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Opening with Clara Rockmore’s reworking of Tchaikovsky with the theremin, and finishing with one of Brian Eno’s ambient soundscapes, OHM artfully succeeds in its goal of giving a representative (as opposed to the impossible, comprehensive) overview of the first several decades of electronic music. Over 3 discs, 42 compositions, and 96 pages of notes and photos, OHM clearly illustrates the producer…

Click here to learn more about Ohm: The Early Gurus of Electronic Music, 1948-1980

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Click here to learn more about Bach: Two-Part Inventions; English Suite; Notebook for Anna Magdalena

DSC-MP100, CCTV Microphone. Specification:

* Plug and Play
* Extremely Sensitive
* Great for Security Monitoring
* Higher S/N Ratio
* Range : 150 Square meters
* Audio Output: RCA Female
* Sensitivity : 200mA/ubar
* Work current : 5 mA-60mA
* Work Voltage: DC12V
* Frequency: 200-6000HZ
* Max output Voltage: 5V-upp.

Connect Method:

* 12VDC Input Port:…

Click here to learn more about DSC-MP100 Pre-Amp Hidden Microphone RCA Power in/out CCTV

This mini DVR records video at 640×480 resolutions and record frame adjust at 5, 15 or 30 f/s. This mobile security DVR is solid state and records directly to a standard SD card Operates on 9 – 12 volts at 150 mA.MPEG-4 video format. SD card not included….

Click here to learn more about VideoSecu Home CCTV Mini DVR Motion Detection Recorder System , including Day Night Vision Outdoor 1/3 ” SONY CCD Security Camera 420L, Audio Microphone, Extension Cable W31

The Griffin Technology 9066-IMIC2 iMic/USB Audio Interface, the original USB audio adapter, lets you connect virtually any microphone or sound input device to any Mac or PC system with a USB port. iMic supports both mic and line level inputs via a selectable switch, and has a variable level output for connecting speakers or headphones. The iMic really shines as the essential tool for converting y…

Click here to learn more about Griffin Technology iMic USB Audio Device

The ‘ISA One’ microphone pre-amplifier delivers Focusrite’s prestigious ISA transformer-based pre-amp in a rugged and portable chassis, at a groundbreaking price. ISA One features the classic vintage microphone pre-amplifier topology from the original ISA110 module, including the Lundahl L1538 transformer and bespoke zobel network. (The original 110 pre amp formed the cornerstone of each channel of Focusrite’s legendary Forte console.)

Click here to learn more about Focusrite ISA One Microphone Preamp

The e908 B condenser instrument microphone was especially designed for brass instruments. The e908 B includes a Sennheiser MZA 900 P intelligent pre-amp (cable, phantom power, and level check.)

Click here to learn more about Sennheiser e908B Condenser Gooseneck Microphone with Shockmount

The Focusrite ISA-828 eight-channel microphone pre-amplifier provides eight original ISA transformer-based pre amps in a single robust 2U chassis. Offers you the Focusrite signature sound at its lowest cost-per-channel to date.The eight ISA-series transformer-based microphone pre amps, with switchable impedance and direct instrument inputs, are complemented by eight line inputs, eight line outputs, and an optional eight-channel 192kHz ADC. The preamps feature exactly the same vintage microphone preamplifier design as the original ISA110 module from Focusrite’s critically acclaimed Forte console (including the original Lundahl L1538 transformer and bespoke zobel network). Thanks to its convenient 25-pin D-Type connectors, the ISA828 integrates quickly and seamlessly with ProTools HD, as well as other popular hard disc recorders and mixing desks.The microphone input stage includes a variable impedance circuit, allowing the user to switch between four carefully selected input impedance settings. The original ISA 110 setting is supplemented by three further impedance settings to either perfectly match the pre amp with any microphone, thus maximizing level, or to use different settings creatively to shape the sound of the microphone being used.The four front panel instrument inputs also feature high and low impedance options to provide a comprehensive and accessible DI solution. Insert points are also featured on every channel, should the need arise to place extra processing between the pre amp and converter, Vintage design high pass filters are also provided on every channel, ideal for eliminating unwanted low frequencies without affecting the rest of the audio signal.The ISA828′s optional eight-channel 192kHz ADC is the first audio ADC to utilize Texas Instruments Burr-Brown Pro Audio Amplifiers and Flagship Analog to Digital Converter PCM4220 chips. This cutting-edge technology is encompassed within Focusrite’s own custom analogue circuitry to provide eight channels of unparalleled A/D conversion, delivering a dynamic range of 122dB and jitter at < 250 picoseconds.Finally, every channel features a six LED input meter, complete with precise meter trim. Metering has been designed to utilize the same reference points as Digidesign's HD system and provides clear and accurate input metering independent of the DAW.8-channel microphone pre-amp8 original ISA transformer-based preamps in a single robust 2U chassisSwitchable impedance and direct instrument inputs8 line inputs8 line outputsAn optional 8-channel 192kHz ADC25-pin D-Type connectorsIntegrates quickly and seamlessly with ProTools HD and other hard disc recorders and mixing desksThe microphone input stage includes a variable impedance circuit, allowing the user to switch between four input impedance settings, including the original ISA 110 setting, to suit any microphone4 front panel direct instrument inputs feature high and low impedance options to provide a comprehensive and accessible DI solutio

