Shotgun Condenser Microphone
September 13th, 2010Make A Star Utilizing Different Type Of Microphones At Stage
Using differing kinds and producers of microphones could make all the difference on the planet when establishing a stage for your band. In the event you use the incorrect one, you battle with feedback all night. Even in case you use a feedback “eliminator”, you’ll endure very poor frequency response, as a result of it is being “eradicated” as suggestions, instead of the specified freguencies that make your music full and enjoyable.
Listed below are some issues you should know, from the school of onerous knocks, about microphones and their uses.
Sorts: There are various sorts of microphones available however they typically divide into three groups: dynamic, condenser and ribbon.
Dynamic microphones are the most typical and essentially the most primary kinds of microphones. They encompass a diaphragm attached to a coil that strikes by a magnetic area inducing a small electrical signal. They function using related principals to a speaker and tend to have a restricted frequency response, however are very rugged.
Condenser microphones have develop into more widespread over the years as a result of they’ve a really vast frequency response (tone) and are usually not as delicate or as expensive as ribbon microphones. They’re, however, extra delicate than dynamic microphones. They require an influence supply that can be an internal battery, an exterior energy pack or phantom energy that’s provided by the mixer. They work by supplying a cost to a fixed plate that creates a capacitor. A thin diaphragm is mounted adjoining to the plate and induces voltage changes in the plate when subjected to sound vibrations.
Ribbon microphones produce sound by stretching a thin metal ribbon across a niche of a strong magnet. Sound strikes the ribbon across the magnetic field creating electrical impulses. They’ve a superb frequency response (tone) but tend to be very delicate and expensive. Since they are hardly ever utilized in primary P.A. programs, nothing extra needs to be said about them.
Polar Patterns: This refers to the directions that the microphone will pickup sound from. Polar patterns are typically divided into two sorts: omni and uni-directional.
Omni directional microphones are not often used because they decide up sound from all instructions and often decide up sound from instructions you don’t need to have sound picked up from. Can you say…
… “FEEDBACK”…
Uni-directional microphones are the most typical and possibly whole more than 95% of all microphones sold. They range from the shotgun, choosing up sound from solely straight in entrance of the microphone, to the cardioid, selecting up sound from in entrance
of, or considerably around the front of, the microphone in a heart shape pattern.
Understanding the sample of a microphone is VERY important as a result of it affects what area of sound that the microphone picks up from, in addition to its susceptibility to feedback.
Sensitivity: This refers back to the degree of “listening to” that a microphone possesses.
The upper the sensitivity, the quieter the sounds that it’ll pick up. This is a crucial specification, especially dependant in your stage volume.
Impedance: This is essential to know so that you purchase the correct microphone to match your specific mixer. Although many mixers have inputs for each excessive and low impedance microphones, some only have one or the other. Typically speaking, if the microphone’s impedance is above 1,000 Ohms (1k Ohm) it is considered high impedance, otherwise it is considered low. Most professional microphones are low impedance and include a cable with XLR connectors. Excessive impedance microphones generally come with a cable with phone (1/4″) connectors. You should purchase matching transformers for 1/4″ connectors that change the impedance of excessive stage inputs, like guitars or keyboards, to low level, balanced inputs, to assist eradicate ground loops and noise.
As you can see, chosing the correct microphone in your application can resolve and improve your performance and total sound area from the stage. In any case, your music, as represented by nice sound, is what its all about.
