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Newsboys: Step Up To The Microphone! 1998 Star Song / Chordant Release! Newsboys: Peter Furler (vocals, guitar, drums, programming); Jody Davis, Phil Joel (guitar, bass, background vocals); Jeff Frankenstein (keyboards, programming, background vocals); Duncan Phillips (drums, percussion, background vocals).
Additional personnel: Blair Masters, Love Sponge String Quartet (strings);
Jonathan Roberts…

Click here to learn more about Step Up To The Microphone [Star Song / Chordant]

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Click here to learn more about Microphone Boy

The Primacoustic IsoTools KickStand is a massive microphone boom stand isolator designed to eliminate resonance vibrations from the stage, drum riser & studio floor from entering the mic. A thick high density foam isolation pad covers the entire bottom. An innovative laser cut steel platform is shaped to eliminate standing waves while offering sufficient clearance to allow a mic boom to swing into…

Click here to learn more about Primacoustic KickStand Microphone Boom Stand Isolator

WallMonkeys wall graphics are printed on the highest quality re-positionable, self-adhesive fabric paper. Each order is printed in-house and on-demand. WallMonkeys uses premium materials & state-of-the-art production technologies. Our white fabric material is superior to vinyl decals. You can literally see and feel the difference. Our wall graphics apply in minutes and won’t damage your paint or l…

Click here to learn more about Wallmonkeys Peel and Stick Wall Decals – Fiber Optics – Removable Graphic

WallMonkeys wall graphics are printed on the highest quality re-positionable, self-adhesive fabric paper. Each order is printed in-house and on-demand. WallMonkeys uses premium materials & state-of-the-art production technologies. Our white fabric material is superior to vinyl decals. You can literally see and feel the difference. Our wall graphics apply in minutes and won’t damage your paint or l…

Click here to learn more about Wallmonkeys Peel and Stick Wall Decals – Blues – Removable Graphic

Matt Sorum draws on his experience drumming for Guns N` Roses and The Cult in this instructional guide to set-up, tuning, microphones, and groove. Slash and Duff McKagen are featured on guitar and bass.

Click here to learn more about Matt Sorum – Drum Licks + Tricks (DVD)

Ultimate Play-Along for Guitar has been developed so that the beginner to intermediate level guitarist can practice in different styles along with all-star musicians including Mike Stern on guitar, John Patitucci on bass and Dave Weckl on drums. This b…

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Intended for intermediate to advanced-level drummers, PROGRESSIVE DRUM CONCEPTS features Mike Portnoy (drummer for the progressive metal act Dream Theater) covering topics such as: assembling one`s drum set, odd-time signatures, double-bass techniques,…

Click here to learn more about Mike Portnoy: Progressive Drumset (DVD)

This book/CD package has been developed so that the beginning to intermediate drummer can practice in a wide range of styles along with all-star musicians Mike Stern on guitar and John Patitucci on bass. The styles covered include straight eighths, shu…

Click here to learn more about Ultimate Play-Along for Drums

The PG52 Kick Drum Microphone is a high-performance microphone tuned to capture low-end punch of a kick drum or bass amp.

Click here to learn more about Shure PG52 Performance Gear Kick Drum Microphone

The Shure Beta 52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and ‘punch’, and delivers studio quality sound even at extremely high sound pressure levels. The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain before feedback and excellent rejection of unwanted sound.

Click here to learn more about Shure Beta 52A Kick Drum and Bass Microphone

The Bass Drum O’s Hole Cutter accurately cuts circular sound holes in your bass drum resonant head for venting, porting and microphone access.

Click here to learn more about Bass Drum O’s Hole Cutter

The D6 has a frequency response of 30 Hz – 15 kHz and is characterized with a cardioid pick-up pattern. The D6 is designed to sound good in any position and it is not dependent on finding the “sweet spot” of the drum. The D6 capsule features the same legendary VLM technology that has made the D series percussion and instrument microphones very popular for today’s live stages and recording studios.

