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Introducing Logic Studio, Apple’s comprehensive suite of professional tools that provides musicians with everything they need to create in the studio, on the stage, and for the screen. Logic Studio includes Logic Pro 8, Apple’s professional music application; MainStage, an innovative new application for music performance; and Soundtrack Pro 2 for audio post-production. It also includes acclaimed i…

Click here to learn more about Apple Logic Studio [OLD VERSION]

Fxpansion BFD2 Acoustic Drum Module is not just a rehash of the same ol’, same ol’ with a little added flavor. The FXpansion team really took a from-the-ground-up rebuild approach, taking the best features of the previous module and offering it to you with a brand new, simplified GUI and a heaping help of new features. Using two pairs of room mics, including a mid/side set, the engineers captured …

Click here to learn more about Fxpansion BFD2 Acoustic Drums Module

Do you have a little ham or a future karaoke diva in your house? If your halls are alive with the sound of music, then this CD-ROM and microphone set may be a useful way to channel some of that creative noise. Nicktoons Nick Tunes PC-Powered Microphone & CD-ROM Game is an aural romp that includes several favorite Nicktoons characters. It is not a means to record your child singing full-length song…

Click here to learn more about Nicktoons Nick Tunes Microphone and CD-ROM Game

With the new Wii Speak Accessory, it’s like you’re all in the same room. The microphone sits atop the sensor bar and picks up the conversation of everyone in the room to encourage a more inclusive experience. This is compatible with Animal Crossing: City Folk. The Wii Speak accessory requires an on-line connection….

Click here to learn more about Official Wii Speak Microphone

Based on the same technology as its well known predecessor, we introduce the newest edition of the extremely popular X-Tatic. This Sharkoon 000SKXTADH X-Tatic Digital Gaming Headset features four speakers per earpiece and volume controls built into the cable….

Click here to learn more about Sharkoon X-Tatic True 5.1 Dolby Digital Surround Sound Gaming Headset

The variable-impedence Summit Audio 2BA-221 Tube Mic and Line Module is a microphone preamp that has individual controls to mix mic with Hi-Z or line inputs for variable vacuum tube output. You can mix them together through 12AX7A/ECC83 tube output or separately through individual solid state outputs. A stackable input design allows multiple 2BA-221s to be linked for a modular mixing device with individual outs, inserts per channel, and a final vacuum tube gain stage. Its swept high-pass filter, multiple simultaneous tube and solid state outputs, insert jack, and internal power supply makes the 2BA-221 a powerful tracking and mixing tool.

Click here to learn more about Summit Audio 2BA-221 Tube Mic and Line Module

The variable-impedence Summit Audio 2BA-221 Tube Mic and Line Module is a microphone preamp that has individual controls to mix mic with Hi-Z or line inputs for variable vacuum tube output. You can mix them together through 12AX7A/ECC83 tube output or separately through individual solid state outputs. A stackable input design allows multiple 2BA-221s to be linked for a modular mixing device with individual outs, inserts per channel, and a final vacuum tube gain stage. Its swept high-pass filter, multiple simultaneous tube and solid state outputs, insert jack, and internal power supply makes the 2BA-221 a powerful tracking and mixing tool. Variable mic input impedance from 100 ohms to 10K ohms Variable high-pass filter Hi-Z instrument, line, and mic level inputs Hi-Z input and mic input available simultaneously with separate gain controls Separate solid state and tube outputs Insert jack Stackable with more 2BA-221s 1/2 rack size 3 year warranty XLR and 1/4″ I/O 3 variable, independent gain stages

Click here to learn more about Summit Audio 2Ba-221 Tube Mic And Line Module

The Nady RMX-6 Rackmount 6-Channel Mic/Line Mixer only takes up a single rackspace. Features balanced XLR and 1/4″ TRS line inputs on each channel. Master volume, bass, and treble controls. 15V phantom power is provided on channels 4-6 mic inputs. Dual outputs (low and high level). The Nady RMX-6 has an internally shielded power supply.Balanced XLR and 1/4″ TRS line inputs on each channelMaster volume and bass, treble controls15V phantom power is provided on channels 4-6 mic inputsDual outputs (low and high level)Internally shielded power supplySingle rackspace

Click here to learn more about Nady Rmx 6 Rackmount 6-Channel Mic/Line Mixer

The Nady RMX-6 Rackmount 6-Channel Mic/Line Mixer only takes up a single rackspace. Features balanced XLR and 1/4″ TRS line inputs on each channel. Master volume, bass, and treble controls. 15V phantom power is provided on channels 4-6 mic inputs. Dual outputs (low and high level). The Nady RMX-6 has an internally shielded power supply.

