Home Recording Studio Center

This mini DVR records video at 640×480 resolutions and record frame adjust at 5, 15 or 30 f/s. This mobile security DVR is solid state and records directly to a standard SD card Operates on 9 – 12 volts at 150 mA.MPEG-4 video format. SD card not included….

Click here to learn more about VideoSecu Home CCTV Mini DVR Motion Detection Recorder System , including Day Night Vision Outdoor 1/3 ” SONY CCD Security Camera 420L, Audio Microphone, Extension Cable W31

Tascam Digital 8 Trk Recorder – Tascam DP008….

Click here to learn more about TASCAM DP-008 8-Track Digital Portastudio

Tascam USB 2.0 4-channel Audio/Midi Interface – Tascam US144MKII….

Click here to learn more about USB 2.0 4-CHANNEL Audio/midi

Now compatible with ProTools M-Powered Software The FireWire Solo is the perfect recording solution for singer/songwriters. A guitar and microphone combined with powered speakers and a laptop computer should be all that this type of user needs to compose and record their own music. A good-looking, straight forward user interface at a very user-friendly price – The FireWire Solo is sure to become …

Click here to learn more about M-Audio Firewire Solo US35030 Firewire Audio Interface

The Zoom H4n Handy Recorder picks up where the H4 left off and adds additional features to an already popular audio recorder. Ideal for recording interviews, lectures, rehearsals, meetings, and more, this palm-sized unit packs the ability to record up to 4 channels of audio at greater than CD quality.

The H4n features onboard true X/Y stereo microphones to pick up clear, natural sound without pha…

Click here to learn more about Zoom H4n Portable Digital Recorder Package with Zoom RC-4 Remote

Update your audio equipment with PylePro 16-channel power mixerDJ equipment features 16 mono input channels with gold plated XLR balanced inputsUltra low noise discrete mic preamps with +48 v phantom power

Click here to learn more about PylePro 16-channel Power Mixer

The Nady PRA-8 Mic Preamp gives you 8 independent preamps in one rackspace with servo-balanced XLR inputs. 1/4″ outputs for each preamp. Each channel on the Nady PRA-8 has its own gain control, peak LED indicator, and phantom power with on/off switch and LED power-on indicator.

Click here to learn more about Nady PRA-8 Mic Preamp

The Nady PRA-8 Mic Preamp gives you 8 independent preamps in one rackspace with servo-balanced XLR inputs. 1/4″ outputs for each preamp. Each channel on the Nady PRA-8 has its own gain control, peak LED indicator, and phantom power with on/off switch and LED power-on indicator.8 independent preamps in one rackspaceServo-balanced XLR inputs1/4″ TS outputsGain control on each channelPeak LED indicator for each channelPhantom power with individual on/off switches for each channel and LED indicatorFrequency response: 20Hz – 20kHzS/N ratio: better than 80dBDistortion: 0.02%

Click here to learn more about Nady Pra-8 Mic Preamp

The Pro Channel from ART is the latest offering from the world’s most popular tube dynamics processing manufacturer. ART engineers have combined the world-renowned Pro MPA, Pro VLA, and Tube EQ into a single product – creating the world’s best-sounding and most affordable professional recording channel.The Pro Channel features many new and exciting design enhancements to ART’s pro and home studio staples, including the addition of a tube circuit to the compressor module. The Pro Channel allows you to select between ART’s award winning optical/tube compressor or the coveted tube circuit (a design made popular by the sound of the old broadcast limiters – now costing thousands of dollars). The tube circuit is fast, fat and a bit aggressive, and is guaranteed to become a legend among compressors as has the Pro VLA. The four-band parametric equalizer has selectable Q for the two sweepable mid-bands. As with all design elements of the Pro Channel, these Q options were fine-tuned by some of the industry’s top studio and live-sound engineers. Likewise, all new additions were made without compromise to the sound of the original designs (Pro MPA, Pro VLA, Tube EQ), which have become standards in professional studios and FOH rigs around the globe.Professional Tube-Based Microphone/Line Recording ChannelThree independent World-Class modules: tube mic pre, switchable optical/tube compressor, and tube EQWarm, Smooth, and Silky Sound QualityPrecision Detented PotentiometersSelectable VU Metering (mic pre out, compressor out, or Main Out)Tube Character and Gain Reduction LED ArraysBalanced XLR and Unbalanced 1/4″ Inputs and OutputsInsert Points Between Preamp and Compressor, and Compressor and EQThree Hand-Selected Vacuum TubesProfessional Signal Processing For use with any Analog or Digital Recording FormatExceptional Processing Channel For Any Line or Instrument Level SignalFive-Year Warranty