Click here to learn more about Focusrite Isa-828 8-Channel Mic Pre-Amp

The Focusrite ISA-828 eight-channel microphone pre-amplifier provides eight original ISA transformer-based pre amps in a single robust 2U chassis. Offers you the Focusrite signature sound at its lowest cost-per-channel to date.The eight ISA-series transformer-based microphone pre amps, with switchable impedance and direct instrument inputs, are complemented by eight line inputs, eight line outputs, and an optional eight-channel 192kHz ADC. The preamps feature exactly the same vintage microphone preamplifier design as the original ISA110 module from Focusrite’s critically acclaimed Forte console (including the original Lundahl L1538 transformer and bespoke zobel network). Thanks to its convenient 25-pin D-Type connectors, the ISA828 integrates quickly and seamlessly with ProTools HD, as well as other popular hard disc recorders and mixing desks.The microphone input stage includes a variable impedance circuit, allowing the user to switch between four carefully selected input impedance settings. The original ISA 110 setting is supplemented by three further impedance settings to either perfectly match the pre amp with any microphone, thus maximizing level, or to use different settings creatively to shape the sound of the microphone being used.The four front panel instrument inputs also feature high and low impedance options to provide a comprehensive and accessible DI solution. Insert points are also featured on every channel, should the need arise to place extra processing between the pre amp and converter, Vintage design high pass filters are also provided on every channel, ideal for eliminating unwanted low frequencies without affecting the rest of the audio signal.The ISA828′s optional eight-channel 192kHz ADC is the first audio ADC to utilize Texas Instruments Burr-Brown Pro Audio Amplifiers and Flagship Analog to Digital Converter PCM4220 chips. This cutting-edge technology is encompassed within Focusrite’s own custom analogue circuitry to provide eight channels of unparalleled A/D conversion, delivering a dynamic range of 122dB and jitter at < 250 picoseconds.Finally, every channel features a six LED input meter, complete with precise meter trim. Metering has been designed to utilize the same reference points as Digidesign's HD system and provides clear and accurate input metering independent of the DAW.8-channel microphone pre-amp8 original ISA transformer-based preamps in a single robust 2U chassisSwitchable impedance and direct instrument inputs8 line inputs8 line outputsAn optional 8-channel 192kHz ADC25-pin D-Type connectorsIntegrates quickly and seamlessly with ProTools HD and other hard disc recorders and mixing desksThe microphone input stage includes a variable impedance circuit, allowing the user to switch between four input impedance settings, including the original ISA 110 setting, to suit any microphone4 front panel direct instrument inputs feature high and low impedance options to provide a comprehensive and accessible DI solutio

Click here to learn more about Used Focusrite Isa-828 8-Channel Mic Pre-Amp

The Apogee 8 Mic Preamp Module is part of the Symphony I/O Interface system. The Mic Preamp Module upgrades the functionality of any Analog I/O Module by adding 8 mic preamps to the existing line inputs. A direct connection between the Mic Preamp Module and the Analog I/O Module inserts a mic preamp stage before the line inputs. This impressive module offers 8 Mic preamps with 4 instrument inputs and 8 insert points.MIC PREAMPS8 digitally controlled, 85dB microphone preampsUpgrades functionality of Analog I/O Module by adding mic preamps to the existing line inputsCreates a direct connection between the Mic Preamp Module and the Analog I/O Module by inserting a mic preamp stage before the line inputsINPUTS4 Hi-Z 1/4″ instrument inputs capable of handling high level instruments. Instrument inputs may be assigned to any of the 8 mic preamps.INSERTS8 fully balanced insert pointsSend 1-8 and Return 1-8 on 2 DSUB 25-pin connectors

Click here to learn more about Apogee 8 Mic Pre Amp

The PG52 Kick Drum Microphone is a high-performance microphone tuned to capture low-end punch of a kick drum or bass amp.