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Rode VideoMic shotgun condenser microphone test
Audio-Technica ATR-5200 Monophone/Dynamic Boom Microphone Combination Headset $28.25
MONOPHONE/DYNAMIC BOOM MICROPHONE/HEADSETCRYSTAL-CLEAR SOUND FOR CHAT PODCASTING & GAMINGSINGLE EARPIECE ALONG WITH A DYNAMIC FOR HANDS-FREE LISTENING & SPEAKINGFLEXIBLE MIC BOOM & CUSHIONED EAR PADSCABLE WITH TWO 3.5MM MINI-PLUGS;UPC : 042005157075Shipping Dimensions : 10.50in X 6.90in X 2.70inEstimated Shipping Weight : 1.1784…
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Audio-Technica ATR25 Stereo Condenser Microphone $49.99
Capture the realism of live sound with two mics in one. The ATR6250 provides extremely affordable, high-quality stereo pickup in a single microphone. Its compact design is ideal for use with video cameras and portable audio recorders. Provided with a range of professional accessories, this price/performance leader is ruggedly built to endure the realities of day-to-day use. Features: High…
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Sennheiser MKE 300 Super-Cardioid Film & Video Microphone $249.99
The MKE 300 is a compact and lightweight microphone especially designed for video cameras. Its tight, supercardioid polar pattern ensures high directivity and attenuates the sounds made by the autofocus and zoom motors now found on almost all video cameras. The electret condenser microphone element delivers sonic clarity and high output. Connection to video cameras is via an integrated shoe assemb…
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Rode VideoMic Directional Video Condenser Microphone w/Mount $149.00
The Rode VideoMic is a cost effective, camera mounting shotgun microphone that features an integrated shock mount and close signal reproduction. The VideoMic features a small, light weight profile allowing quick, unobtrusive mounting on DV and HDV cameras without appearing in the frame. The super-cardioid polar pattern and barrel canceling design attenuates side axis audio and results in maximum r…
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Audio-Technica ATR-6550 Video Camera Condenser Shotgun Microphone $56.01
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Rode NTG2 Shotgun Condenser Microphone $269
The new RODE NTG-2 is a lightweight condenser shotgun microphone, designed for professional applications within the film, video, television and production industries.
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Rode NTG1 Shotgun Condenser Microphone $249
The new RODE NTG-1 is a lightweight condenser shotgun microphone, specifically designed for professional applications within the film, video, television, voiceover and ENG industries.
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Nady SGM-12 Shotgun Condenser Microphone $29.99
The Nady SGM-12 is a versatile, professional microphone designed to provide top performance in all live and recording applications. Its true, transparent sound also makes the SGM-12 Shotgun Condenser Mic a valuable recording tool.
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Nady Sgm-12 Shotgun Condenser Microphone $29.99
The Nady SGM-12 is a versatile, professional microphone designed to provide top performance in all live and recording applications. Its true, transparent sound also makes the SGM-12 Shotgun Condenser Mic a valuable recording tool.Perfect for video recording, lectures, angled overhead placement, boom applications and off-stage mikingDual electret condenser elements for maximum uni-directivity with excellent off-axis rejectionPower/Polar Pattern switch for selecting cardioid or super-cardioid sensitivitySmooth linear response with high sensitivity and exceptionally low self-noiseSleek, durable, lightweight metal constructionSingle AA alkaline or NiMH battery operation (not included)Extra thick foam windscreen includedOptional HM-9 mic clip and SHM-1 shoemount available for mounting on mic stands or camcorders (sold separately)
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Rode NTG3 Shotgun Condenser Microphone $699
Using a technology known as RF-bias the Rode NTG3 is almost completely resistant to moisture, making it the only option when recording in any demanding environments where condensation is an issue.
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Audix Uem-81S Battery Powered Shotgun Condenser Microphone $299
The Audix UEM81S Battery Powered Condenser Shotgun Microphone puts studio quality performance wihin the reach of any home studio, musician, engineer, or sound contractor. This Audix mic is especially suited for distance miking of instruments.Requires phantom power.20-20,000 Hz frequency response128dB SPL handlingDurable black e-coat finishAluminum constructionUses standard AA batteries with up to 1000 hours of use
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Rode Microphones VideoMic Shotgun Condenser Microphone $135.59
The RØDE VideoMic is a professional-grade shotgun condenser microphone. Based on the latest film industry technology, the RØDE VideoMic is designed specifically for use with high-quality digital video cameras. The microphone offers low noise and has an unusually wide bandwidth for its size. It is ultralightweight, yet rugged as a result of its ABS construction. Powered by a standard 9V battery with a low-battery LED-status indicator and switchable high-pass filter to reduce unwanted low-frequency rumble. The RØDE VideoMic attaches to any camcorder that has a standard hot-shoe fitting and has a stereo mini jack for audio output. Power The VideoMic is designed by RØDE to operate with a 9V battery. The battery is conveniently located within the support arm of the microphone. A fully removable access cover and an insertion mechanism enables easy loading. The battery will provide more than 100 hours of continuous use because of the mic’s low power consumption of only 5.0 mA. Output impedance This RØDE video shotgun microphone will operate satisfactorily into a load impedance as low as 1 kOhms. If a load below this is used, the output signal level will be reduced. Requires phantom power.
