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Designed for use with any cordless phone possessing a standard 2.5 mm jack, Panasonic’s KX-TCA60 is an excellent way for you to talk hands-free while you work. Its boom-style microphone adjusts to an optimum level for your mouth. The KX-TCA60 is reversible–you may wear it on either ear–and it uses a comfortable, lightweight design and offers a 4-foot cord with a handy lapel clip so you’ll enjoy…

Click here to learn more about Panasonic KX-TCA60 Hands-Free Headset with Comfort Fit Headband

Cable – Mono Output, Mono Input – Over-the-head – 1 x 2.5mm Sub-mini phone…

Click here to learn more about Plantronics M214C Headset with Adjustable Volume

Zalman ZM-MIC1 Microphone ZM-MIC1 Microphones…

Click here to learn more about Zalman Zm-Mic1 High Sensitivity Headphone Microphone

The On Stage 7701B Microphone Stand is a durable tripod mic stand and boom combination and just about the best value we’ve ever offered. These stands use the highest quality components. The legs fold down for the most compact storage. Setup height is adjustable from 36 to 63 inches. On Stage 7701B Tripod Microphone Boom Stand…

Click here to learn more about On Stage Stands 7701B Tripod Boom Microphone Stand

Audio-Technica’s newscaster-style omnidirectional ATR3350 lavalier is engineered for intelligible, accurate voice reproduction. This high-quality condenser is ideal for video use, and is a favorite choice for aerobics/dance/sports instructors. Its low-profile design assures minimum visibility. Engineered for intelligible, accurate voice reproduction. Click to enlarge. Capsule fea…

Click here to learn more about Audio-Technica ATR-3350 Lavalier Omnidirectional Condenser Microphone

4 Mic VHF Wireless Microphone System

Click here to learn more about Pyle PDWM5000 Wireless Microphone System

This wireless microphone system supports up to 8 channels, with 4 lavalier/headset mics and 4 handheld mics included. This system is equipped with individual and mixed line outputs, so you can simplify the mixing process, or use your own mixer.

Click here to learn more about Pyle Rack Mount 8 Channel Wireless Microphone System with 4 Lavalier/Headsets and 4 Handheld Mics

Naxa professional dual wireless microphone system DJ equipment features operating range of up to 60 feet from the consoleMic has VHF/FM 110-270mhz frequency range

Click here to learn more about Naxa Dual Wireless Microphone System – NX984

The PDWM8900 is a wireless microphone system that supports up to eight channels, with 8 handheld mics included. This system is equipped with 1/4-inch individual and mixed line outputs, so you can simplify the mixing process, or use your own mixer.

Click here to learn more about PylePro Rack Mount 8 Channel Wireless Microphone System with Lavaliers/Headsets

Connect this wireless microphone using any audio output for clear wireless audio. This microphone system is perfect for vocalists, speakers, comedians, or any other venues that can benefit the freedom of wireless.

Click here to learn more about Professional Wireless Microphone

The PGX Digital Lapel Wireless System from Shure adds the clarity of 24-bit digital audio to the legacy of trusted Shure microphone options for wireless performance. This system includes the WL85 cardioid condenser lavalier for general-purpose sound reinforcement applications requiring good rejection of ambient noise. Also includes tie clip and windscreen.

Click here to learn more about Shure PGX Digital Lavalier Wireless Microphone System with WL85 Mic

The Peavey PVM DMS-5 Drum Mic System is for the professional drummer who wants an all-in-one package, onstage or in the studio. System includes a PVM 321 kick drum mic, a PVM 325 snare mic, 3 PVM 328 tom mics, 4 drum mount clips, 4 mic cables with 90 degrees XLR connectors, a mic cable with a straight XLR connector, and carrying case. Each mic features a dynamic supercardioid polar pattern for greater directional sensitivity. The PVM 321 offers a frequency response of 20Hz-10kHz and a 140dB max SPL. The PVM 325 has a frequency response of 50Hz-16kHz. The PVM 328 response is 20Hz-12.5kHz. Both the PVM 325 and PVM 328 deliver 134dB max SPL.One PVM 321 kick drum mic One PVM 325 snare mic 3 PVM 328 tom mics 4 drum mount clips 4 mic cables with 90 degrees XLR connectors One mic cable with straight XLR connector Carrying case Dynamic, supercardioid polar pattern

