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Click here to learn more about Bach: Two-Part Inventions; English Suite; Notebook for Anna Magdalena

The DJ PRE II is a high quality Phono preamp designed for your home and studio. It acts as an interface between your turntable and your audio recording system. The analog input capacitance can be switched between 100pf and 200pf to optimize your phono cartridge response. A switchable low cut filter removes turntable rumble while leaving the audio pristine. The front gain trim control and signal/cl…

Click here to learn more about ART DJ Pre II Phono Preamp

The RODE NT1A raises the bar for value-priced mics! The NT1A Anniversary Model is a complete redesign of the now legendary NT1 classic studio microphone. From the new nickel plated body to the state of the art surface mount electronic circuitry, the NT1A will leave you asking ‘how can RODE offer a microphone that sounds this good, for so little money’? The RØDE NT1A, Winner of the Electronic Musi…

Click here to learn more about Rode NT1A Anniversary Vocal Condenser Microphone Package

The original Tube MP made pro-caliber tube preamping available to ordinary musicians and home studios. The MP Studio goes a step further by adding a VU meter for better level control and ART’s OPL (Output Protection Limiter), which controls and maintains the output peak signal to protect hard-disk recording systems and soundcards. The VU meter reflects the impact of the OPL circuitry when it is ac…

Click here to learn more about ART Tube MP Studio Mic Preamp

Groove Tubes 931-2003-000 The Brick Tube Microphone and Instrument Pre-Amplifier…

Click here to learn more about FENDER GROOVE TUBES THE BRICK TUBE PRE-AMP

The Bluetube dual path stereo microphone/instrument preamplifier delivers the best of both worlds with solid state transparency and tube warmth. Each channel features dual path technology; enabling separate control between a transparent solid state preamp stage and a tube preamp stage, delivering a wide range of sounds from pristine and clear to fat and warm. The Bluetube DP is the perfect front-end microphone/instrument preamp for any digital audio workstation.

Click here to learn more about PreSonus BlueTube DP Stereo Tube Microphone Preamp

The Tube MP is the world’s most popular external tube microphone preamp. Whether you’re working with a 4-track, hard-disk, or digital multi-track recorder, the Tube MP’s TEC award nominated design will allow you to obtain professional recording studio results at a fraction of the cost of comparable equipment. The hybrid design of the Tube MP allows it to add warmth and fatness to a signal while maintaining exceptionally low-noise and high quality.

Click here to learn more about ART Tube MP Microphone Preamp (Model 127)

Elegance and simplicity are the driving forces behind Blue’s design philosophy, and the ROBBIE tube premap is no exception. This Class-A discrete tube microphone and instrument preamp features the same technical build quality and commitment to excellence for which Blue is known. Yields excellent detail with extremely low noise and ultrahigh gain. The warm, robust tube gain stage is the perfect enhancement for condenser microphones. Frequency response is 10Hz to 100kHz, ±2dB.

Click here to learn more about Blue ROBBIE Tube Microphone Preamp

Elegance and simplicity are the driving forces behind Blue’s design philosophy, and the ROBBIE tube premap is no exception. This Class-A discrete tube microphone and instrument preamp features the same technical build quality and commitment to excellence for which Blue is known. Yields excellent detail with extremely low noise and ultrahigh gain. The warm, robust tube gain stage is the perfect enhancement for condenser microphones. Frequency response is 10Hz to 100kHz, 2dB. Class-A single-channel discrete tube microphone and instrument preamplifierDiscrete, balanced components from input to outputSimple designFront panel features a large backlit gain knob and Hi-Z 1/4″ instrument input Inputs: one XLR microphone, one 1/4″ TS phone instrumentOutput: one XLR linePhantom power

Click here to learn more about Blue Robbie Tube Microphone Preamp

The Tube MP Project Series is a professional quality audio interface that lets you connect microphone, instrument, and line level signals to a mixer or other audio input. This hybrid design is the latest in a long line of ART tube preamps. They took the legendary Tube MP series and updated every aspect of the design, inside and out, while still maintaining a compact, reliable, and cost effective product.

