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The ME-52W plugs directly into your digital recorder”s 3.5mm microphone jack for uni-directional recording in high-noise environments. It will cut down on much of the background noise and result in a more accurate transcription….

Click here to learn more about Olympus ME-52W Noise Canceling Microphone

3-in-1 Glex Grip Under-The-Ear Headset offers exceptionally clear calls for Internet Phones, Cordless and IP Phones and Mobile Phones. Lightweight. Features both 2.5mm and USB plugs. Black. WindSmart Voice tube. The MX500i 3-in-1 VoIP Headset offers versatility that’s perfect for the work-at-home professional who is always on the go. Use this headset to make calls in three ways: make Skype and…

Click here to learn more about Plantronics MX500i 3-in-1 Headset

Blue offers a number of accessories that compliment our line of mics. From cables to pop filters and shockmounts, we have the right component to enhance your sound and meet your recording needs. All of our pop filters are composed of solid brass and individually hand-built and soldered. Crafted with the same attention to detail that goes into all of our mics, these accessories will last a lifetime…

Click here to learn more about Blue Microphones The Pop Universal Pop Filter

Boost your childs self-confidence. Sing n Jam is perfect for putting on a show, public speaking, and belting out songs! Theres a flashing disco ball and crowd sound effects, including clapping, cheers, and an introduction. Microphone detaches for musical sing-along fun. Adjustable, 42-tall microphone stand. Blue….

Click here to learn more about Winfun Sing N Jam Platform

Z9i Bluetooth Headset, A great headset is now even better… The BlueAnt Z9i is the follow up to the award winning and highly successful Z9 Bluetooth Headset.The device includes additional box contents and enhanced features. Incorporating BlueAnt’s revolutionary Digital Signal Processing solution – Voice Isolation Technology, the Z9i provides outstanding noise suppression, echo cancellation and wi…

Click here to learn more about BlueAnt Z9i Bluetooth Headset (Red) [Retail Packaging]

The Olympus WS-5 is a replacement windscreen for the LS-10 PCM handheld recorder. It helps you avoid wind noise and plosives in order to achieve the best possible sound capture from the LS-10′s built-in microphone.

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The Olympus WS-5 is a replacement windscreen for the LS-10 PCM handheld recorder. It helps you avoid wind noise and plosives in order to achieve the best possible sound capture from the LS-10′s built-in microphone.

Click here to learn more about Olympus Wind Screen For Ls-10 Mic

The Mic Holders Drum Microphone Mounting System Package has everything you need to get your drum set mic’d and ready to rock. With this Drum Mic Mounting System Pack there’s no need for any mic stands or bulky claw attachments.

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The dbx 286S is a full featured Channel Strip Processor that delivers a studio quality microphone/instrument preamplifier and four processors that can be used independently or in any combination. Why mic up vocals and instruments through a noisy, blurry mixer? The sonically pristine dbx 286S Mic Preamp has all the features you need, including wide-ranging input gain control, switchable +48V phantom power, and an 80Hz high-pass filter to remove low frequency hum, rumble or wind.

Click here to learn more about dbx 286S Microphone Preamplifier

The Mic Holder MHHH Hi Hat Mount is a unique drum mic mounting system. Mic Holder eliminates the need for any mic stands or bulky claw attachments to mic your kit. They are compact and can be left permanently attached to your hardware.

Click here to learn more about Mic Holders Hi-Hat Stand Microphone Mount

The MXL 3000 Mic Bundle includes the MXL 3000 microphone, a 25′ Mogami mic cable, shock mount, and matching pop filter. The MXL 3000 has a large 25 mm gold-sputtered capsule and an FET preamplifier with premium components within the signal path. Its transformer-coupled output is very reminiscent of the circuit designs found in early British recording consoles. When used for recording vocals the microphone has amazing clarity and warmth. It is a stunningly detailed microphone that is also appropriate for instrument miking, especially of string and wind instruments.Requires phantom power.

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The Rolls MP13 Mini-Mic microphone preamplifier is a small, simple, and inexpensive microphone pre amplifier for a variety of applications. The unit has XLR and 1/4 inch Outputs, XLR and 1/8 inch Inputs, and a single Gain control with a Clip indicator. Switchable Phantom Power is included for use with a condenser microphone. The unit comes complete with a power adapter.