Click here to learn more about Audix D6 Large Format Bass Drum Microphone

THe CAD KBM412 Bass & Kick Drum Microphone is specifically designed for bass drum and other low-frequency sources. Its large neodymium diaphragm element offers extended low frequency response down to 25Hz and high SPL handling. Rugged die-cast microphone body with a hardened external screen retainer (also includes a shockmount saddle), provides isolation and excellent protection from mechanical noise. The CAD KBM412 also performs extremely well as a dynamic mic for large toms and other large-diameter percussive instruments in addition to bass and guitar amps. Specifically designed for bass drum and other low-frequency sources Large diaphragm delivers response down to 25Hz High SPL handling Rugged die-cast body Hardened external screen retainer Shockmount saddle provides isolation and excellent protection from mechanical noise Ideal for large-diameter percussive instruments and bass and guitar amps

Click here to learn more about Cad Kbm412 Bass And Kick Drum Microphone

THe CAD KBM412 Bass & Kick Drum Microphone is specifically designed for bass drum and other low-frequency sources. Its large neodymium diaphragm element offers extended low frequency response down to 25Hz and high SPL handling. Rugged die-cast microphone body with a hardened external screen retainer (also includes a shockmount saddle), provides isolation and excellent protection from mechanical noise. The CAD KBM412 also performs extremely well as a dynamic mic for large toms and other large-diameter percussive instruments in addition to bass and guitar amps. Specifically designed for bass drum and other low-frequency sources Large diaphragm delivers response down to 25Hz High SPL handling Rugged die-cast body Hardened external screen retainer Shockmount saddle provides isolation and excellent protection from mechanical noise Ideal for large-diameter percussive instruments and bass and guitar amps

Click here to learn more about Used Cad Kbm412 Bass And Kick Drum Microphone

THe CAD KBM412 Bass & Kick Drum Microphone is specifically designed for bass drum and other low-frequency sources. Its large neodymium diaphragm element offers extended low frequency response down to 25Hz and high SPL handling. Rugged die-cast microphone body with a hardened external screen retainer (also includes a shockmount saddle), provides isolation and excellent protection from mechanical noise. The CAD KBM412 also performs extremely well as a dynamic mic for large toms and other large-diameter percussive instruments in addition to bass and guitar amps.

Click here to learn more about CAD KBM412 Bass and Kick Drum Microphone

This is one of those drummers’ tools that you’ve always wanted. You’ve probably even pieced-together something like this a thousand times. The Pillow is a heavy, padded base with a threaded microphone stand mount built right in. Now you can muffle your kick drum and mic it with just 1 piece!

Click here to learn more about RockBag by Warwick Bass Drum Muffling Pillow with Microphone Mount

The ultimate miniature condenser microphone for drums and percussion. Its cardioid polar pattern rejects overspill from nearby instruments. A continuously adjustable vise-type clamp makes it easy to fix the microphone securely on the top hoop of most drums or percussion instruments. An external shock mount provides high mechanical-noise rejection. A special snap-on stabilizer knee will keep the gooseneck bent at a defined angle. The C 518 M features an integrated, switchable bass cut for adjusting the microphone’s frequency response to your instrument’s sound.