Click here to learn more about Used Peavey Pvm Dms-5 Drum Mic System

The Peavey PVM DMS-5 Drum Mic System is for the professional drummer who wants an all-in-one package, onstage or in the studio. System includes a PVM 321 kick drum mic, a PVM 325 snare mic, 3 PVM 328 tom mics, 4 drum mount clips, 4 mic cables with 90 degrees XLR connectors, a mic cable with a straight XLR connector, and carrying case. Each mic features a dynamic supercardioid polar pattern for greater directional sensitivity. The PVM 321 offers a frequency response of 20Hz-10kHz and a 140dB max SPL. The PVM 325 has a frequency response of 50Hz-16kHz. The PVM 328 response is 20Hz-12.5kHz. Both the PVM 325 and PVM 328 deliver 134dB max SPL.One PVM 321 kick drum mic One PVM 325 snare mic 3 PVM 328 tom mics 4 drum mount clips 4 mic cables with 90 degrees XLR connectors One mic cable with straight XLR connector Carrying case Dynamic, supercardioid polar pattern

Click here to learn more about Peavey Pvm Dms-5 Drum Mic System

Empirical Labs Dave Derr is no stranger to creating game-changing audio processors, and his Mike-E preamp is no exception. Mike-E is a modern, digitally controlled microphone preamplifier chocked with unusual features to warm and soften sound sources, plus, it also has an excellent compressor/limiter. Mike-E, a transformer-coupled mic preamp, offers an incredible performance with a noise floor is far below any microphones self-noise. And, the one-of-a-kind CompSat section is an uncompromising compressor and saturator circuit that offers versatile coloring, and classic knee compression.Mic Preamp SectionThe preamp section is a super low-noise transformer-input amplifier section with gain digitally controlled gain. This section comes standard with a shielded Lundahl transformer, but allows for a Jensen transformer also.The signal-to-noise ratio far exceeds any microphone in existence; typically over 130dB with the input shorted and 40dB of gain. Having used many mic preamps over the years, Empirical Labs has implemented a unique stepped-gain control that is impervious to the normal flakiness that age causes to pots and detented switches.Counting the output gain of 14dB, a total74 dB of gain is available to you with the CompSat section bypassed. Phantom power (+48V) is provided for condenser mics.Exclusive CompSat SectionThis unique circuitry is what sets Mike-E apart from all other mic preamplifiers. It has four sections:1) Saturator: This is a multi-stage soft clipping circuit. At lower levels, triode-type saturation affects the signal. As the level increases, a second unique clip circuit that includes germanium semiconductors starts to flatten out the peaks more severely. An LED named BAD! indicates harder, un-musical clipping.2) Compressor: This is an uncompromising compressor/limiter circuit with detented control of attack and release for easy repeatability. You adjust the amount of compression with the DRIVE knob, which determines the level going into the compressor. In ways it is like the Empircal Labs Distressor (see #501579), but has differing characteristics including a much longer available attack time and additional circuitry. Four ratios are provided; 2:1 being the gentlest with a long 20dB knee, good for subtle compression, such as while tracking or on the 2-Bus. Ratios 4:1 and 8:1 are steeper but still very smooth with long knees. Nuke is very steep (limiter-like) and has a different attack and release shape.3) Emphasis: Emphasis is actually two circuits that surround the compressor and saturator. Pre-emphasis boosts the high frequencies before the compressor and saturator (CompSat), soft clipping them sooner than normal, while a de-emphasis cuts the complementary frequencies after the CompSat. Emphasis has the added perk of improving signal-to-noise, and is the reason analog tape decks used emphasis to begin with.4) Mix Control: The modern recording engineer often employs the technique of mixing between the compressed and the dry (or

Click here to learn more about Empirical Labs Mike-E Mic Pre With Compression And Saturation

Empirical Labs Dave Derr is no stranger to creating game-changing audio processors, and his Mike-E preamp is no exception. Mike-E is a modern, digitally controlled microphone preamplifier chocked with unusual features to warm and soften sound sources, plus, it also has an excellent compressor/limiter. Mike-E, a transformer-coupled mic preamp, offers an incredible performance with a noise floor is far below any microphones self-noise. And, the one-of-a-kind CompSat section is an uncompromising compressor and saturator circuit that offers versatile coloring, and classic knee compression.Mic Preamp SectionThe preamp section is a super low-noise transformer-input amplifier section with gain digitally controlled gain. This section comes standard with a shielded Lundahl transformer, but allows for a Jensen transformer also.The signal-to-noise ratio far exceeds any microphone in existence; typically over 130dB with the input shorted and 40dB of gain. Having used many mic preamps over the years, Empirical Labs has implemented a unique stepped-gain control that is impervious to the normal flakiness that age causes to pots and detented switches.Counting the output gain of 14dB, a total74 dB of gain is available to you with the CompSat section bypassed. Phantom power (+48V) is provided for condenser mics.Exclusive CompSat SectionThis unique circuitry is what sets Mike-E apart from all other mic preamplifiers. It has four sections:1) Saturator: This is a multi-stage soft clipping circuit. At lower levels, triode-type saturation affects the signal. As the level increases, a second unique clip circuit that includes germanium semiconductors starts to flatten out the peaks more severely. An LED named BAD! indicates harder, un-musical clipping.2) Compressor: This is an uncompromising compressor/limiter circuit with detented control of attack and release for easy repeatability. You adjust the amount of compression with the DRIVE knob, which determines the level going into the compressor. In ways it is like the Empircal Labs Distressor (see #501579), but has differing characteristics including a much longer available attack time and additional circuitry. Four ratios are provided; 2:1 being the gentlest with a long 20dB knee, good for subtle compression, such as while tracking or on the 2-Bus. Ratios 4:1 and 8:1 are steeper but still very smooth with long knees. Nuke is very steep (limiter-like) and has a different attack and release shape.3) Emphasis: Emphasis is actually two circuits that surround the compressor and saturator. Pre-emphasis boosts the high frequencies before the compressor and saturator (CompSat), soft clipping them sooner than normal, while a de-emphasis cuts the complementary frequencies after the CompSat. Emphasis has the added perk of improving signal-to-noise, and is the reason analog tape decks used emphasis to begin with.4) Mix Control: The modern recording engineer often employs the technique of mixing between the compressed and the dry (or

