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Elway, Orange Crush, Zimmerman all are synonymous with winning in style. The Denver Broncos are about comebacks, 4th quarter drives and finishing. Their fans are the same way, the best way to finish your polished look is with the officially licensed Denver Broncos tie bar. A shiny, rhodium plated tie bar features the fearless Bronco in orange and navy. Look like a champion. Officially Licensed NFL…

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The Voodoo Ribbons from se are new for 2010 and mark a new era for Ribbon mic technology – until now the only Ribbon mic in the world to perform across 20hz-20khz was se electronics Rupert neve collaboration, the rnr1, critically acclaimed as the best Ribbon mic in the world. This was achieved using state of the art transformers and a Rupert neve designed circuit board to reveal hf usually absent….

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This specially priced package for the MXL R144 Ribbon Microphone comes with a cable and WindTech PopGard to help you record clear vocals with this great microphone….

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A mere one inch slim and 2.4 pounds light, the uber-stylish Eee PC 1008HA Seashell is ultra portable and easy to use. Eee PC 1008HA is so light and compact, you can take it anywhere with you. Dressed in a sparkling pearlescent “shell” casing that gives it a captivating sheen, the Eee PC 1008HA Seashell is beautiful inside and out. The Eee PC 1008HA offers great user comfort and convenience w…

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The new Cascade Microphones “Gomez” Michael Joly Edition ribbon mic uses a short, single-ribbon motor for broad vertical and horizontal pickup free from the off-axis coloration found in dual ribbon mics.

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The Knuckle Head is a passive ribbon microphone that combines the acoustic components of the successful Fat Head ribbon with a shockmounted headbasket design reminiscent of early broadcast microphones.

Click here to learn more about Cascade Microphones Knuckle Head Short Ribbon Mic with Lundahl LL2912 Transformer

The Nady RSM-8A is a ribbon mic that offers all the warmth and natural, uncompromising sound expected of a classic Nady ribbon microphone. You also get the added gain and selectable features offered by proven ultra low-noise FET active circuitry and transformer output. This Nady mic is perfect for recording vocals, acoustic and electric guitars, drums, percussion, strings, and brass—for any application in which true natural audio reproduction is desired.

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Incorporating a Figure 8 polar pattern and a 1.8-micron aluminum ribbon, the R144 ribbon mic offers breathtaking sound for vocal and instrument recordings. It’s an excellent microphone for broadcast applications and also performs brilliantly on strings, horns, acoustic guitars, and other acoustic instruments. The MXL R-144 offers high SPL capability, outstanding side rejection and precise directivity.Figure 8 polar pattern for outstanding side rejection and precise directivityHigh SPL capabilityDelivers an unbelievably natural sound and stunning realism for vocal and instrument recordingsDistinctive body design with purple and chrome metal finishIncludes R144 ribbon microphone, shockmount, carrying case, cleaning cloth, manual, & application guideWired with Mogami cableRecommended for:VocalsElectric guitarPercussionStringsBrass horns

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A modern classic, the MXL 990 Ribbon mic is the result of great engineering. With an amazingly smooth and natural frequency response, the 990 Ribbon mic excels in the most demanding recording applications. It can be used to enhance string and woodwind instruments, along with mellow, edgy vocals and overly bright horns. It is equally at home when used in conjunction with a grand piano or even in front of a guitar cabinet pushing high SPL levels. When it comes to unprecedented versatility, the MXL 990 ribbon mic is a top-notch choice.The MXL 990 Ribbon microphone uses an aluminum ribbon transducer, which by nature is a bidirectional (figure-8) pickup pattern. A figure-8 pattern will pick up sounds from the front and back sides of the microphone with equal sensitivity while maintaining a large amount of rejection 90 degrees off access. The front of the microphone is indicated by the MXL logo where the audio signal is in-phase while the backside has an inverted phase. Ribbon mics typically have a lower output than condenser microphones and may require a preamplifier with a lot of gain. It is highly recommended to use a preamp with low noise, high gain, and an input impedance of 1500 or greater. It is strongly advised to experiment with placement and isolation requirements with the gain initially set low to avoid possible equipment (and hearing) damage.Important Power RequirementsThis microphone does not require a power supply. Use of phantom power with this microphone is not recommended as it can severally damage the ribbon element and causes the microphone to be unusable.Aluminum ribbon transducerBidirectional (figure-8) pickup patternLarge amounts of rejection 90 degrees off accessThe front of the microphone is where the audio signal is in-phase while the backside has an inverted phaseSmooth and natural frequency responseDoes NOT require a power supplyDo NOT use phantom power, which will severely damage the microphoneWired with Mogami cable

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Incorporating a Figure 8 polar pattern and a 1.8-micron aluminum ribbon, the R144 ribbon mic offers breathtaking sound for vocal and instrument recordings. It’s an excellent microphone for broadcast applications and also performs brilliantly on strings, horns, acoustic guitars, and other acoustic instruments. The MXL R-144 offers high SPL capability, outstanding side rejection and precise directivity.

