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The ME-52W plugs directly into your digital recorder”s 3.5mm microphone jack for uni-directional recording in high-noise environments. It will cut down on much of the background noise and result in a more accurate transcription….

Click here to learn more about Olympus ME-52W Noise Canceling Microphone

The Blue The Pop Universal Pop Filter is a universal windscreen for use with any microphone. Simply clamp it to the mic stand and position where desired. The sturdy wire mesh and frame ensure years of durability. So be sure to pick one up today!…

Click here to learn more about Blue Microphones The Pop Universal Pop Filter

The i-Microphone is an incredible high sensitivity 3.5mm 4-pole omni directional condenser microphone for iPhone, iPad, iPod, Macbook products, & Android. Incredible High-sensitivity Ideal for Voice Recording, lectures, and video blogging RF shielding Compact Design compatible with any smartphone with a 3.5mm jack…

Click here to learn more about Edutige EIM-001 i-Microphone Voice Recorder

Nady 6 inch clamp onpop filter pop filter -pop filter for vocal microphones -designed for professional vocal recording environments -includes boom and microphone stand clamp……

Click here to learn more about Nady MPF-6 6-Inch Clamp On Microphone Pop Filter

The On Stage 7701B Microphone Stand is a durable tripod mic stand and boom combination and just about the best value we’ve ever offered. These stands use the highest quality components. The legs fold down for the most compact storage. Setup height is adjustable from 36 to 63 inches. On Stage 7701B Tripod Microphone Boom Stand…

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Its onboard X/Y stereo condenser mics are arranged with the right and left mics on the same axis. This design ensures that the mics are always an equal distance from the sound source for perfect localization without phase shifting.

Click here to learn more about Zoom H4N Handy Handheld Musicians Audio Recorder Kit

Its onboard X/Y stereo condenser mics are arranged with the right and left mics on the same axis. This design ensures that the mics are always an equal distance from the sound source for perfect localization without phase shifting.

Click here to learn more about Zoom H4N Handy Handheld Musicians Audio Recorder Kit

The MXL 2003A is a go-to condenser microphone for those critical recording applications like acoustic guitar, where clarity, presence, and detail are essential. Selectable bass cut and -10dB pad provide additional recording options, while its transformerless FET preamp will please the pickiest engineers with its smooth and even response.

Click here to learn more about MXL 2003A Condenser Mic

Internally wired with world-class Mogami cable, the MXL V69XM is a versatile vacuum tube condenser microphone with a 32mm capsule and transformer-balanced output for extremely high levels of tonal quality. The MXL mic is a perfect complement to analog and digital recording devices and will give you superb vocal and instrument reproduction for years to come.

Click here to learn more about MXL V69XM Tube Condenser Mic

The MXL 2003A is a go-to condenser microphone for those critical recording applications like acoustic guitar, where clarity, presence, and detail are essential. Selectable bass cut and -10dB pad provide additional recording options, while its transformerless FET preamp will please the pickiest engineers with its smooth and even response.Vintage modeled capsule designBalanced transformerless output for low-noise operationBass roll-off switch set to 150Hz at 6 dB/octaveAttenuation -10 dB pad switchComes with MXL-56 high-isolation shockmountWired with Mogami cable3-year warranty

Click here to learn more about Mxl 2003A Condenser Mic

The Shure KSM32/SL Condenser Mic has extended frequency response for incredibly natural sound. A transformerless preamp eliminates crossover distortion and improves linearity. The gold-layered, high-compliance diaphragm improves low frequency and transient response. 15dB attenuation switch handles high SPLs, the switchable low-frequency filter reduces background noise. The 3-stage pop-protection grille reduces breath noises, and internal shock mount reduces handling noise. Frequency response: 20Hz to 20kHz. Includes locking aluminum carrying case, ShureLock elastic-suspension shockmount, ShureLock swivelmount, and padded bag. Requires phantom power. Channel Strips of the Stars: Ronan Chris Murphy World-class producer/engineer/mixer Ronan Chris Murphy’s credits include King Crimson, Steve Morse, Terry Bozzio, Victor Bisetti, Gregg Bissonette, Tony Levin, and projects with members of Tool, Ministry, Weezer, Dishwalla, and Yes. Ronan was kind enough to share some of his drum-recording signal chains: “Well all of the drums for Terry Bozzio’s Jazz trio were recorded with all A Designs Audio solid state preamps. For drum overheads I used Shure KSM32 condenser mics into an A Designs Audio Pacifica (#189903) to a Manley Variable Mu Limiter Compressor (#620908); for kick drums, AKG D112s (#271161) into A designs Pacificas. (I prefer the Shure Beta 52 (#270267) for kick but they were pre-mounted inside Terry’s (Bozzio) kick drums. Actually I have used the Shure KSM32 into Pacifica combo on tons of great drummers, including Terry Bozzio Victor Bisetti (Los Lobos), Gregg Bissonette (Santana, David Lee Roth), and Pat Mastelotto (King Crimson, Mister Mister, The Rembrandts).” Transformerless preamp eliminates crossover distortion Improved LF response 15dB attenuation switch for high SPLs LF filter for background noise reduction Three-stage pop protection grille