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Rode Microphones Videomic Shotgun Condenser Microphone $149
The RØDE VideoMic is a professional-grade shotgun condenser microphone. Based on the latest film industry technology, the RØDE VideoMic is designed specifically for use with high-quality digital video cameras. The microphone offers low noise and has an unusually wide bandwidth for its size. It is ultralightweight, yet rugged as a result of its ABS construction. Powered by a standard 9V battery with a low-battery LED-status indicator and switchable high-pass filter to reduce unwanted low-frequency rumble. The RØDE VideoMic attaches to any camcorder that has a standard hot-shoe fitting and has a stereo mini jack for audio output. Power The VideoMic is designed by RØDE to operate with a 9V battery. The battery is conveniently located within the support arm of the microphone. A fully removable access cover and an insertion mechanism enables easy loading. The battery will provide more than 100 hours of continuous use because of the mic’s low power consumption of only 5.0 mA. Output impedance This RØDE video shotgun microphone will operate satisfactorily into a load impedance as low as 1 kOhms. If a load below this is used, the output signal level will be reduced. Requires phantom power.Studio recording quality condenser microphone Rugged fiber-reinforced ABS construction 9V battery operation Custom designed integral wind screen Low-noise circuitry Low handling noise Integral hot-shoe mount and zip pouch Designed and manufactured in Australia Full 2-year guarantee
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Used Rode Microphones Videomic Shotgun Condenser Microphone $126.65
The RØDE VideoMic is a professional-grade shotgun condenser microphone. Based on the latest film industry technology, the RØDE VideoMic is designed specifically for use with high-quality digital video cameras. The microphone offers low noise and has an unusually wide bandwidth for its size. It is ultralightweight, yet rugged as a result of its ABS construction. Powered by a standard 9V battery with a low-battery LED-status indicator and switchable high-pass filter to reduce unwanted low-frequency rumble. The RØDE VideoMic attaches to any camcorder that has a standard hot-shoe fitting and has a stereo mini jack for audio output. Power The VideoMic is designed by RØDE to operate with a 9V battery. The battery is conveniently located within the support arm of the microphone. A fully removable access cover and an insertion mechanism enables easy loading. The battery will provide more than 100 hours of continuous use because of the mic’s low power consumption of only 5.0 mA. Output impedance This RØDE video shotgun microphone will operate satisfactorily into a load impedance as low as 1 kOhms. If a load below this is used, the output signal level will be reduced. Requires phantom power.Studio recording quality condenser microphone Rugged fiber-reinforced ABS construction 9V battery operation Custom designed integral wind screen Low-noise circuitry Low handling noise Integral hot-shoe mount and zip pouch Designed and manufactured in Australia Full 2-year guarantee
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Audio-Technica Bp4071l Shotgun Condenser Microphone $999
The Audio-Technica BP407L is a shotgun condenser mic that at 21.22″ long, is among the longest shotgun microphones on the market. Originally developed at the request of broadcast professionals, this AT microphone boasts an extremely narrow polar pattern, excellent rejection from the sides and rear of the microphone, along with crisp, intelligible audio reproduction. The Audio-Technica BP4071L mic offers switchable low-frequency roll-off and a 10 dB pad, and comes generously equipped with a stand clamp, windscreen, and case. Requires 48V DC phantom power.Overall length of 21.22″ with an extremely narrow, highly directional pickup pattern Ideal for use in broadcasting, film/TV production, and theater sound reinforcement Direct-coupled, balanced output ensures a clean signal even in high-output conditions Transformerless design for improved pickup of transients Rugged housing made of lightweight structural-grade aluminum alloy Interference tube design for narrow acceptance angle Switchable 80 Hz high-pass filter & 10 dB pad RoHS-compliant free from all substances specified in the EU directive on the reduction of hazardous substances (RoHS)
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Rode Microphones Ntg2 Shotgun Condenser Microphone $269