Click here to learn more about Rolls MP13 Mini-Mic Microphone Preamplifier

IK Multimedia iRig Mic is the first handheld, quality condenser microphone for iPhone, iPod touch and iPad designed for all of your mobile sound needs. Now you can make professional audio and vocal recordings anywhere on your iOS device.

Click here to learn more about IK Multimedia iRig Mic Microphone for iPhone and iPad

Now you don’t have to be a superstar to use a microphone with a custom look. The Audio-Technica ATR-1205 comes supplied with four themed mic wraps that fit snugly around the microphone, transforming its look effortlessly from Tribal’s red-on-black heavy metal vibe, to the aggressive silver/black Boom, the artful splatter of Jackson, and cheerful Cutie.

Click here to learn more about Audio-Technica ATR1205 Dynamic Microphone with Mic Wraps

The Tour Grade Ball End Wind screen eliminates annoying microphone breath sounds and pops from plosive hard syllables. Made of high quality foam, the ball end microphone windscreen protects your favorite mic from moisture and dents. The mic cover’s unobtrusive black color looks great on any stage.Tour Grade products combine practical, state-of-the-art features with long term dependability. They’re designed in the USA and crafted with the finest quality materials and tried-and-true production methods, Tour Grade has what it takes to live up to its name. One microphone cover per package.

Click here to learn more about Tour Grade Black Ball End Microphone Wind Screen Black

Mic Holders drum microphone mount eliminates the need for any mic stands or bulky claw attachments to mic your kit. They are compact and can be left permanently attached to your hardware. This also means less need for floor space and less clutter around your kit.

Click here to learn more about Mic Holders MHTT Tom Tom/Snare Drum Microphone Mount

The Beta 98HC is a premium cardioid condenser instrument microphone that clamps onto the bell of wind instruments or onto the rim of percussion instruments. The integrated gooseneck and ratcheting swivel joint allows the mic to be easily positioned and secured, and an isolation shock-mount reduces the transmission of instrument ‘key noise’ and other mechanical noise. A gooseneck angle brace is included to provide better retention of the microphone placement during more active performances.

Click here to learn more about Shure Beta 98HC Miniature Condenser Microphone

Using patented Spectral Shaping Tool technology, Antares have created precise digital models of a wide variety of historical classic and exotic microphones. Simply tell Mic Mod EFX what microphone you are actually using and what microphone you’d like it to sound like. It’s as simple as that. With over 125 microphones models included in Mic Mod EFX, you can afford to record each track through a model of the specific mic that will best produce that ideal sound you’re looking for. Or use it in live performance to get the sound of mics you’d never consider using on stage. You can even use it during mixdown to effectively change the mic on an already recorded track. Not only do the models reproduce all of the subtle sonic characteristics that make each microphone unique, but they also give you control of each mic’s specific options. Does the mic have a low cut filter? If so, it’s in the model. Wind screen on or off? Close or far placement? Each option results in the same sonic effect that it would have with the actual modeled mic. And for that final touch of perfection, you can even add some tasty tube saturation. Source Mic and Modeled Mic Simply select the mic you’re using (or used during your original recording) and the mic you want it to sound like. ProximityProximity Effect is a bass boost that results from placing a directional mic in close proximity to a signal source (e.g., a singer’s lips). With Mic Mod EFX’s Proximity controls, you can actually create the effects of different mic distances based on the specific physical properties of each individual modeled mic. Low Cut Filter If your source mic has a low cut filter, enter its setting in the Source Mic Low Cut menu. If your selected modeled mic has a low cut filter, you can model the effects of any of its settings with the Modeled Mic Low Cut menu. Pickup Pattern If your source mic has variable pickup patterns, enter the selected pattern in the Source Mic Pattern menu. If your selected modeled mic has variable pickup patterns, you can experiment with the effects of any of its patterns with the Modeled Mic Pattern menu. Tube SaturationBased on the same technology as Antares’ famed WARM Tube Saturation Generator, the Tube Saturation control lets you give your track the warmth of a high-quality tube pre-amp. Mic Mod EFX is available as a plug-in for RTAS (Mac & PC), VST (Mac & PC) and Audio Units. At a fraction of the cost of even a modestly lust-worthy mic.