Click here to learn more about Nady RMX 6 Rackmount 6-Channel Mic/Line Mixer

For years, a small recording studio has had two choices: Spend big bucks for a big console or petty cash for a mini mixer with a mini sound. One is overkill and the other kills the music. These days, studios based around workstations need a simple, but superb mixer. Manley has addressed this problem by presenting a choice of three different versions of the 16 into 2 Mixer: LINE, MIC, and an 8+8 MIC/LINE combination that let users select a configuration to best accommodate their studio needs.The 8+8 version mixes it up, with 8 mic channels and 8 line channels, making it a great mixing console for location recording, keyboard rigs and general purpose tasks.The Manley mixer’s channel input jack is a Neutrik Combo which accepts XLR or 1/4″ phone plugs. It is perfectly happy with either balanced or unbalanced sources. In the MIC version, the XLR has the appropriate 2400 ohm impedance and switches to 68K for the 1/4″ plugs. There are balanced direct outputs on every channel post fade and pre cut for multitrack recording. Each channel uses the best sounding chips Manley knows of (Burr Brown INA103, OPA2604, Linear Technology LT1010) in Hutch’s circuits with exceptional headroom and very low noise, real pro level input and output levels, and bulletproof Manley quality throughout. Spec-wise experts know of few mixers ever with better headroom or higher output levels and, well, this Manley mixer’s subterranean noise floor and crosstalk figures are simply quite amazing. The signal path has just 3 superb polystyrene caps from input to output. No carbon resistors, just 1/2 watt metal film, Bourns conductive plastic pots, Grayhill stepped attenuators, etc. All the good stuff. Manley didn’t make this thing all-tube for “ad appeal” and sales hype. They certainly could have, but the 8+8 mixer would have grown into the size of a small house, and needed an accompanying 5-Ton AC unit. However, the tube mix amps/line drivers are right at the end and impart that “Manley Sound” to your final outputs with all the richness, loudness and BIG sound you expect from us. Built like a tank and easy to service. Mutes and Solos use superior relay switching techniques not crummy FETs or CMOS switching. The Solo is of the “mute everything else” type. The buttons are EAO Series 19 and light up to indicate Mute and Solo. Insert and Phase Reverse also use high quality relays and both functions have tiny switches and red LED’s to clearly indicate when they’re selected. The master section provides mixdown to 2 channels achieved with similar tube circuits as used in the Massive Passive, featuring two each 12AT7 NOS Phillips & 6414 NOS GE or Raytheon dual triodes. The M162ML console’s external inputs allow two or more mixers to be combined for 32 or more channels with a mini-banana post linking the Solo functions. There are both transformer balanced and transformerless unbalanced (+4dBm) outputs with tons of headroom

