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Here’s a serious microphone for your PC. Plugs into and powered by any standard 3.5mm jack (Mac users, see note below). Use it for internet gaming, voice chat, video conferencing, singing, or language training. Store it or use it with the included stand, and leave it plugged in for next time: there’s a convenient on/off switch on the microphone body.
***Note for Mac users: Apple Mac computer hardw…

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Compact, Single-point Stereo Design Mode Switch For Ideal Recording For Tabletop Or Clip-on Use 2-way Power Capability (plug-in Power/battery) Back Electret Condenser Pick-up Capsules Oxygen-free Copper Mic Cable High-quality Electret Condenser Microphone Freq Resp: 100 Hz – 15 Khz Gold-plated, L-shaped Stereo Mini-plug Perfect For Sony(r) Md Walkman(r) & Dat Walkman(r) Portabl…

Click here to learn more about Sony ECM-719 Stereo Microphone with Music/Meeting Mode Switch

MXL 2003 Studio Condenser Microphone with Shock Mount and is intended for the most critical recording applications where tremendous clarity, presence and detail are required. Ideal for recording classical to jazz and rock to rap, the MXL2003 is an outstanding performer in a class with the world’s finest studio mics. Features Vintage modeled capsule design, Balanced transformerless output for low-…

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Omni pickup pattern offers full coverage Condenser element & omnidirectional polar pattern Freq resp: 50 Hz – 18 kHz Imp: 1000 ohm +/-30% Includes LR44 battery & 1/4″ adapters Lavalier microphone Integrated 6m, 20″ cable with 3.5mm mini plug Includes tie clip & windscreen…

Click here to learn more about Audio Technica ATR-3350 Lavalier Omnidirectional Condenser Microphone

USB Microphone-Four Pattern…

Click here to learn more about Blue Microphones Yeti USB Microphone

The MXL 2003A is a go-to condenser microphone for those critical recording applications like acoustic guitar, where clarity, presence, and detail are essential. Selectable bass cut and -10dB pad provide additional recording options, while its transformerless FET preamp will please the pickiest engineers with its smooth and even response.

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The Shure SM94 is a reliable recording microphone that provides exceptional sound in the studio or with instruments onstage. Delivers a wide dynamic range and smooth, flat frequency response of 40Hz-16kHz. Especially suited for strings, woodwinds, and cymbals. Uniform cardioid condenser. Internal shockmount. AA battery or phantom power.

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Internally wired with world-class Mogami cable, the MXL V69XM is a versatile vacuum tube condenser microphone with a 32mm capsule and transformer-balanced output for extremely high levels of tonal quality. The MXL mic is a perfect complement to analog and digital recording devices and will give you superb vocal and instrument reproduction for years to come.

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The TASCAM TM-ST1 condenser microphone offers stereo pattern switching. The battery-powered TM-ST1 mic's back-electret condenser yields crisply detailed audio. The TASCAM TM-ST1 stereo mic also offers long battery life for portable recording. Select between 90° and 120° pickup to capture more ambiance or to reduce background noise. The TM-ST1 mic's output cable terminates to a 3.5mm stereo jack, making it a perfect microphone for TASCAM recorders and live recording. Plug the TM-ST1 mic into the portable TASCAM DR-1, or use it with the DP-02, DP-02CF or 2488mkII Digital Portastudios (with an adapter cable). The mic can also be used with the US-122L or US-144 for portable recording into a laptop. The TASCAM TM-ST1 stereo microphone excels at recording live music, school ensembles, worship ceremonies, songwriter demos and album recordings. The mid-side design captures a wide stereo field while maintaining a solid center image. With its adjustable stereo range to control ambiance and crowd noise, your recordings can capture everything you want and nothing you don't.TASCAM includes a microphone clip, table-top stand and windscreen with the stereo TM-ST1 condenser microphone.

