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This high gain mini preamp microphone is the best for CCTV professionals. Line level out put: 6-15 VDC. Power in and Power out design allows the microphone to share the same power source with the camera…

Click here to learn more about DSC-MP100 High Sensitive Preamp Mini Microphone with Power Bypass for Security Audio Sound Voice Monitoring Recording DS1

DSC-MP100, CCTV Microphone. Specification:

* Plug and Play
* Extremely Sensitive
* Great for Security Monitoring
* Higher S/N Ratio
* Range : 150 Square meters
* Audio Output: RCA Female
* Sensitivity : 200mA/ubar
* Work current : 5 mA-60mA
* Work Voltage: DC12V
* Frequency: 200-6000HZ
* Max output Voltage: 5V-upp.

Connect Method:

* 12VDC Input Port:…

Click here to learn more about DSC-MP100 Pre-Amp Hidden Microphone RCA Power in/out CCTV

This mini DVR records video at 640×480 resolutions and record frame adjust at 5, 15 or 30 f/s. This mobile security DVR is solid state and records directly to a standard SD card Operates on 9 – 12 volts at 150 mA.MPEG-4 video format. SD card not included….

Click here to learn more about VideoSecu Home CCTV Mini DVR Motion Detection Recorder System , including Day Night Vision Outdoor 1/3 ” SONY CCD Security Camera 420L, Audio Microphone, Extension Cable W31

The Griffin Technology 9066-IMIC2 iMic/USB Audio Interface, the original USB audio adapter, lets you connect virtually any microphone or sound input device to any Mac or PC system with a USB port. iMic supports both mic and line level inputs via a selectable switch, and has a variable level output for connecting speakers or headphones. The iMic really shines as the essential tool for converting y…

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This is an ultra-portable Mini Microphone. It uses a standard 3.5mm jack, and is Plug and Play: no software to install! It’s an excellent addition to your laptop or notebook setup, & is suitable for internet telephony applications like VOIP or Skype. Talk to anyone, anywhere! Microphone settings are adjusted from your PCs audio control panel. Sensitivity: -54±3dB Frequency Range: 100-5KHz Direct…

Click here to learn more about HDE (TM) Mini 3.5mm Voice Microphone for PC Laptop Skype

The Manley TNT (Tubes No Tubes) 2-Channel Mic Preamp has two different and discrepant mic preamps in one box for two different sound colors. By popular demand, one channel is the exact same mic pre as in the Manley SLAM! with tubes and transformers. The second preamp is a fresh “No Tubes” design from Hutch and is inspired by old British console preamps with a tasty combination of “No Tubes” design with transformers. This one is not a clone of anything preexisting. It is a new flavor but reminiscent of that classic discrete sound. Both channels on the Manley TNT preamp are designed around the basic goal of “just plug a mic in and it sounds great.” The tube channel excels on traditionally difficult sources like some bright guitars, reed and brass, cymbals and some vocals. The “No Tubes” channel might be more suited for smoother vocals, drums, bass and raunchy guitars, but you never really knows which preamp is best for the job at hand until you try them. At least you’ll have two qualified candidates in one handy 1U chassis.The Manley TNT is a new concept in microphone preamplification for those who don’t always need stereo everything but often need choices and often need the best. Besides, you probably have a number of typical stereo preamps and are still looking for that one killer preamp. Manley participated in 3D Audio’s “Preamps in Paradise” forum, which was a remarkable opportunity to discuss preamps in depth and more importantly listen to what top engineers liked, disliked, and desired in the next generation of preamps. Manley Labs saw a need for a different unit that truly offered a rainbow of high-end preamp colors at an affordable price. The “T” (Tubes) channel starts off with the highly acclaimed vacuum tube micpre from the SLAM! that is certainly a contender amongst the best cost-no-object tube preamps. The “NT” (No Tubes) channel adds a no-compromise solid-state preamp that sets new sonic standards. Because the solid-state side uses two opposite topologies in tandem that are user controllable, it is like getting two preamp ‘sounds’ on that side alone.The number one request was variable input impedance somewhat tempered by the number one complaint that so far, the typical gain changes associated with that feature were not fun. Manley offers variable impedance done right, with typically near-zero gain changes. In fact, on the solid-state side a current-mode preamp is used for the lowest impedance and a voltage mode preamp is used for the highest impedance, and these two preamps are appropriately blended for the medium impedance settings. All of the microphone signal is used and almost none thrown away. Both the voltage-mode and current-mode stages are truly optimized and when one changes impedance settings, one hears the effects of how this changes microphone and cable characteristics as opposed to other approaches which mostly take the mic preamp out of its ideal conditions. In other words, doing va

