2-Bus. Ratios 4:1 and 8:1 are steeper but still very smooth with long knees. Nuke is very steep (limiter-like) and has a different attack and release shape.3) Emphasis: Emphasis is actually two circuits that surround the compressor and saturator. Pre-emphasis boosts the high frequencies before the compressor and saturator (CompSat), soft clipping them sooner than normal, while a de-emphasis cuts the complementary frequencies after the CompSat. Emphasis has the added perk of improving signal-to-noise, and is the reason analog tape decks used emphasis to begin with.4) Mix Control: The modern recording engineer often employs the technique of mixing between the compressed and the dry (or

Click here to learn more about Empirical Labs Mike-E Mic Pre With Compression And Saturation

IK Multimedia iRig Mic is the first handheld, quality condenser microphone for iPhone, iPod touch and iPad designed for all of your mobile sound needs. Now you can make professional audio and vocal recordings anywhere on your iOS device.

Click here to learn more about IK Multimedia iRig Mic Microphone for iPhone and iPad

Now you don’t have to be a superstar to use a microphone with a custom look. The Audio Technica ATR-1205 comes supplied with four themed mic wraps that fit snugly around the microphone, transforming its look effortlessly from Tribal’s red-on-black heavy metal vibe, to the aggressive silver/black Boom, the artful splatter of Jackson, and cheerful Cutie.

Click here to learn more about Audio Technica ATR1205 Dynamic Microphone with Mic Wraps

The PG48 Vocal Microphone is a great performance mic for applications such as Spoken Word and Karaoke.

Click here to learn more about Shure PG48 Performance Gear Vocal Microphone

For serious field recording, the optional CS15R cardioid-type stereo microphone is a great match for the CD2E. For portability and convenience, the CD2E supplies the power to the mic. Bundled with the microphone are a desktop stand, a hand-held mount, and a windscreen.

Click here to learn more about Roland CS15R Stereo Mic for CD2E Recorder

The On-Stage Drum Set Microphone Rim Clip and Stand Package is the perfect package for anyone that needs to mic drums with out the bulk of a bag full of mic stands.

Click here to learn more about On-Stage Drum Set Microphone Stand Pack

The K&M Microphone Bar Dual Mic Holder connects to the top of mic stands and holds 2 microphones or boom arms. 5/8″ locking screws, adjustable from 2.3″ to 6.7″.

Click here to learn more about K&M Microphone Bar Dual Mic Holder

The PGX Digital Lapel Wireless System from Shure adds the clarity of 24-bit digital audio to the legacy of trusted Shure microphone options for wireless performance. This system includes the WL85 cardioid condenser lavalier for general-purpose sound reinforcement applications requiring good rejection of ambient noise. Also includes tie clip and windscreen.

Click here to learn more about Shure PGX Digital Lavalier Wireless Microphone System with WL85 Mic

The On-Stage Microphone Stand Bag, a must for bands, is a rugged nylon bag with enough pockets for either 3 round base mic stand bases, 3 hex-base mic stand bases or any combination of both.

Click here to learn more about On-Stage Microphone Stand Carry Bag

The LP Mic Claw ensures solid placement of microphones on snare drums, toms, congas, and amplifiers. The Z-shaped 3/8 in. diameter microphone rod allows for close, as well as extended, mic positioning. A model with an extra-long Z rod is available for greater mounting possibilities.

Click here to learn more about Latin Percussion Microphone Claw

The PG56 Snare/Tom Microphone is a compact drum mic for close miking of snare drums, rack/floor toms, and percussion.

Click here to learn more about Shure PG56 Performance Gear Snare/Tom Microphone

The PG57 Instrument Microphone is a versatile mic for amplified or acoustic instruments such as guitar amps, brass, or saxophone.

Click here to learn more about Shure PG57 Performance Gear Instrument Microphone

The PG58 Vocal Microphone is a rugged mic tuned to accentuate the clarity of lead and back-up vocals.

Click here to learn more about Shure PG58 Performance Gear Vocal Microphone

The On-Stage Drum Set Microphone Rim Clip and Stand Package is the perfect package for anyone that needs to mic drums with out the bulk of a bag full of mic stands. This package includes five On-Stage DM50 drum rim clip microphone mounts and one MS7920B kick drum/amp mic stand.

Click here to learn more about On-Stage Drum Set Microphone Stand and Clips Pack