Click here to learn more about Used Art Pro Channel Tube Mic Preamp

The Pro Channel from ART is the latest offering from the world’s most popular tube dynamics processing manufacturer. ART engineers have combined the world-renowned Pro MPA, Pro VLA, and Tube EQ into a single product – creating the world’s best-sounding and most affordable professional recording channel.The Pro Channel features many new and exciting design enhancements to ART’s pro and home studio staples, including the addition of a tube circuit to the compressor module. The Pro Channel allows you to select between ART’s award winning optical/tube compressor or the coveted tube circuit (a design made popular by the sound of the old broadcast limiters – now costing thousands of dollars). The tube circuit is fast, fat and a bit aggressive, and is guaranteed to become a legend among compressors as has the Pro VLA. The four-band parametric equalizer has selectable Q for the two sweepable mid-bands. As with all design elements of the Pro Channel, these Q options were fine-tuned by some of the industry’s top studio and live-sound engineers. Likewise, all new additions were made without compromise to the sound of the original designs (Pro MPA, Pro VLA, Tube EQ), which have become standards in professional studios and FOH rigs around the globe.Professional Tube-Based Microphone/Line Recording ChannelThree independent World-Class modules: tube mic pre, switchable optical/tube compressor, and tube EQWarm, Smooth, and Silky Sound QualityPrecision Detented PotentiometersSelectable VU Metering (mic pre out, compressor out, or Main Out)Tube Character and Gain Reduction LED ArraysBalanced XLR and Unbalanced 1/4″ Inputs and OutputsInsert Points Between Preamp and Compressor, and Compressor and EQThree Hand-Selected Vacuum TubesProfessional Signal Processing For use with any Analog or Digital Recording FormatExceptional Processing Channel For Any Line or Instrument Level SignalFive-Year Warranty

Click here to learn more about Art Pro Channel Tube Mic Preamp

The Manley TNT (Tubes No Tubes) 2-Channel Mic Preamp has two different and discrepant mic preamps in one box for two different sound colors. By popular demand, one channel is the exact same mic pre as in the Manley SLAM! with tubes and transformers. The second preamp is a fresh “No Tubes” design from Hutch and is inspired by old British console preamps with a tasty combination of “No Tubes” design with transformers. This one is not a clone of anything preexisting. It is a new flavor but reminiscent of that classic discrete sound. Both channels on the Manley TNT preamp are designed around the basic goal of “just plug a mic in and it sounds great.” The tube channel excels on traditionally difficult sources like some bright guitars, reed and brass, cymbals and some vocals. The “No Tubes” channel might be more suited for smoother vocals, drums, bass and raunchy guitars, but you never really knows which preamp is best for the job at hand until you try them. At least you’ll have two qualified candidates in one handy 1U chassis.The Manley TNT is a new concept in microphone preamplification for those who don’t always need stereo everything but often need choices and often need the best. Besides, you probably have a number of typical stereo preamps and are still looking for that one killer preamp. Manley participated in 3D Audio’s “Preamps in Paradise” forum, which was a remarkable opportunity to discuss preamps in depth and more importantly listen to what top engineers liked, disliked, and desired in the next generation of preamps. Manley Labs saw a need for a different unit that truly offered a rainbow of high-end preamp colors at an affordable price. The “T” (Tubes) channel starts off with the highly acclaimed vacuum tube micpre from the SLAM! that is certainly a contender amongst the best cost-no-object tube preamps. The “NT” (No Tubes) channel adds a no-compromise solid-state preamp that sets new sonic standards. Because the solid-state side uses two opposite topologies in tandem that are user controllable, it is like getting two preamp ‘sounds’ on that side alone.The number one request was variable input impedance somewhat tempered by the number one complaint that so far, the typical gain changes associated with that feature were not fun. Manley offers variable impedance done right, with typically near-zero gain changes. In fact, on the solid-state side a current-mode preamp is used for the lowest impedance and a voltage mode preamp is used for the highest impedance, and these two preamps are appropriately blended for the medium impedance settings. All of the microphone signal is used and almost none thrown away. Both the voltage-mode and current-mode stages are truly optimized and when one changes impedance settings, one hears the effects of how this changes microphone and cable characteristics as opposed to other approaches which mostly take the mic preamp out of its ideal conditions. In other words, doing va