Click here to learn more about Manley TNT 2-channel Mic Preamp

The Manley TNT (Tubes No Tubes) 2-Channel Mic Preamp has two different and discrepant mic preamps in one box for two different sound colors. By popular demand, one channel is the exact same mic pre as in the Manley SLAM! with tubes and transformers. The second preamp is a fresh “No Tubes” design from Hutch and is inspired by old British console preamps with a tasty combination of “No Tubes” design with transformers. This one is not a clone of anything preexisting. It is a new flavor but reminiscent of that classic discrete sound. Both channels on the Manley TNT preamp are designed around the basic goal of “just plug a mic in and it sounds great.” The tube channel excels on traditionally difficult sources like some bright guitars, reed and brass, cymbals and some vocals. The “No Tubes” channel might be more suited for smoother vocals, drums, bass and raunchy guitars, but you never really knows which preamp is best for the job at hand until you try them. At least you’ll have two qualified candidates in one handy 1U chassis.The Manley TNT is a new concept in microphone preamplification for those who don’t always need stereo everything but often need choices and often need the best. Besides, you probably have a number of typical stereo preamps and are still looking for that one killer preamp. Manley participated in 3D Audio’s “Preamps in Paradise” forum, which was a remarkable opportunity to discuss preamps in depth and more importantly listen to what top engineers liked, disliked, and desired in the next generation of preamps. Manley Labs saw a need for a different unit that truly offered a rainbow of high-end preamp colors at an affordable price. The “T” (Tubes) channel starts off with the highly acclaimed vacuum tube micpre from the SLAM! that is certainly a contender amongst the best cost-no-object tube preamps. The “NT” (No Tubes) channel adds a no-compromise solid-state preamp that sets new sonic standards. Because the solid-state side uses two opposite topologies in tandem that are user controllable, it is like getting two preamp ‘sounds’ on that side alone.The number one request was variable input impedance somewhat tempered by the number one complaint that so far, the typical gain changes associated with that feature were not fun. Manley offers variable impedance done right, with typically near-zero gain changes. In fact, on the solid-state side a current-mode preamp is used for the lowest impedance and a voltage mode preamp is used for the highest impedance, and these two preamps are appropriately blended for the medium impedance settings. All of the microphone signal is used and almost none thrown away. Both the voltage-mode and current-mode stages are truly optimized and when one changes impedance settings, one hears the effects of how this changes microphone and cable characteristics as opposed to other approaches which mostly take the mic preamp out of its ideal conditions. In other words, doing variable impedance the right way requir

Click here to learn more about Manley Tnt 2-Channel Mic Preamp

The new Studio Projects VTB-1 Tube Blend Mic Preamp is the ultimate in low-cost microphone preamplifier technology. Incorporating true class A/B switching, the VTB-1 is a totally discrete circuit. Unique to the VTB-1 mic preamp is the Tube Drive circuit based on a a 12AX7 tube that allows the user to blend as little or as much of the Tube Drive as desired. The Studio Projects VTB-1 allows the user the most flexibility of any mic pre in its price class.The VTB-1 preamp allows you to go from a pristine solid state sound to any combination of Tube Drive you choose – even hard distortion for guitars and bass! The Studio Projects VTB-1 is must-have device as the perfect mic preamplifier for any microphone!A superb vocal mic pre with warm transparent characterGreat for use as a tube DI boxIdeal for production, broadcast, and voice over workPerfect for the professional and home project studio

Click here to learn more about Studio Projects Vtb-1 Tube Blend Mic Preamp

The Icicle XLR to USB Converter/Mic Preamp lets you easily connect your favorite microphone directly to your Mac or PC. The Blue Icicle performs dual functions as an XLR to USB adapter and a studio-quality microphone preamp. It features an analog gain control and also provides 48V phantom power for condenser microphones. The Icicle converter and preamp is the quick and easy way to perform digital recording, podcasting, and voice messaging. Includes 6-ft USB cable

Click here to learn more about Blue Icicle XLR to USB Mic Converter/Mic Preamp

The new Studio Projects VTB-1 Tube Blend Mic Preamp is the ultimate in low-cost microphone preamplifier technology. Incorporating true class A/B switching, the VTB-1 is a totally discrete circuit. Unique to the VTB-1 mic preamp is the Tube Drive circuit based on a a 12AX7 tube that allows the user to blend as little or as much of the Tube Drive as desired. The Studio Projects VTB-1 allows the user the most flexibility of any mic pre in its price class.The VTB-1 preamp allows you to go from a pristine solid state sound to any combination of Tube Drive you choose – even hard distortion for guitars and bass! The Studio Projects VTB-1 is must-have device as the perfect mic preamplifier for any microphone!