Click here to learn more about Shure Ksm32/Sl Condenser Mic

The Nady SCM 900 Condenser Mic has the quality for even the most demanding digital recording use. The hand-tooled brass microphone capsule features an ultrathin (3 micron), 1″ gold-sputtered Mylar diaphragm. The FET preamp offers natural reproduction. Cardioid pattern, internal shockmount construction, gold-plated XLR jack, 30Hz-16kHz frequency response, -6dB@100Hz low cut filter, 125dB SPL handling, and 76dB S/N ratio. 48V phantom power required.

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The sound of tube mics is undeniably rich and smooth. At the heart of each Behringer T-1 condenser mic is a hand-selected 12AX7 tube, which has been specifically designed to give these recording microphones their incredible sonic character. One advantage tube condensers have over their solid-state counterparts is that they are not subject to the rapid rise of odd-order harmonics, which the ear perceives as highly unmusical. Even when subjected to high sound pressure levels, the T-1 condenser mic reacts in much the same way the human ear does.An ideal kick-drum micWhile this condenser mic can handle input levels as high as 130dB, the T-1 comes equipped with a switchable -20dB pad for the extremely high transients generated by kick-drums and heavy-metal vocalists. With its 20Hz to 20kHz frequency range, the T-1 can handle all the low-frequency content you can throw at it, and still provide all the definition your sound source deserves.Cardioid polar patternBehringer T-1 Tube Condenser Mics feature a tight cardioid (heart-shaped) sound-reception pattern, which reduces the pickup of sound from the sides and rear for improved source isolation. The included custom shock mount fits all standard microphone stands and provides further isolation from external sources of vibration, such as sounds transmitted through floor joists and outside traffic.Dedicated power supplyThe included Behringer PSU-T power supply/preamp provides the supply voltage for the tube preamplifier and houses a Low Cut switch that can be used to reduce the low frequency response, if so desired. The included 7-pin multi-core cable supplies power to the mic and routes the audio signal to the XLR socket on the PSU-T.The ultimate recording micSince the early days of recording, sound engineers have been searching for the best-sounding mics for recording acoustic instruments and the human voice. The resounding choice of professional recordists around the globe has been the tube condenser microphone because nothing compares to a sound that’s so open, warm, and full of character. Unfortunately, tube mics can wipe out a home-recording budget faster than you can say “phantom power supply.” But with the T-1, anyone who can afford a decent live microphone can have a studio-grade, tube-powered condenser mic for about the same price.The T-1′s sensitive sideAnother advantage of tube mics is that they typically outperform transistor designs when it comes to subtle signal levels, such as environmental ambiance. The T-1 condenser mic picks up every nuance of your performance, capturing an openly transparent slice of time and space with just the right amount of tube warmth. Now you’ll be able to justify that new set of strings for your acoustic guitar (because you’ll hear the difference), and you’ll marvel at the sparkling highlights coming off your wind chimes.Professional, large-diaphragm, tube condenser microphone for unsurpassed audio qualityHand-selected 12AX7 vacuum tube for exceptional warmth and

Click here to learn more about Behringer T-1 Tube Condenser Mic

Internally wired with world-class Mogami cable, the MXL V69XM is a versatile vacuum tube condenser microphone with a 32mm capsule and transformer-balanced output for extremely high levels of tonal quality. The MXL mic is a perfect complement to analog and digital recording devices and will give you superb vocal and instrument reproduction for years to come.Transformer-balanced output for smooth sound12AT7 dual triode vacuum tubeUpdated grill design complements capsuleComes with shockmount, power supply, 15′ 7-pin Mogami cable, 15′ XLR Mogami microphone cable, cleaning cloth & flight case3-year warranty/1-year tube