Click here to learn more about Used Empirical Labs Mike-E Mic Pre With Compression And Saturation

Complete Nady SP-9 Microphone system includes: 6-space mic gig bag 6 Nady SP-9 mics 6 – 20′ mic cables

Click here to learn more about Nady Sp-9 Mic Package #1

The UHF-3205 wireless microphone system operates on the less-crowded UHF frequency band giving you a clearer, interference-free sound. Each mic channel has its own volume control and you can either output both channels independently or together using the mixed output channel. Included in this package are two wireless rechargeable microphones with upgraded, durable metal bodies. Enjoy wireless freedom at home or in the club with the VocoPro UHF-3205.2 wireless rechargeable handheld mics includedIncluded microphone charger charges both microphones at the same time2 unbalanced mic outputs (1/4″) and 1 mixed output (1/4″)UHF Band 629.40MHz – 694.11MHzRugged mic grilles protect the microphone cartridge and prevent the mic from rollingIndividual volume controls for precise vocal balancingLow charge indicator (LED) on micsDual antennas provide clear signal receptionRugged 1 RU metal receiver chassis

Click here to learn more about Vocopro Uhf-3205 Dual Rechargeable Wireless Mic System

The Galaxy Audio ECDR/HH38L is a dual channel , hand held vocal mic wireless system , with 16 switchable UHF channels available for each mic. This allows the user to select an interference free UHF channel for performance.

Click here to learn more about Galaxy Audio ECDRHH38 Dual Handheld UHF Wireless Microphone System

The UHF-3200 operates on the less-crowded UHF frequency band giving you a clearer, interference-free sound. Each mic channel has its own volume control and you can either output both channels independently or together using the mixed output channel. Included in this VocoPro package along with the wireless receiver are two wireless microphones with upgraded, durable metal bodies. Enjoy wireless freedom at home or in the club with the UHF-3200.2 wireless handheld mics included2 unbalanced mic outputs (1/4″) and 1 mixed output (1/4″)UHF Band: 629.40MHz – 694.11MHzRugged mic grilles protect the microphone cartridge and prevent the mic from rollingIndividual volume controls for precise vocal balancingLow charge indicator (LED) on micsDual antennas provide clear signal receptionRugged 1 RU metal receiver chassis

Click here to learn more about Vocopro Uhf-3200 Dual Wireless Mic System

The UHF-3205 wireless microphone system operates on the less-crowded UHF frequency band giving you a clearer, interference-free sound. Each mic channel has its own volume control and you can either output both channels independently or together using the mixed output channel. Included in this package are two wireless rechargeable microphones with upgraded, durable metal bodies. Enjoy wireless freedom at home or in the club with the VocoPro UHF-3205.

Click here to learn more about VocoPro UHF-3205 Dual Rechargeable Wireless Mic System

Complete Nady SP-9 Microphone system includes: 6-space mic gig bag 6 Nady SP-9 mics 6 – 20′ mic cables

Click here to learn more about Nady SP-9 Mic Package #1

This Gator messenger bag holds a single wireless unit with plenty of space for cables, lavaliers, and a wireless mic with the transmitter mounted. The front and back unzip for easy access and your transmitter antenna can be extended with your wireless system in the bag. Includes accessory storage space, a shoulder strap, and padded handles.Holds a single wireless unit Plenty of space for cables, Lavaliers, and wireless mic with the transmitter Front, back, and top unzip for easy access Receiver stays in bag during use Pouch for in-ear monitors or accessories Works with front or rear-mount antennas Frequency-data card located on side Works with half-rack size receivers Antenna can be extended while in bag Accessory storage space Shoulder strap Padded handles

Click here to learn more about Gator Gm-1W Wireless Mic System Gig Bag