Click here to learn more about Manley TNT 2-channel Mic Preamp

The Manley TNT (Tubes No Tubes) 2-Channel Mic Preamp has two different and discrepant mic preamps in one box for two different sound colors. By popular demand, one channel is the exact same mic pre as in the Manley SLAM! with tubes and transformers. The second preamp is a fresh “No Tubes” design from Hutch and is inspired by old British console preamps with a tasty combination of “No Tubes” design with transformers. This one is not a clone of anything preexisting. It is a new flavor but reminiscent of that classic discrete sound. Both channels on the Manley TNT preamp are designed around the basic goal of “just plug a mic in and it sounds great.” The tube channel excels on traditionally difficult sources like some bright guitars, reed and brass, cymbals and some vocals. The “No Tubes” channel might be more suited for smoother vocals, drums, bass and raunchy guitars, but you never really knows which preamp is best for the job at hand until you try them. At least you’ll have two qualified candidates in one handy 1U chassis.The Manley TNT is a new concept in microphone preamplification for those who don’t always need stereo everything but often need choices and often need the best. Besides, you probably have a number of typical stereo preamps and are still looking for that one killer preamp. Manley participated in 3D Audio’s “Preamps in Paradise” forum, which was a remarkable opportunity to discuss preamps in depth and more importantly listen to what top engineers liked, disliked, and desired in the next generation of preamps. Manley Labs saw a need for a different unit that truly offered a rainbow of high-end preamp colors at an affordable price. The “T” (Tubes) channel starts off with the highly acclaimed vacuum tube micpre from the SLAM! that is certainly a contender amongst the best cost-no-object tube preamps. The “NT” (No Tubes) channel adds a no-compromise solid-state preamp that sets new sonic standards. Because the solid-state side uses two opposite topologies in tandem that are user controllable, it is like getting two preamp ‘sounds’ on that side alone.The number one request was variable input impedance somewhat tempered by the number one complaint that so far, the typical gain changes associated with that feature were not fun. Manley offers variable impedance done right, with typically near-zero gain changes. In fact, on the solid-state side a current-mode preamp is used for the lowest impedance and a voltage mode preamp is used for the highest impedance, and these two preamps are appropriately blended for the medium impedance settings. All of the microphone signal is used and almost none thrown away. Both the voltage-mode and current-mode stages are truly optimized and when one changes impedance settings, one hears the effects of how this changes microphone and cable characteristics as opposed to other approaches which mostly take the mic preamp out of its ideal conditions. In other words, doing variable impedance the right way requir

Click here to learn more about Manley Tnt 2-Channel Mic Preamp

The ART VoiceChannel is the answer to your recording and computer audio interface needs. Built to provide the ideal all-in-one input solution for analog or digital recording, the ART VoiceChannel is a true second-generation discrete Class-A microphone preamp capable of providing clean quiet gain while maintaining incredible transparency. An integrated fully variable powerful dynamics processor subtly controls transients and noise of the most demanding sources while the VoiceChannel’s semi-parametric EQ offers wide tunability. For added versatility the EQ can be patched before or after the dynamics processor while separate insertion jacks allow you quick quiet in-line connectivity to external signal processing gear immediately after the mic pre-amp, before the EQ and dynamics processor in the signal path. Another insert patch point exists just before the A/D converters. Choose between a wide range of outputs including balanced analog output, 44.1 KHz to 192 KHz AES/EBU, S/PDIF, ADAT and USB. Both analog and digital meters provide a detailed indication of audio levels.

Click here to learn more about ART Voice Channel Tube Mic Preamp

The ART VoiceChannel is the answer to your recording and computer audio interface needs. Built to provide the ideal all-in-one input solution for analog or digital recording, the ART VoiceChannel is a true second-generation discrete Class-A microphone preamp capable of providing clean quiet gain while maintaining incredible transparency. An integrated fully variable powerful dynamics processor subtly controls transients and noise of the most demanding sources while the VoiceChannel’s semi-parametric EQ offers wide tunability. For added versatility the EQ can be patched before or after the dynamics processor while separate insertion jacks allow you quick quiet in-line connectivity to external signal processing gear immediately after the mic pre-amp, before the EQ and dynamics processor in the signal path. Another insert patch point exists just before the A/D converters. Choose between a wide range of outputs including balanced analog output, 44.1 KHz to 192 KHz AES/EBU, S/PDIF, ADAT and USB. Both analog and digital meters provide a detailed indication of audio levels.

Click here to learn more about ART Voice Channel Tube Mic Preamp 889406661851

The ART VoiceChannel is the answer to your recording and computer audio interface needs. Built to provide the ideal all-in-one input solution for analog or digital recording, the ART VoiceChannel is a true second-generation discrete Class-A microphone preamp capable of providing clean quiet gain while maintaining incredible transparency. An integrated fully variable powerful dynamics processor subtly controls transients and noise of the most demanding sources while the VoiceChannel’s semi-parametric EQ offers wide tunability. For added versatility the EQ can be patched before or after the dynamics processor while separate insertion jacks allow you quick quiet in-line connectivity to external signal processing gear immediately after the mic pre-amp, before the EQ and dynamics processor in the signal path. Another insert patch point exists just before the A/D converters. Choose between a wide range of outputs including balanced analog output, 44.1 KHz to 192 KHz AES/EBU, S/PDIF, ADAT and USB. Both analog and digital meters provide a detailed indication of audio levels.Ideal input solution for any recording applicationTube microphone preamplifier with selectable plate voltage and variable Input impedanceExceptional warmth and definition from proven ART tube preamp designSmooth musical-sounding dynamics control including Compressor, Expander, De-Esser, GatePowerful parametric EQ selectable pre- or post-compressor in signal pathFlexible digital connectivity including ADAT Lite-pipe, AES/EBU, S/PDIF, TOSLink digital outputUSB direct-connect to computer or laptop