Click here to learn more about Mxl V69xm Tube Condenser Mic

The Audix USB12 is a miniaturized USB condenser microphone used for recording voice and acoustic instruments directly into a computer. Known for its clarity, excellent transient response, SPL handling, and ease of operation, the USB mic is designed to naturally capture and reproduce vocals and instruments with stunning detail. The USB12, which is characterized with a uniformly controlled cardioid polar pattern, provides excellent isolation and control at the sound source. With a smooth and accurate response over a frequency range of 50 Hz – 16 kHz, the USB12 sits on top of a stable desktop base and can be quickly and easily adjusted to any position. The USB microphone has a 16 bit sample resolution and supports 44.1k and 48k sample rates for both playback and recording. This high definition condenser mic features a push-to-talk button with the option of ‘steady on’ or ‘momentary on’ as well as a headphone jack for real time monitoring and a bass roll-off filter to control unwanted low frequency signals. The USB12 microphone comes with a 6 ft USB cable, matt black finish, and field replaceable capsule. Flexible Gooseneck Design Records directly into a computer via USB Port Studio sound Quality “Plug and Play” Mac and PC Compatible 16 Bit Sample Resolution Supports 44.1k and 48k sample Rates 12 mm High resolution Condenser Capsule Push to Talk – ‘Steady on or Momentary On’ Bass Roll-off Filter Headphone Jack for Real time Monitoring Applications: Vocal recording Instrument recording Podcasting Live chat, IP communication Medical/Legal reporting Internet telecommunication Conferencing

Click here to learn more about Audix Usb12 Usb Condenser Mic

The Nady SCM 900 Condenser Mic has the quality for even the most demanding digital recording use. The hand-tooled brass microphone capsule features an ultrathin (3 micron), 1″ gold-sputtered Mylar diaphragm. The FET preamp offers natural reproduction. Cardioid pattern, internal shockmount construction, gold-plated XLR jack, 30Hz-16kHz frequency response, -6dB@100Hz low cut filter, 125dB SPL handling, and 76dB S/N ratio. 48V phantom power required.1″ gold-sputtered diaphragm FET preamp Internal shockmount construction Cardioid pattern Frequency range: 30Hz-16kHz Low cut: 100Hz, -6dB Impedance: < 200 ohms Recommended load impedance: &ge;1,000 ohms Max. SPL (1% THD @1,000Hz): 125dB Connector: 3-pin XLR (gold-plated) 76dB S/N ratio

Click here to learn more about Nady Scm 900 Condenser Mic

A recording microphone with classic tube soundThe sound of tube mics is undeniably rich and smooth. At the heart of each of these Behringer T-47 mics is a hand-selected 12AX7 tube, which has been specifically designed to give these microphones their incredible sonic character. One advantage tube condensers have over their solid-state counterparts is that they are not subject to the rapid rise of odd-order harmonics, which the ear perceives as highly unmusical. Even when subjected to high sound pressure levels, the T-47 condenser microphone reacts in much the same way the human ear does.Cardioid polar patternT-47 tube condenser mics feature a tight cardioid (heart-shaped) sound-reception pattern, which reduces the pickup of sound from the sides and rear for improved source isolation. The included custom shock mount fits all standard microphone stands and provides further isolation from external sources of vibration, such as sounds transmitted through floor joists and outside traffic.Dedicated power supplyThe included Behringer PSU-T power supply/preamp provides the supply voltage for the tube preamplifier and houses a Low Cut switch that can be used to reduce the low frequency response, if so desired. The included 7-pin multi-core cable supplies power to the mic and routes the audio signal to the XLR socket on the PSU-T.The ultimate recording micSince the early days of recording, sound engineers have been searching for the best-sounding mics for recording acoustic instruments and the human voice. The resounding choice of professional recordists around the globe has been the tube condenser microphone because nothing compares to a sound that’s so open, warm, and full of character. Unfortunately, tube mics can wipe out a home-recording budget faster than you can say “phantom power supply.” But with the T-47, anyone who can afford a decent live microphone can have a studio-grade, tube-powered condenser mic for about the same price.The T-47′s sensitive sideAnother advantage of tube mics is that they typically outperform transistor designs when it comes to subtle signal levels, such as environmental ambiance. The T-47 picks up every nuance of your performance, capturing an openly transparent slice of time and space with just the right amount of tube warmth. Now you’ll be able to justify that new set of strings for your acoustic guitar (because you’ll hear the difference), and you’ll marvel at the sparkling highlights coming off your wind chimes.Professional, large-diaphragm, tube condenser microphone for unsurpassed audio qualityHand-selected 12AX7 vacuum tube for exceptional warmth and vintage soundIdeal as main and support microphone for studio and live applicationsCardioid pickup pattern for outstanding sound source separation and feedback rejectionPressure-gradient transducer with shock-mounted capsulePerfect for vocals and acoustic instrumentsSwitchable low-frequency roll-offUltra-rugged construction with metal die-cast bodyHigh-quality components