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The PreSonus TubePRE Microphone Preamp lets you add character to your signal by varying the amount of gain and tube drive. A 12AX7 tube in this single-channel mic preamp fattens your signal while dual-servo gain stages let you simultaneously output to your amp and console. Sterling specs include 10Hz-80kHz frequency response, a 94dB noise floor, and >90dB S/N ratio. Capacitor-free circuitry and wide dynamic control give you a big boost without noise. Includes 48V phantom power, phase reverse, 20dB pad, and 80Hz rumble filter. A large VU meter with a cool blue backlight keeps you informed. Balanced/unbalanced and XLR I/O give the PreSonus TubePRE flexibility. Great as a studio direct box.12AX7 and dual-servo gain stagesCapacitor-free gain stage for maximum fidelity and low noiseXLR mic and high-Z instrument inputs on back panelXLR (balanced) and 1/4″ (unbalanced) outputs on back panelSupports dual output of signal10Hz-80kHz frequency response>90dB S/N ratio94dB noise floorVariable gain and tube driveGain: 3dB to +48dBTube drive: 0dB to +20dB48V phantom power-20dB pad and polarity reverse80Hz rumble filterLarge VU meter with blue backlightExternal wallmount power transformerRackmountable with optional adapter

Click here to learn more about Presonus Tubepre Microphone Preamp

The Icicle XLR to USB Converter/Mic Preamp lets you easily connect your favorite microphone directly to your Mac or PC. The Blue Icicle performs dual functions as an XLR to USB adapter and a studio-quality microphone preamp. It features an analog gain control and also provides 48V phantom power for condenser microphones. The Icicle converter and preamp is the quick and easy way to perform digital recording, podcasting, and voice messaging. Includes 6-ft USB cableWorks with Mac or PC computersNo Special Drivers RequiredStudio Quality USB microphone preampSupplies 48V phantom power for . condenser microphonesPhantom power active lightFully balanced low noise analog front endAnalog gain control

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The Daking Mic Pre One is a free-standing single-channel preamplifier that uses the same circuitry found in Daking’s 4-channel Mic-Pre IV, a favorite among top producers and engineers such as Butch Vig (Nirvana, Green Day, Smashing Pumpkins), David Pensado (Mary J Blige, Beyonce, Brian McKnight), and both Chris and Tom Lord-Alge (who haven’t they mixed?). Built in the tradition of the great console manufacturers such as Neve and API, Daking preamps feature bulletproof construction and marvelous sound, reminiscent of the coveted classic pres. While sharing the gain structure and Class A, fully discrete transistor circuitry design of the popular Daking Mic Pre IV, the Mic Pre One adds a unique variable high-pass filter and comes in a freestanding ‘DI-style’ steel enclosure, ensuring both durability and immunity from noise. Mic Pre One features switchable phase, 20dB mic input pad and +48V phantom power, plus a selectable 1/4″ front panel Hi-Z instrument input, all utilizing relays with gold bi-furcated contacts. Two large knurled aluminum knobs control the variable high-pass filter (0-200Hz) and continuously variable input gain between 25dB and 70dB. A 20-segment LED bargraph display provides accurate metering. Another LED signifies when power is supplied to the Mic-Pre One. Rear-panel connections include a transformer-isolated input for a microphone, plus line outputs on 1/4″ jack and XLR. Class A amplifier, all-discrete solid state design Jensen transformer-isolated mic input Variable high-pass filter (0-200Hz) 20dB pad Inputs for mic, line, and instrument-level signals Front-panel Hi-Z instrument input Phase reversal switch +48V phantom power Full-width 20-segment, bi-color LED meter Balanced XLR output and 1/4″ line output External power supply for noise-free operation and longer component live Rohs Compliant