Click here to learn more about Shure PG52 Performance Gear Kick Drum Microphone

The 710 Twin-Finity is a radically new UA pre-amp design which uniquely combines both the classic retro warmth of UA tube design and the transient bite of solid-state in a 2U, half-rack, all-metal chassis. The 710 was created specifically to add the tonal versatility and sonic inspiration missing from generic audio interface preamps.

Click here to learn more about Universal Audio 710 Twin-Finity Microphone Preamplifier

Seamless integration was the idea, and it was obtained by creating a studio dynamic microphone with unparalleled A/D converters, so that the microphone can be plugged into any computer with no in/out boxes, no expensive computer pre-amps, just a USB cable.

Click here to learn more about Rode Podcaster Dynamic USB Microphone

The C535EB features a switchable 14 dB pre-attenuation pad and 6 dB/octave bass roll-off at 500 Hz. The microphone comes with black finish.

Click here to learn more about AKG C535EB Premium Performance Microphone

Lightweight cardioid miniature microphone for use on accordions, guitar speakers, piano and keyboard/organ cabinets. The included screws and double-sided, solvent-free adhesive pads make it easy to install the microphone on your instrument or amp exactly where you need it.

Click here to learn more about AKG C516ML MicroMic Instrument Microphone

The AR-5 is a handy little device that mounts under an amplifier handle or on a mic stand. It can act as a third hand or save valuable rack space. Perfect for tuners or other small devices.

Click here to learn more about RaXXess Accessory Riser for Amp Handle or Microphone Stand

The perfect choice for vibration free microphone support! The On-Stage MY-420 is ideal for the stage or studio and fits most pencil-style condenser mics, most dynamic or condenser handheld mics and some cylindrical shaped ribbon mics. Features a symmetrical shock-mount design, an angle adjustment with locking knob and a pre-tested suspension cord with expandable woven jacket. Black powder coat finish.

Click here to learn more about On-Stage MY420 Microphone Shockmount

The On-Stage Drum Set Microphone Rim Clip and Stand Package is the perfect package for anyone that needs to mic drums with out the bulk of a bag full of mic stands. This package includes five On-Stage DM50 drum rim clip microphone mounts and one MS7920B kick drum/amp mic stand.

Click here to learn more about On-Stage Drum Set Microphone Stand and Clips Pack

The ADX51 is a pre-polarized condenser microphone designed to handle a wide variety of live studio and broadcast applications. Characterized with a cardioid pickup pattern and a smooth uniform response over a frequency range of 40-18k Hz, the ADX51 is precision machined from solid brass with a low reflective black e-coat finish.

Click here to learn more about Audix ADX51 Studio Condenser Microphone

The Rolls MP13 Mini-Mic microphone preamplifier is a small, simple, and inexpensive microphone pre amplifier for a variety of applications. The unit has XLR and 1/4 inch Outputs, XLR and 1/8 inch Inputs, and a single Gain control with a Clip indicator. Switchable Phantom Power is included for use with a condenser microphone. The unit comes complete with a power adapter.

Click here to learn more about Rolls MP13 Mini-Mic Microphone Preamplifier

The Samson Q1U USB Microphone features a smooth sounding neodymium element, capable of handling high SPL, cleverly interfaced to an onboard high quality mic pre, A/D converter and USB output. The Q1U is perfect for recording your music, podcast or any acoustic audio source on your favorite DAW (Digital Audio Workstation). Just plug in the supplied USB cable, launch your DAW and start recording.

Click here to learn more about Samson Q1U Handheld USB Microphone

The CAD U2 USB Stereo Headphones With Microphone are ideal for gaming, podcasting or VoIP that allows you to call friends over the internet for free. Built-in to these headphones is a powerful headphone amp that provides full fidelity audio. The flexible gooseneck microphone features a cardioid pick-up pattern that minimizes background noise for a clear vocal signal. Includes a 10-foot USB cable.

Click here to learn more about CAD U2 USB Stereo Headphones With Microphone

The S18C is an electret-condenser microphone that has been designed for cello. All of the mic’ing parameters that are problematic for string instruments have been addressed. To be able to get the most gain before feedback it uses a very tight pattern to give a high rejection to surrounding noise, at the same time reproducing accurately the subtleties of the cello. As placement is especially important with an instrument that has a fine finish and varying dimensions, this microphone’s attachment mechanism is designed to secure the mic to the cello in different positions taking seconds to attach. This mechanism is fitted with natural soft suede so as not to mark or mar instrument.Made from aluminum to keep the mass low yet extremely strong, this microphone will remain durable through many years of use. The flex arm is easy to position yet retains it’s placement throughout the most active of performances. The mic has an LED that can be easily seen while performing. This indicates status of a battery or phantom power. The pre-amp for the microphone is rugged anodized aviation aluminum, which houses the electronics that can be placed on the floor. This pre-amp utilizes a circuit that can change EQ, curve, and gain by exchanging EPROM-like chip. The preamp runs off of battery or phantom power. The output is terminated with a male XLR type connector for balanced use. The mic is connected to the preamp by a 4-pin locking connector.