Click here to learn more about Antares Mic Modeler EFX Native

Using patented Spectral Shaping Tool technology, Antares have created precise digital models of a wide variety of historical classic and exotic microphones. Simply tell Mic Mod EFX what microphone you are actually using and what microphone you’d like it to sound like. It’s as simple as that. With over 125 microphones models included in Mic Mod EFX, you can afford to record each track through a model of the specific mic that will best produce that ideal sound you’re looking for. Or use it in live performance to get the sound of mics you’d never consider using on stage. You can even use it during mixdown to effectively change the mic on an already recorded track. Not only do the models reproduce all of the subtle sonic characteristics that make each microphone unique, but they also give you control of each mic’s specific options. Does the mic have a low cut filter? If so, it’s in the model. Wind screen on or off? Close or far placement? Each option results in the same sonic effect that it would have with the actual modeled mic. And for that final touch of perfection, you can even add some tasty tube saturation. Source Mic and Modeled Mic Simply select the mic you’re using (or used during your original recording) and the mic you want it to sound like. ProximityProximity Effect is a bass boost that results from placing a directional mic in close proximity to a signal source (e.g., a singer’s lips). With Mic Mod EFX’s Proximity controls, you can actually create the effects of different mic distances based on the specific physical properties of each individual modeled mic. Low Cut Filter If your source mic has a low cut filter, enter its setting in the Source Mic Low Cut menu. If your selected modeled mic has a low cut filter, you can model the effects of any of its settings with the Modeled Mic Low Cut menu. Pickup Pattern If your source mic has variable pickup patterns, enter the selected pattern in the Source Mic Pattern menu. If your selected modeled mic has variable pickup patterns, you can experiment with the effects of any of its patterns with the Modeled Mic Pattern menu. Tube SaturationBased on the same technology as Antares’ famed WARM Tube Saturation Generator, the Tube Saturation control lets you give your track the warmth of a high-quality tube pre-amp. Mic Mod EFX is available as a plug-in for RTAS (Mac & PC), VST (Mac & PC) and Audio Units. At a fraction of the cost of even a modestly lust-worthy mic.Modeled Microphones The following is the list of the models that are included with Mic Mod EFX. Please Note: All trademarks appearing below are the property of their respective owners. The following manufacturer names and model designations are used solely to identify the microphones analysed in the development of our digital models and do not in any way imply any association with or endorsement by any of the named manufacturers. AEA R44C AKG C12A; C414; C414B/ULS Limited Edition Gold; C414B/ULS Modified by Audio Upgrades; 460B/C

Click here to learn more about Antares Mic Modeler Efx Native

The Shure SM58 mic is legendary for its uncanny ability to withstand abuse that would destroy any other microphone. The Shure SM58 has not only helped to define the sound of rock vocals on stage, it’s also been used as a hammer to build stages and gone on to perform flawlessly later at the gig. Using a club’s house system? You’ll be singing through an SM58. And in the studio? Daniel Lanois always uses the SM58 or Beta 58 on Bono’s vocals. The Shure SM58 mic is world-renowned for its distinctive upper-midrange presence peak that ensures an intelligible, lively sound. Perfectly fits a performer’s hand, balanced for total comfort during long gigs. Frequency response is a smooth, vocal-tailored 50Hz-15kHz, and the price is a bargain considering its life expectancy.Performance tested, industry standardUniform cardioid pick-up pattern for maximum gain before feedback and excellent rejection of off-axis soundTailored frequency response specifically shaped for vocals, with brightened midrange and bass roll off to control proximity effectAdvanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibrationSteel-mesh grille and enamel-coated metal construction resist wear and abuseEffective built in pop-filter reduces undesirable wind and breathe noiseFurnished with zippered storage bag and break-resistant stand adapterExtremely durable under the heaviest useShure quality, ruggedness, and reliability

Click here to learn more about Used Shure Sm58 Mic