The RDE NTG-2 is a lightweight condenser shotgun microphone, designed for professional applications within the film, video, television and production industries.The NTG-2 provides a balanced low impedance output stage and operates either from an internal 1.5 V battery (AA) or 48 V to the P48 standard. A wide bandwidth and controlled polar response coupled with low noise SMT electronics, makes the NTG-2 the perfect choice for film, video engineering and voice-over work. The NTG-2 is extremely lightweight making it ideal for mounting directly to video cameras or on boom poles.Broadcast sound qualityLow noise circuitryCondenser transducerP48 phantom power or 1.5V AA batteryTwo step High-Pass Filter – Flat or 80HzRugged metal constructionLow weight – 161g (5.17 oz.)Low handling noiseIncludes zippered pouch, custom windshield, and stand mount10-year warranty
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Audio-Technica Bp4073 Shotgun Condenser Microphone $699
The Audio-Technica BP4073 is a shotgun condenser microphone that adds virtually no heft to the end of your fish pole boom or to the top of a minicam. The BP4073 mic’s overall length is just 9.17″ and it weighs just 3.5 oz. Through the use of an innovative Audio-Technica design, the interference tube of the BP4073 microphone provides a narrow acceptance angle, effective for long-distance pickup. This highly directional mic offers low self-noise and is fully RoHS-compliantfree from all substances specified in the EU directive on the reduction of hazardous substances (RoHS). Requires 48V DC phantom power.Designed for use in broadcasting, film/TV production and theater sound reinforcement applications Direct-coupled, balanced output ensures a clean signal even in high-output conditions Innovative acoustic design provides same directivity as mics up to 50% longer Switchable 80 Hz hi-pass filter & 10 dB pad Rugged housing made of lightweight structural-grade aluminum alloy RoHS-compliant free from all substances specified in the EU directive on the reduction of hazardous substances (RoHS)
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Used Audix Uem-81S Battery Powered Shotgun Condenser Microphone $254.15
The Audix UEM81S Battery Powered Condenser Shotgun Microphone puts studio quality performance wihin the reach of any home studio, musician, engineer, or sound contractor. This Audix mic is especially suited for distance miking of instruments.Requires phantom power.20-20,000 Hz frequency response128dB SPL handlingDurable black e-coat finishAluminum constructionUses standard AA batteries with up to 1000 hours of use
Click here to learn more about Used Audix Uem-81S Battery Powered Shotgun Condenser Microphone
Used Audio-Technica 815St Stereo Shotgun Condenser Microphone $727.09
The Audio-Technica 815ST is a stereo shotgun microphone designed for broadcasters, videographers and sound recordists. Its compact, lightweight design is perfect for camera-mount use. Independent line-cardioid and figure-eight condenser elements. Switchable low-frequency roll-off. Switch selection of non-matrixed M-S mode and 2 internally-matrixed left/right stereo modes. Includes a 24″ (0.61 m) cable (5-pin XLRF to 2 standard 3-pin XLRM connectors).Perfect for camera-mount use Line-cardioid and figure-of-eight condenser elements Switchable low-frequency roll-off Switch selection of non-matrixed M-S mode and two internally-matrixed left/right stereo modes Includes a 24″ (0.61 m) cable, stand clamp, foam windscreen, and protective case
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Rode Microphones Ntg3 Shotgun Microphone $699
The NTG-3 Shotgun Microphone is the result of years of development by RDE engineers, providing the professional broadcast and film industries with an affordable yet uncompromising microphone.Using a technology known as RF-bias, the RDE NTG-3 is almost completely resistant to moisture, making the microphone an ideal option when recording in any demanding environments where condensation is an issue.In addition to its robust properties it combines very low weight (163g), a durable antiglare finish and incredibly low handling and self-noise (13dBA) to become RDE’s premier A/V microphone.When not in use the NTG-3 microphone can be stored away in the included weather resistant aluminum storage cylinder, providing additional protection when traveling and storing the microphone.Designed to withstand adverse environmental conditions50% less self-noise than the majority of shotgun microphonesTrue condenser (externally RF biased)Extremely low handling noiseHigh level of immunity to radio frequency broadcastGreat broadcast sound qualityWeather resistant aluminum storage cylinder included
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