Click here to learn more about ART Tube MP Project Series Microphone Preamp

The Tube Ultragain Mic100 is a vacuum tube mic/line preamplifier with integrated limiter for studio, live and hard disk recording applications. It features a carefully selected 12AX7 vacuum tube with UTC technology for exceptional warmth and lowest noise. Thus, the Mic100 can be used to eliminate the “dull” sound of standard digital recorders and sound cards.

Click here to learn more about Behringer MIC100 Tube Ultragain Microphone Preamp with Limiter

The new Studio Projects VTB-1 is the ultimate in low cost mic preamplifier technology. Incorporating true class A/B switching, the VTB-1 is a totally discrete circuit. Unique to the VTB-1 is the “Tube Drive.” The Tube Drive is a variable drive to a 12AX7, that allows the user to blend as little, or as much of the Tube Drive they want. This VTB-1 allows the user the most flexibility of any mic preamplifier in it’s price class.

Click here to learn more about Studio Projects VTB1 Variable Tube Microphone Preamp

The Nady TMP-1 is a mono tube microphone preamp with amazing warmth and clarity from 12AX7A vacuum tube circuitry. Selectable output limiter circuitry, analog VU meter, variable input and output gain controls, +48V phantom power switch, phase reversal switch, servo-balanced XLR and unbalanced 1/4″ inputs and outputs, plus shielded internal dual regulated power supply add up to fantastic flexibility.

Click here to learn more about Nady TMP-1 Rackmount Mono Tube Microphone Preamp

Elegance and simplicity are the driving forces behind Blue’s design philosophy, and the ROBBIE tube premap is no exception. This Class-A discrete tube microphone and instrument preamp features the same technical build quality and commitment to excellence for which Blue is known. Yields excellent detail with extremely low noise and ultrahigh gain. The warm, robust tube gain stage is the perfect enhancement for condenser microphones. Frequency response is 10Hz to 100kHz, 2dB. Class-A single-channel discrete tube microphone and instrument preamplifierDiscrete, balanced components from input to outputSimple designFront panel features a large backlit gain knob and Hi-Z 1/4″ instrument input Inputs: one XLR microphone, one 1/4″ TS phone instrumentOutput: one XLR linePhantom power

Click here to learn more about Used Blue Robbie Tube Microphone Preamp

The Nady TMP-1 is a mono tube microphone preamp with amazing warmth and clarity from 12AX7A vacuum tube circuitry. Selectable output limiter circuitry, analog VU meter, variable input and output gain controls, +48V phantom power switch, phase reversal switch, servo-balanced XLR and unbalanced 1/4″ inputs and outputs, plus shielded internal dual regulated power supply add up to fantastic flexibility.Mono tube preamp Warmth and clarity of 12AX7A vacuum tube circuitry Selectable output limiter circuitry Analog VU meter Variable input and output gain controls +48V phantom power switch Phase reversal switch Servo-balanced XLR and unbalanced 1/4″ inputs and outputs Shielded internal dual regulated power supply

Click here to learn more about Nady Tmp-1 Rackmount Mono Tube Microphone Preamp

The Universal Audio 4-710d is a boutique quality, four-channel microphone/line preamplifier with unique tube and solid-state tone blending capabilities, perfect for a wide range of microphone and instrument sources. This versatile multi-channel preamp offers selectable 1176-style compression circuitry on each channel, plus four additional line inputs feeding eight channels of pristine analog-to-digital conversion. Building upon UA’s classic analog design approach, combined with smart modern features, the 4-710d is the most flexible preamp in the UA lineup.

Click here to learn more about Universal Audio 4-710D 4-Channel Microphone Preamp

The ART Voice Channel is the answer to your recording and computer audio interface needs. Built to provide the ideal all-in-one input solution for analog or digital recording, the ART VoiceChannel is a true second-generation discrete Class-A microphone preamp capable of providing clean quiet gain while maintaining incredible transparency.