Click here to learn more about Manley M162ML16x2 8+8 Mic/Line Mixer

For years, a small recording studio has had two choices: Spend big bucks for a big console or petty cash for a mini mixer with a mini sound. One is overkill and the other kills the music. These days, studios based around workstations need a simple, but superb mixer. Manley has addressed this problem by presenting a choice of three different versions of the 16 into 2 Mixer: LINE, MIC, and an 8+8 MIC/LINE combination that let users select a configuration to best accommodate their studio needs.The 8+8 version mixes it up, with 8 mic channels and 8 line channels, making it a great mixing console for location recording, keyboard rigs and general purpose tasks.The Manley mixer’s channel input jack is a Neutrik Combo which accepts XLR or 1/4″ phone plugs. It is perfectly happy with either balanced or unbalanced sources. In the MIC version, the XLR has the appropriate 2400 ohm impedance and switches to 68K for the 1/4″ plugs. There are balanced direct outputs on every channel post fade and pre cut for multitrack recording. Each channel uses the best sounding chips Manley knows of (Burr Brown INA103, OPA2604, Linear Technology LT1010) in Hutch’s circuits with exceptional headroom and very low noise, real pro level input and output levels, and bulletproof Manley quality throughout. Spec-wise experts know of few mixers ever with better headroom or higher output levels and, well, this Manley mixer’s subterranean noise floor and crosstalk figures are simply quite amazing. The signal path has just 3 superb polystyrene caps from input to output. No carbon resistors, just 1/2 watt metal film, Bourns conductive plastic pots, Grayhill stepped attenuators, etc. All the good stuff. Manley didn’t make this thing all-tube for “ad appeal” and sales hype. They certainly could have, but the 8+8 mixer would have grown into the size of a small house, and needed an accompanying 5-Ton AC unit. However, the tube mix amps/line drivers are right at the end and impart that “Manley Sound” to your final outputs with all the richness, loudness and BIG sound you expect from us. Built like a tank and easy to service. Mutes and Solos use superior relay switching techniques not crummy FETs or CMOS switching. The Solo is of the “mute everything else” type. The buttons are EAO Series 19 and light up to indicate Mute and Solo. Insert and Phase Reverse also use high quality relays and both functions have tiny switches and red LED’s to clearly indicate when they’re selected. The master section provides mixdown to 2 channels achieved with similar tube circuits as used in the Massive Passive, featuring two each 12AT7 NOS Phillips & 6414 NOS GE or Raytheon dual triodes. The M162ML console’s external inputs allow two or more mixers to be combined for 32 or more channels with a mini-banana post linking the Solo functions. There are both transformer balanced and transformerless unbalanced (+4dBm) outputs with tons of headroom, +36dBu, about 10dB better than million-dollar consoles. The master sec

Click here to learn more about Manley M162ml16x2 8+8 Mic/Line Mixer

The ART VoiceChannel is the answer to your recording and computer audio interface needs. Built to provide the ideal all-in-one input solution for analog or digital recording, the ART VoiceChannel is a true second-generation discrete Class-A microphone preamp capable of providing clean quiet gain while maintaining incredible transparency. An integrated fully variable powerful dynamics processor subtly controls transients and noise of the most demanding sources while the VoiceChannel’s semi-parametric EQ offers wide tunability. For added versatility the EQ can be patched before or after the dynamics processor while separate insertion jacks allow you quick quiet in-line connectivity to external signal processing gear immediately after the mic pre-amp, before the EQ and dynamics processor in the signal path. Another insert patch point exists just before the A/D converters. Choose between a wide range of outputs including balanced analog output, 44.1 KHz to 192 KHz AES/EBU, S/PDIF, ADAT and USB. Both analog and digital meters provide a detailed indication of audio levels.

Click here to learn more about ART Voice Channel Tube Mic Preamp

The ART VoiceChannel is the answer to your recording and computer audio interface needs. Built to provide the ideal all-in-one input solution for analog or digital recording, the ART VoiceChannel is a true second-generation discrete Class-A microphone preamp capable of providing clean quiet gain while maintaining incredible transparency. An integrated fully variable powerful dynamics processor subtly controls transients and noise of the most demanding sources while the VoiceChannel’s semi-parametric EQ offers wide tunability. For added versatility the EQ can be patched before or after the dynamics processor while separate insertion jacks allow you quick quiet in-line connectivity to external signal processing gear immediately after the mic pre-amp, before the EQ and dynamics processor in the signal path. Another insert patch point exists just before the A/D converters. Choose between a wide range of outputs including balanced analog output, 44.1 KHz to 192 KHz AES/EBU, S/PDIF, ADAT and USB. Both analog and digital meters provide a detailed indication of audio levels.

Click here to learn more about ART Voice Channel Tube Mic Preamp 889406661851

The variable-impedence Summit Audio 2BA-221 Tube Mic and Line Module is a microphone preamp that has individual controls to mix mic with Hi-Z or line inputs for variable vacuum tube output. You can mix them together through 12AX7A/ECC83 tube output or separately through individual solid state outputs. A stackable input design allows multiple 2BA-221s to be linked for a modular mixing device with individual outs, inserts per channel, and a final vacuum tube gain stage. Its swept high-pass filter, multiple simultaneous tube and solid state outputs, insert jack, and internal power supply makes the 2BA-221 a powerful tracking and mixing tool. Variable mic input impedance from 100 ohms to 10K ohms Variable high-pass filter Hi-Z instrument, line, and mic level inputs Hi-Z input and mic input available simultaneously with separate gain controls Separate solid state and tube outputs Insert jack Stackable with more 2BA-221s 1/2 rack size 3 year warranty XLR and 1/4″ I/O 3 variable, independent gain stages