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The Shure KSM32/SL Condenser Mic has extended frequency response for incredibly natural sound. A transformerless preamp eliminates crossover distortion and improves linearity. The gold-layered, high-compliance diaphragm improves low frequency and transient response. 15dB attenuation switch handles high SPLs, the switchable low-frequency filter reduces background noise. The 3-stage pop-protection grille reduces breath noises, and internal shock mount reduces handling noise. Frequency response: 20Hz to 20kHz. Includes locking aluminum carrying case, ShureLock elastic-suspension shockmount, ShureLock swivelmount, and padded bag. Requires phantom power.Channel Strips of the Stars: Ronan Chris MurphyWorld-class producer/engineer/mixer Ronan Chris Murphy's credits include King Crimson, Steve Morse, Terry Bozzio, Victor Bisetti, Gregg Bissonette, Tony Levin, and projects with members of Tool, Ministry, Weezer, Dishwalla, and Yes. Ronan was kind enough to share some of his drum-recording signal chains: "Well all of the drums for Terry Bozzio's Jazz trio were recorded with all A Designs Audio solid state preamps. For drum overheads I used Shure KSM32 condenser mics into an A Designs Audio Pacifica (#189903) to a Manley Variable Mu Limiter Compressor (#620908); for kick drums, AKG D112s (#271161) into A designs Pacificas. (I prefer the Shure Beta 52 (#270267) for kick but they were pre-mounted inside Terry's (Bozzio) kick drums. Actually I have used the Shure KSM32 into Pacifica combo on tons of great drummers, including Terry Bozzio Victor Bisetti (Los Lobos), Gregg Bissonette (Santana, David Lee Roth), and Pat Mastelotto (King Crimson, Mister Mister, The Rembrandts)."

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The Nady SCM 900 Condenser Mic has the quality for even the most demanding digital recording use. The hand-tooled brass microphone capsule features an ultrathin (3 micron), 1" gold-sputtered Mylar diaphragm. The FET preamp offers natural reproduction. Cardioid pattern, internal shockmount construction, gold-plated XLR jack, 30Hz-16kHz frequency response, -6dB@100Hz low cut filter, 125dB SPL handling, and 76dB S/N ratio. 48V phantom power required.

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The sound of tube mics is undeniably rich and smooth. At the heart of each Behringer T-1 condenser mic is a hand-selected 12AX7 tube, which has been specifically designed to give these recording microphones their incredible sonic character. One advantage tube condensers have over their solid-state counterparts is that they are not subject to the rapid rise of odd-order harmonics, which the ear perceives as highly unmusical. Even when subjected to high sound pressure levels, the T-1 condenser mic reacts in much the same way the human ear does.An ideal kick-drum mic While this condenser mic can handle input levels as high as 130dB, the T-1 comes equipped with a switchable -20dB pad for the extremely high transients generated by kick-drums and heavy-metal vocalists. With its 20Hz to 20kHz frequency range, the T-1 can handle all the low-frequency content you can throw at it, and still provide all the definition your sound source deserves.Cardioid polar pattern Behringer T-1 Tube Condenser Mics feature a tight cardioid (heart-shaped) sound-reception pattern, which reduces the pickup of sound from the sides and rear for improved source isolation. The included custom shock mount fits all standard microphone stands and provides further isolation from external sources of vibration, such as sounds transmitted through floor joists and outside traffic.Dedicated power supply The included Behringer PSU-T power supply/preamp provides the supply voltage for the tube preamplifier and houses a Low Cut switch that can be used to reduce the low frequency response, if so desired. The included 7-pin multi-core cable supplies power to the mic and routes the audio signal to the XLR socket on the PSU-T.The ultimate recording mic Since the early days of recording, sound engineers have been searching for the best-sounding mics for recording acoustic instruments and the human voice. The resounding choice of professional recordists around the globe has been the tube condenser microphone because nothing compares to a sound that's so open, warm, and full of character. Unfortunately, tube mics can wipe out a home-recording budget faster than you can say "phantom power supply." But with the T-1, anyone who can afford a decent live microphone can have a studio-grade, tube-powered condenser mic for about the same price.The T-1's sensitive side Another advantage of tube mics is that they typically outperform transistor designs when it comes to subtle signal levels, such as environmental ambiance. The T-1 condenser mic picks up every nuance of your performance, capturing an openly transparent slice of time and space with just the right amount of tube warmth. Now you'll be able to justify that new set of strings for your acoustic guitar (because you'll hear the difference), and you'll marvel at the sparkling highlights coming off your wind chimes.

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The Audix USB12 is a miniaturized USB condenser microphone used for recording voice and acoustic instruments directly into a computer. Known for its clarity, excellent transient response, SPL handling, and ease of operation, the USB mic is designed to naturally capture and reproduce vocals and instruments with stunning detail.The USB12, which is characterized with a uniformly controlled cardioid polar pattern, provides excellent isolation and control at the sound source. With a smooth and accurate response over a frequency range of 50 Hz – 16 kHz, the USB12 sits on top of a stable desktop base and can be quickly and easily adjusted to any position.The USB microphone has a 16 bit sample resolution and supports 44.1k and 48k sample rates for both playback and recording. This high definition condenser mic features a push-to-talk button with the option of 'steady on' or 'momentary on' as well as a headphone jack for real time monitoring and a bass roll-off filter to control unwanted low frequency signals.The USB12 microphone comes with a 6 ft USB cable, matt black finish, and field replaceable capsule.