Click here to learn more about Applied Microphone Technology AMT S18C Cello Condenser Microphone

The AMT P800 Studio microphone system combines the most natural sounding trumpet specific microphone system on the market with the AMT AP40 floor pre-amp. The AP40 converts the microphones to low impedance, it regulates the voltage to each microphone, and with certain models creates a specific frequency curve. The curve is necessary on certain models or instruments in order to maintain the most natural reproduction of sound in conjunction with achieving the most amount of gain before feedback in a live application. The output of the preamp is an XLR Low Impedance balanced output. The output sends signal at Mic Level.The AMT P800 Studio Trumpet microphone system features an element somewhere in size between a small and large diaphragm, which prevents even the loudest of trumpet players to not overload the microphone. AMT has developed their special “Off the bell” clamping system for this model which clamps to the mouthpipe of the trumpet or flugelhorn. The AMT P800 microphone allows the player to easily change to and from AMT different preamps and allows for direct connections to either Shure or Sennheiser beltpack transmitters. With a change in a cable, convert your P800 from a “Studio” style preamp, to a “Belt pack” series model, or to the AMT “W”ireless setups. The microphone is suspended in a 4 point isolation ring reducing key and handling noise. Phantom power or 9Volt battery required. Comes with AP40 floor or “DI” style preamp, hardshell case, and AMT disconnecting cable technology to allow the microphone to be used as “Wireless” or “BP” models if needed. (Additional cables for a variety of setups sold separately. The AMT Interface is also sold separately to allow connections for many wireless systems.)Natural sounding trumpet specific microphone systemSpecial element prevents microphone overload”Off the bell” clamping systemPre-amp regulates voltage to each microphoneConverts microphones to low impedanceGround Lift switchOperates with Phantom power or 9-Volt batteryIncludes hardshell case and cablesConverts from a “Studio” style preamp, to a “Belt pack” series model, or to the AMT “W”ireless setup

Click here to learn more about Applied Microphone Technology Amt P800 Studio Clip-On Trumpet Microphone System

The Daking Mic-Pre IV offers four channels of high performance, Class A preamplifiers in a single rack space unit with outboard power supply. Configured for four microphone inputs or four line inputs from XLR/TRS Neutrik combo jacks on the back, plus four line inputs (+10 to -50) or 1/4″ hi-z instrument inputs on the front, the Mic-Pre IV utilizes all discrete Class A circuitry with transformer-balanced inputs and outputs. The new Mic-Pre IV from Geoffrey Daking &amp; Co. is the latest example of exemplary audio quality and craftsmanship in the tradition of the great console manufacturers such as Neve, Trident, and API. The latest addition to the company’s range of professional recording studio products, the Daking Mic-Pre IV is a highly cost-effective solution for high-end preamps to be used in studio or live applications. Used standalone or in conjunction with a console, each input offers a stepped (5dB) increments) gain control for repeatability, that feature Daking’s signature aluminum knobs, a 20-segment LED level meter with +24db peak indicator, switchable mic/line or hi-z instrument, switchable +48V phantom power, switchable input phase and switchable 20dB pad. The Daking Mic-Pre IV is housed in a robust all stainless steel enclosure with an outboard DC power supply in a separate housing, offering not only durability but immunity from noise and RF interference. The attention to detail extends to the internal components, which include gold bifurcated contacts on all relay switching. The preamp is supplied by a universal power supply that can operate at any voltage for use worldwide. Notable users of Daking preamps and compressors: Includes Grammy winners Joe Chicarelli (Tori Amos, Counting Crows, U2) and Ted Perlman (Chicago, Bob Dylan, Elton John), Butch Vig (Nirvana, Smashing Pumpkins, Garbage) Steve Albini (Nirvana, PJ Harvey, Cheap Trick), master mixers Chris and Tom Lord-Alge (everybody else from James Brown to the Rolling Stones), and William Wittman (Cindy Lauper, Joan Osbourne, The Outfield, The Fixx), who has made entire records with just Daking preamps.All discrete transistor circuitry transformer balanced inputs and outputs 30dB headroom Class “A” amplifiers All relay switching with gold bi-furcated contacts Switchable phantom power 20dB pad on mic input Steel construction for strength and noise immunity Three inputs, Mic-Line-Instrument

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