Click here to learn more about Used Summit Audio 2Ba-221 Tube Mic And Line Module

The ART VoiceChannel is the answer to your recording and computer audio interface needs. Built to provide the ideal all-in-one input solution for analog or digital recording, the ART VoiceChannel is a true second-generation discrete Class-A microphone preamp capable of providing clean quiet gain while maintaining incredible transparency. An integrated fully variable powerful dynamics processor subtly controls transients and noise of the most demanding sources while the VoiceChannel’s semi-parametric EQ offers wide tunability. For added versatility the EQ can be patched before or after the dynamics processor while separate insertion jacks allow you quick quiet in-line connectivity to external signal processing gear immediately after the mic pre-amp, before the EQ and dynamics processor in the signal path. Another insert patch point exists just before the A/D converters. Choose between a wide range of outputs including balanced analog output, 44.1 KHz to 192 KHz AES/EBU, S/PDIF, ADAT and USB. Both analog and digital meters provide a detailed indication of audio levels.Ideal input solution for any recording applicationTube microphone preamplifier with selectable plate voltage and variable Input impedanceExceptional warmth and definition from proven ART tube preamp designSmooth musical-sounding dynamics control including Compressor, Expander, De-Esser, GatePowerful parametric EQ selectable pre- or post-compressor in signal pathFlexible digital connectivity including ADAT Lite-pipe, AES/EBU, S/PDIF, TOSLink digital outputUSB direct-connect to computer or laptop

Click here to learn more about Art Voice Channel Tube Mic Preamp

The ART VoiceChannel is the answer to your recording and computer audio interface needs. Built to provide the ideal all-in-one input solution for analog or digital recording, the ART VoiceChannel is a true second-generation discrete Class-A microphone preamp capable of providing clean quiet gain while maintaining incredible transparency. An integrated fully variable powerful dynamics processor subtly controls transients and noise of the most demanding sources while the VoiceChannel’s semi-parametric EQ offers wide tunability. For added versatility the EQ can be patched before or after the dynamics processor while separate insertion jacks allow you quick quiet in-line connectivity to external signal processing gear immediately after the mic pre-amp, before the EQ and dynamics processor in the signal path. Another insert patch point exists just before the A/D converters. Choose between a wide range of outputs including balanced analog output, 44.1 KHz to 192 KHz AES/EBU, S/PDIF, ADAT and USB. Both analog and digital meters provide a detailed indication of audio levels.Ideal input solution for any recording applicationTube microphone preamplifier with selectable plate voltage and variable Input impedanceExceptional warmth and definition from proven ART tube preamp designSmooth musical-sounding dynamics control including Compressor, Expander, De-Esser, GatePowerful parametric EQ selectable pre- or post-compressor in signal pathFlexible digital connectivity including ADAT Lite-pipe, AES/EBU, S/PDIF, TOSLink digital outputUSB direct-connect to computer or laptop

Click here to learn more about Used Art Voice Channel Tube Mic Preamp

BackTrack + Mic insures that your licks, riffs and songs will always be captured. Sitting with you and your guitar, this simple and sleek device is always listening and automatically recording every one of your revelations, epiphanies and great musical ideas.

Click here to learn more about Line 6 BackTrack + Mic Instant Replay Recorder

The Universal Audio 2-610 is a two-channel tube microphone preamplifier based on the legendary Universal Audio 610 modular console, which was never commercially available (though Frank Sinatra and Ray Charles each had one). The UA 610 has left its mark on countless classic recordings from Sinatra to Pet Sounds to Van Halen to LA Woman. Designed by Bill Putnam, the Universal Audio 610 was among the first modular recording consoles. Early Universal Audio consoles were used in all of Putnam’s studios including Universal Recording in Chicago and United Western in Los Angeles. Many prominent engineers such as Bruce Swedien began their careers in these studios with this classic rotary knob console. Along with the 610, UA’s 1176LN Limiting Amplifier and Teletronix LA-2A Leveling Amplifier have remained studio standards since their introduction and continue to define the sound of modern music.Unlike many vintage “style” mic pres, the 2-610 is true to the design of its predecessor, the Universal Audio 610. The expertise of Universal Audio in analog design translates into a classic tube preamplifier with all of the character of its vintage predecessor, yet designed for the requirements and rigor of the modern studio. Universal Audio has taken great care to preserve the quality and character of the original, while adding functionality with more boost/cut settings, phantom power, direct inputs and impedance controls.The Universal Audio 2-610 Mic Pre is the perfect tool for tracking and ideal when used in conjunction with a Universal Audio compressor such as the 1176LN and Teletronix LA-2A. Whether you’re running pure analog or seeking to enhance your digital audio workstation, the 2-610 will bring classic tube character to your recording.Classic Sound of the Legendary 610 Modular ConsoleVariable Input Gain and Output LevelsUltra Quiet OperationMic, Balanced Line, and Hi-Z InputsMultiple Impedance SettingsClassic EQCustom Wound Double Sized Alloy Transformers