Click here to learn more about MXL R144 Ribbon Microphone

A modern classic, the MXL 990 Ribbon mic is the result of great engineering. With an amazingly smooth and natural frequency response, the 990 Ribbon mic excels in the most demanding recording applications. It can be used to enhance string and woodwind instruments, along with mellow, edgy vocals and overly bright horns. It is equally at home when used in conjunction with a grand piano or even in front of a guitar cabinet pushing high SPL levels. When it comes to unprecedented versatility, the MXL 990 ribbon mic is a top-notch choice.The MXL 990 Ribbon microphone uses an aluminum ribbon transducer, which by nature is a bidirectional (figure-8) pickup pattern. A figure-8 pattern will pick up sounds from the front and back sides of the microphone with equal sensitivity while maintaining a large amount of rejection 90 degrees off access. The front of the microphone is indicated by the MXL logo where the audio signal is in-phase while the backside has an inverted phase. Ribbon mics typically have a lower output than condenser microphones and may require a preamplifier with a lot of gain. It is highly recommended to use a preamp with low noise, high gain, and an input impedance of 1500 or greater. It is strongly advised to experiment with placement and isolation requirements with the gain initially set low to avoid possible equipment (and hearing) damage.Important Power RequirementsThis microphone does not require a power supply. Use of phantom power with this microphone is not recommended as it can severally damage the ribbon element and causes the microphone to be unusable.

Click here to learn more about MXL 990 Ribbon Microphone

The Nady RSM-8A is a ribbon mic that offers all the warmth and natural, uncompromising sound expected of a classic Nady ribbon microphone. You also get the added gain and selectable features offered by proven ultra low-noise FET active circuitry and transformer output. This Nady mic is perfect for recording vocals, acoustic and electric guitars, drums, percussion, strings, and brassfor any application in which true natural audio reproduction is desired.Low-tension 50mm long, 2-micron thick aluminum ribbon designOver 40dB higher gain than most non-active ribbon microphones-10dB pad and Low Cut filter selector switchesUnmatched fast, accurate transient response165 dB SPL capabilityFigure-8 audio directional pickup patternSwivel U-bracket allows easy positioningMachined housing and advanced internal shockmount construction48V Phantom Power required

Click here to learn more about Nady Rsm-8A Ribbon Microphone

The MXL R40 is a solidly built, elegant-looking ribbon mic that features passive circuitry to keep the signal as pure as possible. By employing just two main components—ribbon motor and transformer, the R40 maintains the classic, smooth sound that makes ribbon mics a top choice for recording rich-sounding vocals.In keeping with its straightforward design, the bi-directional R40 has no switches in the circuit path, just like any high-end ribbon mic—just an XLR connector at the base. The MXL R40 excels at vocal recording, as well as guitar, horns, and other acoustic instruments.*Note: While the R40 boasts a sturdy design, care should be taken placing it in front of high-SPL sources. Extreme close-miking at very high SLP can damage any ribbon mic.**Do not use phantom power with the R40. Phantom power will damage a passive ribbon mic.

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The MXL R40 is a solidly built, elegant-looking ribbon mic that features passive circuitry to keep the signal as pure as possible. By employing just two main components—ribbon motor and transformer, the R40 maintains the classic, smooth sound that makes ribbon mics a top choice for recording rich-sounding vocals.In keeping with its straightforward design, the bi-directional R40 has no switches in the circuit path, just like any high-end ribbon mic—just an XLR connector at the base. The MXL R40 excels at vocal recording, as well as guitar, horns, and other acoustic instruments.*Note: While the R40 boasts a sturdy design, care should be taken placing it in front of high-SPL sources. Extreme close-miking at very high SLP can damage any ribbon mic.**Do not use phantom power with the R40. Phantom power will damage a passive ribbon mic.Low-cost, high qualityNo active electronics to color soundShockmount and microfiber cleaning cloth included

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The Nady RSM-4 is a ribbon microphone with a versatile design that makes it ideal for numerous applications, from close-miking guitar cabs to vocal recording and live use. The RSM-4 mic’s unique compact ring shape allows simple, unobtrusive placement anywhere. The Nady RSM-4 microphone’s low-tension, 45mm long, 6-micron thick aluminum ribbon design has a typical large, mellow reproduction with smooth, natural response across the spectrum. Fast, accurate transient response, ultrahigh 165dB SPL capability, and overall stunning realism. The figure-8 pickup pattern offers extended sweet spots and increased off-axis high frequency reponse on the sides with decreased high response above and below on-axis (though with lower audio levels). Individual recording volume control of separate sources is enabled through the use of stereo mic setups where isolation is achieved by placing the source so that it is in the principal axis of one mic and the off-axis null of the other. The RSM-4 has a machined housing with advanced internal shockmount construction for rugged reliability and includes a mic clip and zippered pouch. Unparalleled, uncompromised sound of a classic ribbon mic Low-tension 45mm, 6-micron thick aluminum ribbon Smooth, natural extended low and high ends Fast, accurate transient response 165dB SPL capability Figure-8 pickup pattern Wide, extended sweet spots Increased off-axis high-frequency response on sides Ideal for stereo mic setups Machined housing with advanced internal shockmount construction Mic clip and zippered pouch included.

Click here to learn more about Nady Rsm-4 Ribbon Studio Microphone

The Nady RSM-4 is a ribbon microphone with a versatile design that makes it ideal for numerous applications, from close-miking guitar cabs to vocal recording and live use. The RSM-4 mic’s unique compact ring shape allows simple, unobtrusive placement anywhere. The Nady RSM-4 microphone’s low-tension, 45mm long, 6-micron thick aluminum ribbon design has a typical large, mellow reproduction with smooth, natural response across the spectrum. Fast, accurate transient response, ultrahigh 165dB SPL capability, and overall stunning realism. The figure-8 pickup pattern offers extended sweet spots and increased off-axis high frequency reponse on the sides with decreased high response above and below on-axis (though with lower audio levels). Individual recording volume control of separate sources is enabled through the use of stereo mic setups where isolation is achieved by placing the source so that it is in the principal axis of one mic and the off-axis null of the other. The RSM-4 has a machined housing with advanced internal shockmount construction for rugged reliability and includes a mic clip and zippered pouch.

Click here to learn more about Nady RSM-4 Ribbon Studio Microphone