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A recording microphone with classic tube sound The sound of tube mics is undeniably rich and smooth. At the heart of each of these Behringer T-47 mics is a hand-selected 12AX7 tube, which has been specifically designed to give these microphones their incredible sonic character. One advantage tube condensers have over their solid-state counterparts is that they are not subject to the rapid rise of odd-order harmonics, which the ear perceives as highly unmusical. Even when subjected to high sound pressure levels, the T-47 condenser microphone reacts in much the same way the human ear does.Cardioid polar pattern T-47 tube condenser mics feature a tight cardioid (heart-shaped) sound-reception pattern, which reduces the pickup of sound from the sides and rear for improved source isolation. The included custom shock mount fits all standard microphone stands and provides further isolation from external sources of vibration, such as sounds transmitted through floor joists and outside traffic.Dedicated power supply The included Behringer PSU-T power supply/preamp provides the supply voltage for the tube preamplifier and houses a Low Cut switch that can be used to reduce the low frequency response, if so desired. The included 7-pin multi-core cable supplies power to the mic and routes the audio signal to the XLR socket on the PSU-T.The ultimate recording mic Since the early days of recording, sound engineers have been searching for the best-sounding mics for recording acoustic instruments and the human voice. The resounding choice of professional recordists around the globe has been the tube condenser microphone because nothing compares to a sound that's so open, warm, and full of character. Unfortunately, tube mics can wipe out a home-recording budget faster than you can say "phantom power supply." But with the T-47, anyone who can afford a decent live microphone can have a studio-grade, tube-powered condenser mic for about the same price.The T-47's sensitive side Another advantage of tube mics is that they typically outperform transistor designs when it comes to subtle signal levels, such as environmental ambiance. The T-47 picks up every nuance of your performance, capturing an openly transparent slice of time and space with just the right amount of tube warmth. Now you'll be able to justify that new set of strings for your acoustic guitar (because you'll hear the difference), and you'll marvel at the sparkling highlights coming off your wind chimes.

Click here to learn more about Behringer T-47 Tube Condenser Mic

The Nady CM 90 Cardioid Condenser Mic is great for recording or reinforcing acoustic guitars, hi-hats, snares, piano, and horns. Perfect as an overhead drum mic. Features high sensitivity, extended smooth response, and very high SPL capability. Transformerless design yields minimal self-noise. Rugged turned-brass microphone housing and internal sub-assembly shockmount. Engraved markings. Requires 48V phantom power.

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The AKG C 414 XL II condenser microphone is the successor to the famous AKG C 414 B-TL II mic. The AKG C 414 XL II mic shows the unique sonic signature of the highly sought after AKG C 12 which enables lead vocals and solo instruments to be placed even in a dense mix. The unrivaled up-front sound is also well-known for distant miking applications like classic music recording or drum ambience miking.The XL II mic version differs from the XLS version in one major respect—the capsule. Both the slight presence boost and the impressive spatial reproduction is similar to the legendary AKG C 12 microphones.The AKG C 414 XL II offers 9 pickup patterns for you to choose the perfect setting for every application. For live-sound applications and permanent installations, all controls can be disabled easily enablin trouble-free use. A Peak Hold LED displays even shortest overload peaks.AKG ships the C 414 XL II microphone complete with carrying case, pop filter, windscreen, and a spider-type shock mount.For over 60 years, leading musicians and engineers have used legendary AKG microphones to capture their sound so their audience hears every nuance. The C 414 family has been one of the world's most widely-used and respected studio and stage microphones in audio history. AKG has continually set new benchmarks for useful features, improved technical specifications, and ease of use to answer requests from ever-demanding recording studios, broadcast stations, and audio engineers.

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Specifically engineered for lead vocal reproduction, the PG42USB side-address condenser microphone easily plugs into a computer USB port for the convenience of digital recording. The PG42USB features a large cardioid diaphragm tailored with high sensitivity to clearly reproduce refined performances with guaranteed "Plug and Play" Shure quality. Includes a 9.8ft (3m) USB cable, stand adapter and a carrying case.

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The PG27USB side-address condenser microphone easily plugs into a computer USB port for the convenience of digital recording. Designed with a flat frequency response, the PG27USB naturally reproduces a wide variety of acoustic, amplified and vocal sound sources—with professional clarity and guaranteed "Plug and Play" Shure quality. Includes a 9.8ft (3m) USB cable, stand adapter and a zippered pouch.

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