Click here to learn more about Used Universal Audio 2-610 Silverface Dual Channel Mic Pre

The Universal Audio 2-610 is a two-channel tube microphone preamplifier based on the legendary Universal Audio 610 modular console, which was never commercially available (though Frank Sinatra and Ray Charles each had one). The UA 610 has left its mark on countless classic recordings from Sinatra to Pet Sounds to Van Halen to LA Woman. Designed by Bill Putnam, the Universal Audio 610 was among the first modular recording consoles. Early Universal Audio consoles were used in all of Putnam’s studios including Universal Recording in Chicago and United Western in Los Angeles. Many prominent engineers such as Bruce Swedien began their careers in these studios with this classic rotary knob console. Along with the 610, UA’s 1176LN Limiting Amplifier and Teletronix LA-2A Leveling Amplifier have remained studio standards since their introduction and continue to define the sound of modern music.Unlike many vintage “style” mic pres, the 2-610 is true to the design of its predecessor, the Universal Audio 610. The expertise of Universal Audio in analog design translates into a classic tube preamplifier with all of the character of its vintage predecessor, yet designed for the requirements and rigor of the modern studio. Universal Audio has taken great care to preserve the quality and character of the original, while adding functionality with more boost/cut settings, phantom power, direct inputs and impedance controls.The Universal Audio 2-610 Mic Pre is the perfect tool for tracking and ideal when used in conjunction with a Universal Audio compressor such as the 1176LN and Teletronix LA-2A. Whether you’re running pure analog or seeking to enhance your digital audio workstation, the 2-610 will bring classic tube character to your recording.Classic Sound of the Legendary 610 Modular ConsoleVariable Input Gain and Output LevelsUltra Quiet OperationMic, Balanced Line, and Hi-Z InputsMultiple Impedance SettingsClassic EQCustom Wound Double Sized Alloy Transformers

Click here to learn more about Refurbished Universal Audio 2-610 Silverface Dual Channel Mic Pre

The Universal Audio 2-610 is a two-channel tube microphone preamplifier based on the legendary Universal Audio 610 modular console, which was never commercially available (though Frank Sinatra and Ray Charles each had one). The UA 610 has left its mark on countless classic recordings from Sinatra to Pet Sounds to Van Halen to LA Woman. Designed by Bill Putnam, the Universal Audio 610 was among the first modular recording consoles. Early Universal Audio consoles were used in all of Putnam’s studios including Universal Recording in Chicago and United Western in Los Angeles. Many prominent engineers such as Bruce Swedien began their careers in these studios with this classic rotary knob console. Along with the 610, UA’s 1176LN Limiting Amplifier and Teletronix LA-2A Leveling Amplifier have remained studio standards since their introduction and continue to define the sound of modern music.Unlike many vintage “style” mic pres, the 2-610 is true to the design of its predecessor, the Universal Audio 610. The expertise of Universal Audio in analog design translates into a classic tube preamplifier with all of the character of its vintage predecessor, yet designed for the requirements and rigor of the modern studio. Universal Audio has taken great care to preserve the quality and character of the original, while adding functionality with more boost/cut settings, phantom power, direct inputs and impedance controls.The Universal Audio 2-610 Mic Pre is the perfect tool for tracking and ideal when used in conjunction with a Universal Audio compressor such as the 1176LN and Teletronix LA-2A. Whether you’re running pure analog or seeking to enhance your digital audio workstation, the 2-610 will bring classic tube character to your recording.Classic Sound of the Legendary 610 Modular ConsoleVariable Input Gain and Output LevelsUltra Quiet OperationMic, Balanced Line, and Hi-Z InputsMultiple Impedance SettingsClassic EQCustom Wound Double Sized Alloy Transformers

Click here to learn more about Universal Audio 2-610 Silverface Dual Channel Mic Pre