Click here to learn more about AKG C518M MicroMic Drum Microphone

The Audix f6 Fusion Series bass frequency microphone is purpose-built for kick drum and other low-frequency instruments, including large toms, and bass cabinets. The Audix f6 drum mic is lightweight, compact, and easy to position. With a wide frequency response of 40Hz-16kHz and the ability to handle sound pressure levels of 140dB, the f6 is an excellent choice for miking instruments requiring extended low frequency reproduction.Featuring the same depth and “no-EQ-necessary” performance as the Audix D6, the f6 boasts a little more midrange punch, also making it suitable for more aggressive styles of music, such as hard rock and punk. Another great benefit of Audix’ purpose-built mics is the ease of placementthey sound great no matter where you place them (within reason), so a “walking” kick drum, or active performers bumping the mic is rarely a problem. The Audix f6 has a hypercardioid pickup pattern for isolation and feedback control, and an LM (Low Mass) Type A diaphragm for natural, accurate sound reproduction. It employs a transformerless design for transparent reproduction, while its low-impedance, balanced output provides interference-free performanceeven with long cable runs. It’s roadworthy construction includes a precision cast zinc alloy body, black coat finish, laser etched model and serial number, steel mesh grill, gold XLR connector and a tension-fit heavy duty nylon mic clip. User tips:The f6 is designed with low output in order to compensate for instruments having very high sound pressure levels. For kick drums, start with the mic inside the middle of the drum positioned slightly off-center, pointed towards the beater. For more attack, and less bass boom, move the mic closer to the beater. For less attack and more bass, move the mic further away from the beater. For kick drums without hole in front head, place the f6 a few inches from the head for a large dynamic sound. For toms, position the mic 2 inches from the head and point towards the center of the drum. For bass cabinets, position the mic 90 to the grill cloth and 1 – 2 inches inside the edge of the speaker.Compact, lightweightCast zinc-alloy bodyLM (low mass) type A diaphragmStudio-quality soundExcellent mid-bass punchHandles high SPL without distortionGreat for both studio and stage Roadworthy constructionDesigned, assembled, and tested by Audix in the USA. 3-year warranty Applications for stage and studio:Kick drumKettle drumFloor tomBass cabinetsLeslie bottom

Click here to learn more about Audix F6 Kick Drum & Bass Frequencies Microphone

The Audix DP-Quad Pro Drum Pack provides the most drum kit coverage using the least amount of hardware and mic channels. Loaded with Audix’s best pro series mics, the DP-Quad allows the drummer to individually mic the bass drum (D6) and snare (i5) while using the twin ADX51 condensers as overheads to mic the rest of the drums and cymbals.

Click here to learn more about Audix DP4 Drum Microphone Package with Case

This microphone was developed for clean kick drum and bass guitar performance with a powerful, punchy sound.

Click here to learn more about AKG D112 Large Diaphragm Microphone

The AMT M51 mic has been designed for bass drum but works equally well in other applications such as boundary layer miking (conference, stage). The M51 is a bold direction for microphones incorporating integrated circuit technology, an interchangeable chip which allows for multi-purpose use, and emulates many popular microphones with the advantages of its ultra compact size. It is capable of picking up subtle passages as well as sound pressure levels up to 141dB. Its rugged construction of anodized aviation aluminum allows it to withstand high impact while being lightweight and non-corrosive. The AMT M-51 Bass Drum Mic is terminated with an XLR connector and includes a cast aluminum pre-amp which can be powered by phantom power.

Click here to learn more about Applied Microphone Technology AMT M51 Bass Drum Microphone System

The AMT M51 mic has been designed for bass drum but works equally well in other applications such as boundary layer miking (conference, stage). The M51 is a bold direction for microphones incorporating integrated circuit technology, an interchangeable chip which allows for multi-purpose use, and emulates many popular microphones with the advantages of its ultra compact size. It is capable of picking up subtle passages as well as sound pressure levels up to 141dB. Its rugged construction of anodized aviation aluminum allows it to withstand high impact while being lightweight and non-corrosive. The AMT M-51 Bass Drum Mic is terminated with an XLR connector and includes a cast aluminum pre-amp which can be powered by phantom power.Designed for bass drumUltra compact sizeHandles sound pressure levels up to 141dbLight-weight, rugged construction of anodized aviation aluminumInterchangeable chip which allows for multi-purpose useTerminated with an XLR connectorIncludes a cast aluminum pre-ampCan be powered by phantom power

Click here to learn more about Applied Microphone Technology Amt M51 Bass Drum Microphone System

Drum Workshop SM101 is a bass drum beater for the serious drummer. The SM101 Bass Drum Beater is a two way beater for Drum Workshop pedals. It features a two way felt and plastic/rubber beater and includes beater shaft weight. Weights 1 lb.

Click here to learn more about Drum Workshop SM101 Bass Drum Beater