Click here to learn more about ART Voice Channel Tube Microphone Preamp System with Digital In/Out

The Studio Channel is a professional channel strip combining Class A tube preamplifier, VCA-based compressor and three-band parametric equalizer perfect for the professional and project studio. Great for all types of microphones, instruments, keyboards and synths, the Studio Channel has the sonic power and flexibility to achieve any tone you can dream of – luscious in your face vocals, crystal clear acoustic guitars, fat solid bass guitar, dynamic acoustic piano, cracking snare, punchy bass, huge MPC tracks and more.

Click here to learn more about PreSonus Studio Channel Tube Microphone Preamp

With the Electro-Harmonix 12AY7 Tube Microphone Preamp, Electro-Harmonix offers an affordable tube micrphone preamp that won’t disappoint. Equipped with a 12AY7 EH tube and a 12AU7 EH driver, it gives microphones the widest dynamic range with the warmest possible tone and accuracy. The 12AY7 Mic Pre uses an actual 200V supply instead of the “faked out” 12 or 48 volts you’d get with common models and delivers 50dB of gain into a high impedance load or 40dB gain into 600 ohms. The 12AY7 Mic Preamp’s special FET current-balancing circuit allows the tubes to amplify the microphone signal to line level while eliminating noise and protecting against hum and hostile electrical environments. It has an extra TRS output for separate line control, which can be used as a splitter or an aux send for monitoring. Input connections are balanced in and out (XLR) with a 1/4″ TRS balanced buffer out. The Electro-Harmonix mic pre unit also boasts a phase reverse switch and a +4dBm indicator light for setting optimal mic level. The 48V phantom power is soft starting and pop-free.

Click here to learn more about Electro-Harmonix 12AY7 Tube Microphone Preamp 886830181436

With the Electro-Harmonix 12AY7 Tube Microphone Preamp, Electro-Harmonix offers an affordable tube micrphone preamp that won’t disappoint. Equipped with a 12AY7 EH tube and a 12AU7 EH driver, it gives microphones the widest dynamic range with the warmest possible tone and accuracy. The 12AY7 Mic Pre uses an actual 200V supply instead of the “faked out” 12 or 48 volts you’d get with common models and delivers 50dB of gain into a high impedance load or 40dB gain into 600 ohms. The 12AY7 Mic Preamp’s special FET current-balancing circuit allows the tubes to amplify the microphone signal to line level while eliminating noise and protecting against hum and hostile electrical environments. It has an extra TRS output for separate line control, which can be used as a splitter or an aux send for monitoring. Input connections are balanced in and out (XLR) with a 1/4″ TRS balanced buffer out. The Electro-Harmonix mic pre unit also boasts a phase reverse switch and a +4dBm indicator light for setting optimal mic level. The 48V phantom power is soft starting and pop-free.

Click here to learn more about Electro-Harmonix 12AY7 Tube Microphone Preamp 889406756632

With the Electro-Harmonix 12AY7 Tube Microphone Preamp, Electro-Harmonix offers an affordable tube micrphone preamp that won’t disappoint. Equipped with a 12AY7 EH tube and a 12AU7 EH driver, it gives microphones the widest dynamic range with the warmest possible tone and accuracy. The 12AY7 Mic Pre uses an actual 200V supply instead of the “faked out” 12 or 48 volts you’d get with common models and delivers 50dB of gain into a high impedance load or 40dB gain into 600 ohms. The 12AY7 Mic Preamp’s special FET current-balancing circuit allows the tubes to amplify the microphone signal to line level while eliminating noise and protecting against hum and hostile electrical environments. It has an extra TRS output for separate line control, which can be used as a splitter or an aux send for monitoring. Input connections are balanced in and out (XLR) with a 1/4″ TRS balanced buffer out. The Electro-Harmonix mic pre unit also boasts a phase reverse switch and a +4dBm indicator light for setting optimal mic level. The 48V phantom power is soft starting and pop-free.

Click here to learn more about Electro-Harmonix 12AY7 Tube Microphone Preamp