Click here to learn more about Behringer T-47 Tube Condenser Mic

The Nady CM 90 Cardioid Condenser Mic is great for recording or reinforcing acoustic guitars, hi-hats, snares, piano, and horns. Perfect as an overhead drum mic. Features high sensitivity, extended smooth response, and very high SPL capability. Transformerless design yields minimal self-noise. Rugged turned-brass microphone housing and internal sub-assembly shockmount. Engraved markings. Requires 48V phantom power.

Click here to learn more about Nady CM 90 Cardioid Condenser Mic

The Nady CM 90 Cardioid Condenser Mic is great for recording or reinforcing acoustic guitars, hi-hats, snares, piano, and horns. Perfect as an overhead drum mic. Features high sensitivity, extended smooth response, and very high SPL capability. Transformerless design yields minimal self-noise. Rugged turned-brass microphone housing and internal sub-assembly shockmount. Engraved markings. Requires 48V phantom power.

Click here to learn more about Nady Cm 90 Cardioid Condenser Mic

The MXL 2003A is a go-to condenser microphone for those critical recording applications like acoustic guitar, where clarity, presence, and detail are essential. Selectable bass cut and -10dB pad provide additional recording options, while its transformerless FET preamp will please the pickiest engineers with its smooth and even response.Vintage modeled capsule designBalanced transformerless output for low-noise operationBass roll-off switch set to 150Hz at 6 dB/octaveAttenuation -10 dB pad switchComes with MXL-56 high-isolation shockmountWired with Mogami cable3-year warranty

Click here to learn more about Used Mxl 2003A Condenser Mic

This Sterling Audio package includes an ST31 FET small-diaphragm condenser microphone, an ST51 Large Diaphragm FET condenser mic, and two Musician’s Gear MS-220 Tripod Mic Stands.ST31 Small Diaphragm FET Condenser MicThe Sterling Audio ST31 is an FET small-diaphragm condenser microphone that features a mid-size (3/4″) capsule to make it perfect for miking acoustic instruments, amplifiers, drum overheads, and more. The ST31 mic’s thin, 6-micron evaporated gold Mylar diaphragm is optimized to capture the most definition and detail from all acoustic instruments like piano, drums, and guitars. Warm FET circuitry gives it low noise and high-quality sonics. It requires phantom power.ST51 Large Diaphragm FET Condenser MicrophoneThe ST51 Condenser Microphone’s large capsule with ultrathin 6-micron gold evaporated Mylar diaphragm is built with an exclusive process that extends high frequencies to improve details and depths. The FET Class A electronics provide smooth, warm sound to both vocal and instrument recording. It requires phantom power.Musician’s Gear MS-220 Tripod Mic Stand with Fixed BoomThe MS-220 Tripod Microphone Stand has a thread adapter and tubular legs. Its adjustable height from floor to top thread is 35″ to 61-7/8″. The 30-1/4″ fixed boom is not adjustable.ST31 Small Diaphragm FET Condenser MicMid-size, all-brass capsuleRobust construction with rubber-isolated capsuleStainless steel head and grille assemblyRugged vinyl zipper caseST-HM1 swiveling hard mountST51 Large Diaphragm FET Condenser MicrophoneDisk Resonator design extends high-frequencies naturallyLarge 1.25″ all brass capsule, hand assembled and oven baked for long term stable operationBlack nickel-plated all brass bodyStainless steel head and grille assemblyCustom-wound nickel core output transformerHM-2 hard mountRugged vinyl zipper case included

Click here to learn more about Sterling Audio St51 / St31 Condenser Mic Package