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The Tonelux MP5A is a discrete mic preamp with a DI (direct input) on the front panel. The MP5As Mic In is transformer coupled in and out, and has a 20dB pad (affects both Mic and DI), 48V Phantom power switch, and Phase or Polarity switch. The pad and polarity switches affect both inputs. The inner, or larger (silver) knob sets the mic pre gain and the outer smaller (black) knob controls the output level. We chose the fader control for the outer knob so the gain knob, once set, won’t be bumped when adjusting the output level.The 8-segment LED VU meter follows the balanced output of the preamp. The level of the VU meter is adjustable over the entire range from Off to +28. The Peak LED is set at +14VU or +18dBu and can grab a fast peak and display it. An internal jumper selects the Mic Pre Main Output or the Mic Pre Gain Stage signal to feed the VU Meter. This allows the engineer to monitor the real mic pre gain or output level of the MP5A. When monitoring the Mic Pre Gain, the meter shows the actual gain-stage level, and is not affected by the output fader.The Combo XLR/Direct input is for use with a Hi-Z instrument, etc. The Tilt tone control works with both the Mic in and DI, and has it’s own Tilt EQ In switch, which is a hardwire bypass switch when out. When turned up, the Tilt control has a 0 to 6dB boost on the high end while cutting the low end the same amount. If turned down, Tilt will boost the low end up to 6dB and cut the high end up to 6dB. The front-panel XLR is multed to the rear-panel XLR, and is also multed to the D-Sub Input on the rear of the V4 Roadster 500-series rack. The Insert Return input of the V4 is a resistor-isolated mic-level input that can be used when the MP5A is in a live recording situation and there is no splitter. It will bridge the mic line with 10x the impedance to minimize loading the microphone. Included with the MP5A Mic Pre is the ability to PFL (Pre Fader Listen) the output to an external amplifier or to the mixer/master section for previewing the signal directly off the mic pre output.

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The Nady DMP-2 dual channel mic preamp works with any professional microphone and provides ultralow noise, superb transient response and transparent, distortion-free performance that is substantially better than that of stock console preamps. Includes XLR I/O jacks, Power OFF/ON/+48V Phantom Power 3-way switch, selectable integrated limiter, dual Gain controls, Power ON and dual Peak LED indicators. Rugged, lightweight, all-metal enclosure designed for maximum long life and optimum portability. Powered by 9V alkaline or NiMH battery.

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The AMT Z1 is a hardwired single microphone made for flute. The Z1 mic is the perfect choice from soft to louder playing applications. It can be used for featured soloist to miking a section of flutes. The AMT Z1 single microphone gets the most gain before feedback. The system comes with the microphone, special low mass flute clamp and preamp. The preamp uses the chip technology which contours the microphone for the most natural reproduction of sound possible. Perfect for all situations.Requires phantom power.

Click here to learn more about Applied Microphone Technology Z1 Clip On Condenser Flute Microphone with Preamp – Regular

The new ART ProMPA II is the next generation in affordable high performance microphone preamp technology. Each microphone input circuit, with selectable 48v phantom power, features variable input impedance which can radically vary the overall performance of any high quality dynamic or ribbon microphone. The ProMPA II can be configured for dual mono or stereo operation with selectable mid/side mic support, summing the adjacent channel, to decode left/right signals.The ProMPA II can operate at either a low or high plate voltage on the two integrated hand-selected 12AX7 tubes for wider variation of preamp tone and performance. Large back-lit analog VU output meters display input or output levels while multi-colored LED arrays, with average or peak hold, show tube gain.Housed in a standard 2 rack unit space rack-mountable steel chassis, with CNC routed black anodized aluminum face panel, the ProMPA II is designed to deliver years of reliable operation in the studio, production facility, or on the road for live sound reinforcement.

Click here to learn more about ART ProMPA II – 2-Channel Tube Mic Preamp

The PreSonus TubePRE Microphone Preamp lets you add character to your signal by varying the amount of gain and tube drive. A 12AX7 tube in this single-channel mic preamp fattens your signal while dual-servo gain stages let you simultaneously output to your amp and console. Sterling specs include 10Hz-80kHz frequency response, a 94dB noise floor, and >90dB S/N ratio. Capacitor-free circuitry and wide dynamic control give you a big boost without noise. Includes 48V phantom power, phase reverse, 20dB pad, and 80Hz rumble filter. A large VU meter with a cool blue backlight keeps you informed. Balanced/unbalanced and XLR I/O give the PreSonus TubePRE flexibility. Great as a studio direct box.12AX7 and dual-servo gain stagesCapacitor-free gain stage for maximum fidelity and low noiseXLR mic and high-Z instrument inputs on back panelXLR (balanced) and 1/4″ (unbalanced) outputs on back panelSupports dual output of signal10Hz-80kHz frequency response>90dB S/N ratio94dB noise floorVariable gain and tube driveGain: 3dB to +48dBTube drive: 0dB to +20dB48V phantom power-20dB pad and polarity reverse80Hz rumble filterLarge VU meter with blue backlightExternal wallmount power transformerRackmountable with optional adapter

Click here to learn more about Used Presonus Tubepre Microphone Preamp