Click here to learn more about Art Voice Channel Tube Mic Preamp

The ART VoiceChannel is the answer to your recording and computer audio interface needs. Built to provide the ideal all-in-one input solution for analog or digital recording, the ART VoiceChannel is a true second-generation discrete Class-A microphone preamp capable of providing clean quiet gain while maintaining incredible transparency. An integrated fully variable powerful dynamics processor subtly controls transients and noise of the most demanding sources while the VoiceChannel’s semi-parametric EQ offers wide tunability. For added versatility the EQ can be patched before or after the dynamics processor while separate insertion jacks allow you quick quiet in-line connectivity to external signal processing gear immediately after the mic pre-amp, before the EQ and dynamics processor in the signal path. Another insert patch point exists just before the A/D converters. Choose between a wide range of outputs including balanced analog output, 44.1 KHz to 192 KHz AES/EBU, S/PDIF, ADAT and USB. Both analog and digital meters provide a detailed indication of audio levels.Ideal input solution for any recording applicationTube microphone preamplifier with selectable plate voltage and variable Input impedanceExceptional warmth and definition from proven ART tube preamp designSmooth musical-sounding dynamics control including Compressor, Expander, De-Esser, GatePowerful parametric EQ selectable pre- or post-compressor in signal pathFlexible digital connectivity including ADAT Lite-pipe, AES/EBU, S/PDIF, TOSLink digital outputUSB direct-connect to computer or laptop

Click here to learn more about Used Art Voice Channel Tube Mic Preamp

The Pro Channel from ART is the latest offering from the world’s most popular tube dynamics processing manufacturer. ART engineers have combined the world-renowned Pro MPA, Pro VLA, and Tube EQ into a single product – creating the world’s best-sounding and most affordable professional recording channel.The Pro Channel features many new and exciting design enhancements to ART’s pro and home studio staples, including the addition of a tube circuit to the compressor module. The Pro Channel allows you to select between ART’s award winning optical/tube compressor or the coveted tube circuit (a design made popular by the sound of the old broadcast limiters – now costing thousands of dollars). The tube circuit is fast, fat and a bit aggressive, and is guaranteed to become a legend among compressors as has the Pro VLA. The four-band parametric equalizer has selectable Q for the two sweepable mid-bands. As with all design elements of the Pro Channel, these Q options were fine-tuned by some of the industry’s top studio and live-sound engineers. Likewise, all new additions were made without compromise to the sound of the original designs (Pro MPA, Pro VLA, Tube EQ), which have become standards in professional studios and FOH rigs around the globe.

Click here to learn more about ART Pro Channel Tube Mic Preamp

The Joemeek twinQ Dual Channel EQ/Compressor/Mic Preamp takes microphones or instruments, amplifies them, compresses them, and equalizes them so they’re ready to be recorded. Simple to use yet extremely powerful, the TwinQ will bring out the best in any microphone or instrument and give the gloss of a professional studio production to all your performances. You’ll find it useful for recording as well as for live work.Dual-channel operation Ultra-clean microphone preamp with Burr-Brown IC “Iron” switch (add transformer-coupling) Highly musical 3-band EQ with swept Low and Mid bands, and selectable High band (6k or 12k) Full-featured optical compressor, from “silk” to “in your face!” Accurate VU metering 24-bit/96kHz sampling, optical, and S/PDIF outputs Word Clock in Balanced and unbalanced I/O Front-panel instrument input

Click here to learn more about Joemeek Twinq Dual Channel Eq/Compressor/Mic Preamp

The Joemeek twinQ Dual Channel EQ/Compressor/Mic Preamp takes microphones or instruments, amplifies them, compresses them, and equalizes them so they’re ready to be recorded. Simple to use yet extremely powerful, the TwinQ will bring out the best in any microphone or instrument and give the gloss of a professional studio production to all your performances. You’ll find it useful for recording as well as for live work.Dual-channel operation Ultra-clean microphone preamp with Burr-Brown IC “Iron” switch (add transformer-coupling) Highly musical 3-band EQ with swept Low and Mid bands, and selectable High band (6k or 12k) Full-featured optical compressor, from “silk” to “in your face!” Accurate VU metering 24-bit/96kHz sampling, optical, and S/PDIF outputs Word Clock in Balanced and unbalanced I/O Front-panel instrument input

Click here to learn more about Used Joemeek Twinq Dual Channel Eq/Compressor/Mic Preamp